Search

Recent breakthroughs in deep learning and generative systems have significantly fostered the creation of synthetic media, as well as the local alteration of real content via the insertion of highly realistic synthetic manipulations. Local image manipulation, in particular, poses serious challenges to the integrity of digital content and societal trust. This problem is not only confined to multimedia data, but also extends to biological images included in scientific publications, like images depicting Western blots. In this work, we address the task of localizing synthetic manipulations in Western blot images. To discriminate between pristine and synthetic pixels of an analyzed image, we propose a synthetic detector that operates on small patches extracted from the image. We aggregate patch contributions to estimate a tampering heatmap, highlighting synthetic pixels out of pristine ones. Our methodology proves effective when tested over two manipulated Western blot image datasets, one altered automatically and the other manually by exploiting advanced AI-based image manipulation tools that are unknown at our training stage. We also explore the robustness of our method over an external dataset of other scientific images depicting different semantics, manipulated through unseen generation techniques.

The social media-fuelled explosion of fake news and misinformation supported by tampered images has led to growth in the development of models and datasets for image manipulation detection. However, existing detection methods mostly treat media objects in isolation, without considering the impact of specific manipulations on viewer perception. Forensic datasets are usually analyzed based on the manipulation operations and corresponding pixel-based masks, but not on the semantics of the manipulation, i.e., type of scene, objects, and viewers' attention to scene content. The semantics of the manipulation play an important role in spreading misinformation through manipulated images. In an attempt to encourage further development of semantic-aware forensic approaches to understand visual misinformation, we propose a framework to analyze the trends of visual and semantic saliency in popular image manipulation datasets and their impact on detection.

Synthetic realities are digital creations or augmentations that are contextually generated through the use of Artificial Intelligence (AI) methods, leveraging extensive amounts of data to construct new narratives or realities, regardless of the intent to deceive. In this paper, we delve into the concept of synthetic realities and their implications for Digital Forensics and society at large within the rapidly advancing field of AI. We highlight the crucial need for the development of forensic techniques capable of identifying harmful synthetic creations and distinguishing them from reality. This is especially important in scenarios involving the creation and dissemination of fake news, disinformation, and misinformation. Our focus extends to various forms of media, such as images, videos, audio, and text, as we examine how synthetic realities are crafted and explore approaches to detecting these malicious creations. Additionally, we shed light on the key research challenges that lie ahead in this area. This study is of paramount importance due to the rapid progress of AI generative techniques and their impact on the fundamental principles of Forensic Science.

Image manipulation detection algorithms designed to identify local anomalies often rely on the manipulated regions being ``sufficiently'' different from the rest of the non-tampered regions in the image. However, such anomalies might not be easily identifiable in high-quality manipulations, and their use is often based on the assumption that certain image phenomena are associated with the use of specific editing tools. This makes the task of manipulation detection hard in and of itself, with state-of-the-art detectors only being able to detect a limited number of manipulation types. More importantly, in cases where the anomaly assumption does not hold, the detection of false positives in otherwise non-manipulated images becomes a serious problem. To understand the current state of manipulation detection, we present an in-depth analysis of deep learning-based and learning-free methods, assessing their performance on different benchmark datasets containing tampered and non-tampered samples. We provide a comprehensive study of their suitability for detecting different manipulations as well as their robustness when presented with non-tampered data. Furthermore, we propose a novel deep learning-based pre-processing technique that accentuates the anomalies present in manipulated regions to make them more identifiable by a variety of manipulation detection methods. To this end, we introduce an anomaly enhancement loss that, when used with a residual architecture, improves the performance of different detection algorithms with a minimal introduction of false positives on the non-manipulated data. Lastly, we introduce an open-source manipulation detection toolkit comprising a number of standard detection algorithms.

Forensic iris recognition, as opposed to live iris recognition, is an emerging research area that leverages the discriminative power of iris biometrics to aid human examiners in their efforts to identify deceased persons. As a machine learning-based technique in a predominantly human-controlled task, forensic recognition serves as "back-up" to human expertise in the task of post-mortem identification. As such, the machine learning model must be (a) interpretable, and (b) post-mortem-specific, to account for changes in decaying eye tissue. In this work, we propose a method that satisfies both requirements, and that approaches the creation of a post-mortem-specific feature extractor in a novel way employing human perception. We first train a deep learning-based feature detector on post-mortem iris images, using annotations of image regions highlighted by humans as salient for their decision making. In effect, the method learns interpretable features directly from humans, rather than purely data-driven features. Second, regional iris codes (again, with human-driven filtering kernels) are used to pair detected iris patches, which are translated into pairwise, patch-based comparison scores. In this way, our method presents human examiners with human-understandable visual cues in order to justify the identification decision and corresponding confidence score. When tested on a dataset of post-mortem iris images collected from 259 deceased subjects, the proposed method places among the three best iris matchers, demonstrating better results than the commercial (non-human-interpretable) VeriEye approach. We propose a unique post-mortem iris recognition method trained with human saliency to give fully-interpretable comparison outcomes for use in the context of forensic examination, achieving state-of-the-art recognition performance.

