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2. Altered States : Substances in Contemporary Art = Altered States : Substanzen in der Zeitgenössischen Kunst

Author

Mercer, Milena, Deiss, Amely, Kröger, Malte, Daly, Max, Fährmann, Jan, Henkel, Anna, Klipphahn, Michael, Müller, Christian Philipp, Neddermeyer, Ina, Mercer, Milena, Deiss, Amely, Kröger, Malte, Daly, Max, Fährmann, Jan, Henkel, Anna, Klipphahn, Michael, Müller, Christian Philipp, and Neddermeyer, Ina

Abstract

"People have always consumed substances for purposes other than nutrition – for healing, for intoxication, to expand the consciousness, in religious rituals, for self-optimization, in protest or out of boredom. The changing categorization of a substance – whether as a pharmaceutical, drug, hormone, or doping agent – suggests that this differentiation has less to do with the effects or dangers of a substance. Rather, hidden behind individual attitudes toward substances, you find an entire social history shaped by questions of race, gender, class, and economic interests. This international group show presented twelve artistic positions that approach the topic through photography, video, sculpture, installation, and performance. The exhibition critically questions the societal view and handling of substances, and sheds a light on global consequences as well as future potentials. The essays from the interdisciplinary conference examine the topic from the viewpoint of, among others, criminology, psychology, art history, philosophy, neuroscience, and sexology. They ask questions about the effects and potential of various substances, their societal context as well as the associated individual and collective responsibility. The latest (natural) scientific knowledge is linked with central ethical questions." -- Art Metropole's web site.

Published
2018

4. Branding the campus:Kunst, Architektur, Design, Identitätspolitik

Author

Müller, Christian Philipp, Bismarck, Beatrice, Stoller, Diethelm, Wege, Astrid, and Wuggenig, Ulf

Subjects
Corporate Identity, Kunstwissenschaft, Lüneburg / Universität
Abstract

in conjunction with the Permanent Installation of Christian Philipp Müller's The Campus as a Work of Art. Prototypes Department. An Art Project in Two Parts, 1996 - 1998, Universität Lüneburg Erscheint anlässlich der Permanenten Installation von Christian Philipp Müller. Der Campus als Kunstwerk. Abteilung Prototypen. Eine künstlerische Arbeit in zwei Teilen, 1996 - 1998, Universität Lüneburg

Published
2001

5. Land And Environmental Art

Author

Kastner, Jeffrey, Wallis, Brian, Alloway, Lawrence, Andre, Carl, Atkinson, Terry, Aycock, Alice, Baker, George, Baldessari, John, Baldwin, Michael, Ballard, J.g., Bann, Stephen, Barrell, John, Baudrillard, Jean, Beardsley, John, Beaumont, Betty, Benjamin, Walter, Bloom, Doris, Brett, Guy, Brown, Julia, Burke, Edmund, Burnham, Jack, Carson, Rachel, Chin, Mel, Coplans, John, Debord, Guy, Demarco, Richard, De Maria, Walter, Denes, Agnes, Dibbets, Jan, Dion, Mark, Endo, Toshikatsu, Feigenbaum, Harriet, Fehr, Michael, Fend, Peter, Finlay, Ian Hamilton, Foucault, Michel, Freud, Sigmund, Fried, Michael, Friedman, Kenneth, Fulton, Hamish, Furlong, William, Geva, Avital, Golan, Smadar, Goldsworthy, Andy, Gould, Stephen Jay, Harkavy, Donna, Harrison, Helen Mayer, Harrison, Newton, Heiss, Alanna, Hickey, Dave, Holt, Nancy, Huebler, Douglas, Hutchinson, Peter, Jackson, John Brinckerhoff, Johanson, Patricia, Kentridge, William, Kerouac, Jack, Krauss, Rosalind, Kurtz, Bruce, Linker, Kate, Lippard, Lucy R., Long, Richard, Lord, Chip, McEvilley, Thomas, Masheck, Joseph, Morris, Robert, Müller, Christian Philipp, Nanjo, Fumio, Ngo, Viet, Noguchi, Isamu, Oldenburg, Claes, Owens, Craig, Price, Uvedale, Rosenberg, Harold, Sauzeau-Boetti, Anne-Marie, Schama, Simon, Schum, Gerry, Serra, Richard, Sharp, Willoughby, Sherk, Bonnie, Shiraga, Fujiko, Simpson, Buster, Smithson, Robert, Sonfist, Alan, Soper, Kate, Spero, Nancy, Thoreau, Henry David, Tillim, Sidney, Tomkins, Jane, Tortosa, Guy, Turrell, James, Ukeles, Mierle Laderman, Waldman, Diane, Zaya, Octavio, Kastner, Jeffrey, Wallis, Brian, Alloway, Lawrence, Andre, Carl, Atkinson, Terry, Aycock, Alice, Baker, George, Baldessari, John, Baldwin, Michael, Ballard, J.g., Bann, Stephen, Barrell, John, Baudrillard, Jean, Beardsley, John, Beaumont, Betty, Benjamin, Walter, Bloom, Doris, Brett, Guy, Brown, Julia, Burke, Edmund, Burnham, Jack, Carson, Rachel, Chin, Mel, Coplans, John, Debord, Guy, Demarco, Richard, De Maria, Walter, Denes, Agnes, Dibbets, Jan, Dion, Mark, Endo, Toshikatsu, Feigenbaum, Harriet, Fehr, Michael, Fend, Peter, Finlay, Ian Hamilton, Foucault, Michel, Freud, Sigmund, Fried, Michael, Friedman, Kenneth, Fulton, Hamish, Furlong, William, Geva, Avital, Golan, Smadar, Goldsworthy, Andy, Gould, Stephen Jay, Harkavy, Donna, Harrison, Helen Mayer, Harrison, Newton, Heiss, Alanna, Hickey, Dave, Holt, Nancy, Huebler, Douglas, Hutchinson, Peter, Jackson, John Brinckerhoff, Johanson, Patricia, Kentridge, William, Kerouac, Jack, Krauss, Rosalind, Kurtz, Bruce, Linker, Kate, Lippard, Lucy R., Long, Richard, Lord, Chip, McEvilley, Thomas, Masheck, Joseph, Morris, Robert, Müller, Christian Philipp, Nanjo, Fumio, Ngo, Viet, Noguchi, Isamu, Oldenburg, Claes, Owens, Craig, Price, Uvedale, Rosenberg, Harold, Sauzeau-Boetti, Anne-Marie, Schama, Simon, Schum, Gerry, Serra, Richard, Sharp, Willoughby, Sherk, Bonnie, Shiraga, Fujiko, Simpson, Buster, Smithson, Robert, Sonfist, Alan, Soper, Kate, Spero, Nancy, Thoreau, Henry David, Tillim, Sidney, Tomkins, Jane, Tortosa, Guy, Turrell, James, Ukeles, Mierle Laderman, Waldman, Diane, and Zaya, Octavio

