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1. The Motet in the Late Middle Ages.

2. BACH The Vocal Works.

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3. ЖАНРОВО-СТИЛЬОВІ МЕТАМОРФОЗИ НІМЕЦЬКОЇ ХОРОВОЇ КАНТАТИ XVIII-XIX CТОЛІТЬ

4. The Motets of Anton Bruckner.

5. Ars Antiqua motets in fourteenth-century Italy: liturgical priorities, style and notation in Bodleian, lat. liturg. e. 42.

6. Deliver Us from Obscurity: How Persecution Shaped William Byrd into One of England’s Finest Composers

7. The Malmariée in the Thirteenth-Century Motet. Dolores Pesce.

8. Did Alexander Utendal really compose the motet Angelus Domini a23 in A-Wn, HAN Cod. 9814?

9. More on the scoring of Josquin's Huc me sydereo and the manuscript St Gallen 464.

10. The Forty Part Motet in New York City after 9/11.

12. ANALYTICAL ASPECTS OF THE THREE VERSIONS OF CONFITEBOR TIBI, DOMINE BY CLAUDIO MONTEVERDI.

13. Hexachordal Solmization and Syllable-Invariant Counterpoint in the Vocal Music of William Byrd.

14. MOZART Requiem.

15. Classical Recordings.

16. The Indicative Mood: A Response to Margaret Bent.

17. Upper-Voice Structures and Compositional Process in the Ars nova Motet.

18. FROM THE CELESTIAL HILLS.

19. Benedicamus Domino: delight in singing praise to God at Las Huelgas of Burgos.

20. Poor Clares, rich in music: unique polyphonic Benedicamus Domino settings from southern Polish convents in the late 13th and early 14th centuries.

21. Hidden colouration: deep metrical flexibility in Machaut.

22. LOVE ILLUMINATES: JOANNA GILL.

23. Brixi's Oratoria: An Unknown Portion in the Works of the Famous Composer.

24. Mystery of Early Baroque (set of five recordings).

28. Authors of Articles in this issue.

29. Salamone Rossi's Synagogue Motets The 400th Anniversary.

31. A musical farewell in bi-confessional early modern Austria.

32. MUSIC BEFORE THE MIND'S EYES: THE SUBLIME PRACTICE OF MUSICA RESERVATA AND SECONDA PRATTICA IN THE LIGHT OF THE TRANSFORMATIVE LUDUS PERFORMING AND LISTENING EXPERIENCE.

33. GENRE EVOLUTION OF THE PSALM AND ECCLESIASTICAL MINIATURE.

34. CHORAL MUSIC BY SAMUEL BARBER: GENRE AND STYLE ASPECTS.

36. An Unnatural Attitude: Phenomenology in Weimar Musical Thought.

38. Elizabeth I, Thomas Tallis and Judith: music, resistance and the iconography of power.

39. Conductus, Sequence, Refrain: Composing Latin Song across Language and Genre in Thirteenth-Century France.

40. Hobrecht and His SingersRobert Nosow.

41. Freynshe fare.

42. A Short Motet with Flexible Voicing.

43. 'Your Muse Remains Forever': memory and monumentality in Elizabethan manuscript partbooks.

44. An Intervallic Approach to Sixteenth-Century Chromaticism.

45. LA MÚSICA CORAL DE BRUCKNER. UN HIMNO DE ALABANZA A DIOS.

46. Fugue in the Sixteenth Century.

47. Printed Music as a Medium of International Representation for the Magnates of the Grand Duchy of Lithuania: A Case Study of Music Prints Dedicated to Jan Karol Chodkiewicz and Aleksander Chodkiewicz.

48. MOTETTE FÜR EINE STIMMENARCHE: Eine Lektüre von ›Stimmen‹.

49. Duruflé Requiem; Poulenc: Lenten Motets.