On the internet, images are no longer static; they have become dynamic content. Thanks to the availability of smartphones with cameras and easy-to-use editing software, images can be remixed (i.e., redacted, edited, and recombined with other content) on-the-fly and with a world-wide audience that can repeat the process. From digital art to memes, the evolution of images through time is now an important topic of study for digital humanists, social scientists, and media forensics specialists. However, because typical data sets in computer vision are composed of static content, the development of automated algorithms to analyze remixed content has been limited. In this paper, we introduce the idea of Motif Mining - the process of finding and summarizing remixed image content in large collections of unlabeled and unsorted data. In this paper, this idea is formalized and a reference implementation is introduced. Experiments are conducted on three meme-style data sets, including a newly collected set associated with the information war in the Russo-Ukrainian conflict. The proposed motif mining approach is able to identify related remixed content that, when compared to similar approaches, more closely aligns with the preferences and expectations of human observers., Comment: 41 pages, 21 figures

The widespread diffusion of synthetically generated content is a serious threat that needs urgent countermeasures. As a matter of fact, the generation of synthetic content is not restricted to multimedia data like videos, photographs or audio sequences, but covers a significantly vast area that can include biological images as well, such as western blot and microscopic images. In this paper, we focus on the detection of synthetically generated western blot images. These images are largely explored in the biomedical literature and it has been already shown they can be easily counterfeited with few hopes to spot manipulations by visual inspection or by using standard forensics detectors. To overcome the absence of publicly available data for this task, we create a new dataset comprising more than 14K original western blot images and 24K synthetic western blot images, generated using four different state-of-the-art generation methods. We investigate different strategies to detect synthetic western blots, exploring binary classification methods as well as one-class detectors. In both scenarios, we never exploit synthetic western blot images at training stage. The achieved results show that synthetically generated western blot images can be spot with good accuracy, even though the exploited detectors are not optimized over synthetic versions of these scientific images. We also test the robustness of the developed detectors against post-processing operations commonly performed on scientific images, showing that we can be robust to JPEG compression and that some generative models are easily recognizable, despite the application of editing might alter the artifacts they leave.

Forms of human communication are not static -- we expect some evolution in the way information is conveyed over time because of advances in technology. One example of this phenomenon is the image-based meme, which has emerged as a dominant form of political messaging in the past decade. While originally used to spread jokes on social media, memes are now having an outsized impact on public perception of world events. A significant challenge in automatic meme analysis has been the development of a strategy to match memes from within a single genre when the appearances of the images vary. Such variation is especially common in memes exhibiting mimicry. For example, when voters perform a common hand gesture to signal their support for a candidate. In this paper we introduce a scalable automated visual recognition pipeline for discovering political meme genres of diverse appearance. This pipeline can ingest meme images from a social network, apply computer vision-based techniques to extract local features and index new images into a database, and then organize the memes into related genres. To validate this approach, we perform a large case study on the 2019 Indonesian Presidential Election using a new dataset of over two million images collected from Twitter and Instagram. Results show that this approach can discover new meme genres with visually diverse images that share common stylistic elements, paving the way forward for further work in semantic analysis and content attribution., Comment: 13 pages, 14 figures

A dramatic rise in the flow of manipulated image content on the Internet has led to an aggressive response from the media forensics research community. New efforts have incorporated increased usage of techniques from computer vision and machine learning to detect and profile the space of image manipulations. This paper addresses Image Provenance Analysis, which aims at discovering relationships among different manipulated image versions that share content. One of the main sub-problems for provenance analysis that has not yet been addressed directly is the edit ordering of images that share full content or are near-duplicates. The existing large networks that generate image descriptors for tasks such as object recognition may not encode the subtle differences between these image covariates. This paper introduces a novel deep learning-based approach to provide a plausible ordering to images that have been generated from a single image through transformations. Our approach learns transformation-aware descriptors using weak supervision via composited transformations and a rank-based quadruplet loss. To establish the efficacy of the proposed approach, comparisons with state-of-the-art handcrafted and deep learning-based descriptors, and image matching approaches are made. Further experimentation validates the proposed approach in the context of image provenance analysis., Comment: Supplemental material for this paper is available at https://drive.google.com/file/d/1covDhaTN24zkmyQf1XCTZHNrUZdZqGyo/view?usp=sharing