Abstract

Kastner sketches the complex relationship with the land in a survey of Land Art from its genesis in the counter-cultural practices of the 1960s through to contemporary Environmental Art. Wallis locates the aesthetic and critical characteristics of Land and Environmental Art and situates them within an art historical context. With extended captions, key works are compiled by theme and complemented by critical texts, artists’ statements, interviews and commentaries corresponding with the thematic division of the works. Index. Biographical notes. Bibl. 3 p. Circa 210 bibl. ref.

Published
1998

6. Project Unité

Author

Loach, Judy, Koolhaas, Rem, Duplay, Laurence, Ericson, Kate, Ziegler, Mel, Noulette, Karine, Armaly, Fareed, Barry, Judith, von Bonin, Cosima, Burr, Tom, Currin, John, Dion, Mark, Doig, Peter, Fremy, Anne, Geoffroy, Christiane, Gonzalez-Foerster, Dominique, Green, Renée, Vasarely, Victor, Iserman, Jim, Krebber, Michael, Locher, Thomas, Miralles, Enric, Möller, Regina, Mouraud, Tania, Müller, Christian Philipp, Pareno, Philippe, Roche, François, Saylor, Ken Schöttle, Simon, Jason, Wevers, Ursula, Loach, Judy, Koolhaas, Rem, Duplay, Laurence, Ericson, Kate, Ziegler, Mel, Noulette, Karine, Armaly, Fareed, Barry, Judith, von Bonin, Cosima, Burr, Tom, Currin, John, Dion, Mark, Doig, Peter, Fremy, Anne, Geoffroy, Christiane, Gonzalez-Foerster, Dominique, Green, Renée, Vasarely, Victor, Iserman, Jim, Krebber, Michael, Locher, Thomas, Miralles, Enric, Möller, Regina, Mouraud, Tania, Müller, Christian Philipp, Pareno, Philippe, Roche, François, Saylor, Ken Schöttle, Simon, Jason, and Wevers, Ursula

Abstract

A three-volume catalogue produced for a group exhibition in 1993 at Le Corbusier's Unité d'Habitation housing complex in Firminy, France. In volume 1, Loach details the architect's execution of several commissions for Firminy; Koolhaas applies Dali's paranoid-critical method to Le Corbusier while examining both men's reaction to Manhattan; a statistical analysis looks at present-day Unité occupants. Illustrations, project descriptions, artists' statements and essays by the 44 international exhibiting artists comprise volume 2 and 3. Bibl. 5 p.

Published
1993

8. Qui, quoi, où ? : Un regard sur l'art en Allemagne en 1992

Author

Bossé, Laurence, Obrist, Hans Wrich, Miller, John, Locher, Thomas, Müller, Christian Philipp, Schaerf, Eran, Schmitz, Rudolf, Arden, Roy, Steiner, Tatjana, Bossé, Laurence, Obrist, Hans Wrich, Miller, John, Locher, Thomas, Müller, Christian Philipp, Schaerf, Eran, Schmitz, Rudolf, Arden, Roy, and Steiner, Tatjana

Abstract

On the occasion of an exhibition gathering 18 artists based in Germany and representing two generations, this catalogue stresses the diversity of the formal solutions proposed and the existential uncertainties thus reflected. Includes presentation texts by artists and critics (some reprinted); an interview between Sloterdijk and Obrist on aesthetics-related issues; Miller's reflections about German culture. Biographical notes. 7 bibl. ref.

Published
1992

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