Images from social media can reflect diverse viewpoints, heated arguments, and expressions of creativity, adding new complexity to retrieval tasks. Researchers working onContent-Based Image Retrieval (CBIR) have traditionally tuned their algorithms to match filtered results with user search intent. However, we are now bombarded with composite images of unknown origin, authenticity, and even meaning. With such uncertainty, users may not have an initial idea of what the results of a search query should look like. For instance, hidden people, spliced objects, and subtly altered scenes can be difficult for a user to detect initially in a meme image, but may contribute significantly to its composition. We propose a new approach for spatial verification that aims at modeling object-level regions dynamically clustering keypoints in a 2D Hough space, which are then used to accurately weight small contributing objects within the results, without the need for costly object detection steps. We call this method Objects in Scene to Objects in Scene (OS2OS) score, and it is optimized for fast matrix operations on CPUs. OS2OS performs comparably to state-of-the-art methods in classic CBIR problems, on the Oxford5K, Paris 6K, and Google-Landmarks datasets, without the need for bounding boxes. It also succeeds in emerging retrieval tasks such as image composite matching in the NIST MFC2018 dataset and meme-style composite imagery fromReddit.

Binarized statistical image features (BSIF) have been successfully used for texture analysis in many computer vision tasks, including iris recognition and biometric presentation attack detection. One important point is that all applications of BSIF in iris recognition have used the original BSIF filters, which were trained on image patches extracted from natural images. This paper tests the question of whether domain-specific BSIF can give better performance than the default BSIF. The second important point is in the selection of image patches to use in training for BSIF. Can image patches derived from eye-tracking experiments, in which humans perform an iris recognition task, give better performance than random patches? Our results say that (1) domain-specific BSIF features can out-perform the default BSIF features, and (2) selecting image patches in a task-specific manner guided by human performance can out-perform selecting random patches. These results are important because BSIF is often regarded as a generic texture tool that does not need any domain adaptation, and human-task-guided selection of patches for training has never (to our knowledge) been done. This paper follows the reproducible research requirements, and the new iris-domain-specific BSIF filters, the patches used in filter training, the database used in testing and the source codes of the designed iris recognition method are made available along with this paper to facilitate applications of this concept., Comment: Paper accepted for WACV 2019, Hawaii, USA

This paper advances the state of the art in human examination of iris images by (1) assessing the impact of different iris conditions in identity verification, and (2) introducing an annotation step that improves the accuracy of people's decisions. In a first experimental session, 114 subjects were asked to decide if pairs of iris images depict the same eye (genuine pairs) or two distinct eyes (impostor pairs). The image pairs sampled six conditions: (1) easy for algorithms to classify, (2) difficult for algorithms to classify, (3) large difference in pupil dilation, (4) disease-affected eyes, (5) identical twins, and (6) post-mortem samples. In a second session, 85 of the 114 subjects were asked to annotate matching and non-matching regions that supported their decisions. Subjects were allowed to change their initial classification as a result of the annotation process. Results suggest that: (a) people improve their identity verification accuracy when asked to annotate matching and non-matching regions between the pair of images, (b) images depicting the same eye with large difference in pupil dilation were the most challenging to subjects, but benefited well from the annotation-driven classification, (c) humans performed better than iris recognition algorithms when verifying genuine pairs of post-mortem and disease-affected eyes (i.e., samples showing deformations that go beyond the distortions of a healthy iris due to pupil dilation), and (d) annotation does not improve accuracy of analyzing images from identical twins, which remain confusing for people., Comment: Paper accepted for WACV 2019, Hawaii, USA

Creative works, whether paintings or memes, follow unique journeys that result in their final form. Understanding these journeys, a process known as "provenance analysis", provides rich insights into the use, motivation, and authenticity underlying any given work. The application of this type of study to the expanse of unregulated content on the Internet is what we consider in this paper. Provenance analysis provides a snapshot of the chronology and validity of content as it is uploaded, re-uploaded, and modified over time. Although still in its infancy, automated provenance analysis for online multimedia is already being applied to different types of content. Most current works seek to build provenance graphs based on the shared content between images or videos. This can be a computationally expensive task, especially when considering the vast influx of content that the Internet sees every day. Utilizing non-content-based information, such as timestamps, geotags, and camera IDs can help provide important insights into the path a particular image or video has traveled during its time on the Internet without large computational overhead. This paper tests the scope and applicability of metadata-based inferences for provenance graph construction in two different scenarios: digital image forensics and cultural analytics., Comment: Supplemental material for this paper can be found at https://drive.google.com/file/d/1Tbs2CQg_VQAc2PdztW5twVaiXD0G12-H/view?usp=sharing

In the last decade, video blogs (vlogs) have become an extremely popular method through which people express sentiment. The ubiquitousness of these videos has increased the importance of multimodal fusion models, which incorporate video and audio features with traditional text features for automatic sentiment detection. Multimodal fusion offers a unique opportunity to build models that learn from the full depth of expression available to human viewers. In the detection of sentiment in these videos, acoustic and video features provide clarity to otherwise ambiguous transcripts. In this paper, we present a multimodal fusion model that exclusively uses high-level video and audio features to analyze spoken sentences for sentiment. We discard traditional transcription features in order to minimize human intervention and to maximize the deployability of our model on at-scale real-world data. We select high-level features for our model that have been successful in nonaffect domains in order to test their generalizability in the sentiment detection domain. We train and test our model on the newly released CMU Multimodal Opinion Sentiment and Emotion Intensity (CMUMOSEI) dataset, obtaining an F1 score of 0.8049 on the validation set and an F1 score of 0.6325 on the held-out challenge test set., Comment: Published in the First Workshop on Computational Modeling of Human Multimodal Language - ACL 2018

Prior art has shown it is possible to estimate, through image processing and computer vision techniques, the types and parameters of transformations that have been applied to the content of individual images to obtain new images. Given a large corpus of images and a query image, an interesting further step is to retrieve the set of original images whose content is present in the query image, as well as the detailed sequences of transformations that yield the query image given the original images. This is a problem that recently has received the name of image provenance analysis. In these times of public media manipulation ( e.g., fake news and meme sharing), obtaining the history of image transformations is relevant for fact checking and authorship verification, among many other applications. This article presents an end-to-end processing pipeline for image provenance analysis, which works at real-world scale. It employs a cutting-edge image filtering solution that is custom-tailored for the problem at hand, as well as novel techniques for obtaining the provenance graph that expresses how the images, as nodes, are ancestrally connected. A comprehensive set of experiments for each stage of the pipeline is provided, comparing the proposed solution with state-of-the-art results, employing previously published datasets. In addition, this work introduces a new dataset of real-world provenance cases from the social media site Reddit, along with baseline results., Comment: 13 pages, 6 figures

Departing from traditional digital forensics modeling, which seeks to analyze single objects in isolation, multimedia phylogeny analyzes the evolutionary processes that influence digital objects and collections over time. One of its integral pieces is provenance filtering, which consists of searching a potentially large pool of objects for the most related ones with respect to a given query, in terms of possible ancestors (donors or contributors) and descendants. In this paper, we propose a two-tiered provenance filtering approach to find all the potential images that might have contributed to the creation process of a given query $q$. In our solution, the first (coarse) tier aims to find the most likely "host" images --- the major donor or background --- contributing to a composite/doctored image. The search is then refined in the second tier, in which we search for more specific (potentially small) parts of the query that might have been extracted from other images and spliced into the query image. Experimental results with a dataset containing more than a million images show that the two-tiered solution underpinned by the context of the query is highly useful for solving this difficult task., Comment: 5 pages, Accepted in IEEE International Conference on Image Processing (ICIP), 2017

Deriving relationships between images and tracing back their history of modifications are at the core of Multimedia Phylogeny solutions, which aim to combat misinformation through doctored visual media. Nonetheless, most recent image phylogeny solutions cannot properly address cases of forged composite images with multiple donors, an area known as multiple parenting phylogeny (MPP). This paper presents a preliminary undirected graph construction solution for MPP, without any strict assumptions. The algorithm is underpinned by robust image representative keypoints and different geometric consistency checks among matching regions in both images to provide regions of interest for direct comparison. The paper introduces a novel technique to geometrically filter the most promising matches as well as to aid in the shared region localization task. The strength of the approach is corroborated by experiments with real-world cases, with and without image distractors (unrelated cases)., Comment: 5 pages, Accepted in International Conference on Image Processing, 2017

As image tampering becomes ever more sophisticated and commonplace, the need for image forensics algorithms that can accurately and quickly detect forgeries grows. In this paper, we revisit the ideas of image querying and retrieval to provide clues to better localize forgeries. We propose a method to perform large-scale image forensics on the order of one million images using the help of an image search algorithm and database to gather contextual clues as to where tampering may have taken place. In this vein, we introduce five new strongly invariant image comparison methods and test their effectiveness under heavy noise, rotation, and color space changes. Lastly, we show the effectiveness of these methods compared to passive image forensics using Nimble [https://www.nist.gov/itl/iad/mig/nimble-challenge], a new, state-of-the-art dataset from the National Institute of Standards and Technology (NIST)., Comment: 5 pages, 5 figures