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3. Dynamics of interactions in the pre-roman central Italy: the example of the votive deposit of Colle Arsiccio di Magione (Perugia)

Author

Morandini, Flavia, Morandini, Flavia, Ausonius-Institut de recherche sur l'Antiquité et le Moyen âge, and Université Bordeaux Montaigne-Centre National de la Recherche Scientifique (CNRS)

Subjects
pre-Roman age, central Italy, sanctuary, [SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, [SHS.ART]Humanities and Social Sciences/Art and art history, Settore L-ANT/07 - Archeologia Classica, mobility, [SHS]Humanities and Social Sciences, models of inspiration, ex- voto, networks, [SHS.HIST] Humanities and Social Sciences/History, craftsmen specialisation, Votif deposit, [SHS.ART] Humanities and Social Sciences/Art and art history, [SHS] Humanities and Social Sciences, [SHS.HIST]Humanities and Social Sciences/History, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2018

4. Ceramiche fini di produzione pompeiana: i dati dal recupero e studio dei materiali dei saggi Impianto Elettrico 1980-81

Author

Cottica, Daniela, Cappelletto, Erika, Morandini, Flavia, Sanavia, Alessandro, University of Ca’ Foscari [Venice, Italy], Heidelberg University, Monde romain, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS)-École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), Ausonius-Institut de recherche sur l'Antiquité et le Moyen âge, Université Bordeaux Montaigne-Centre National de la Recherche Scientifique (CNRS), LabEx Sciences archéologiques de Bordeaux (LASCARBX), Université de Bordeaux (UB)-Université Bordeaux Montaigne, and Université, Bordeaux Montaigne

Subjects
black-gloss ware, local production, Pompei forum project, [SHS] Humanities and Social Sciences, [SHS]Humanities and Social Sciences
Abstract

International audience; Here we present a summary of the data currently available as evidence of a local production of black-gloss ceramics, archeologically attested in the Pompeii of the 4th and 3rd centuries B.C. and still present in the II-I century B.C. The evidence in question emerged during a large study project aimed at recovering and publishing finds (600 cases and over 100,000 records) from stratigraphic studies carried out in the western sector of the Pompeii forum on behalf of the Superintendence for Archaeological Heritage of the Provinces of Naples and Caserta.

Published
2016

5. Ghini, Giuseppina (a cura di): Lazio e Sabina 7. Atti del Convegno. Settimo Incontro di Studi sul Lazio e la Sabina, Roma, 9-11 marzo 2010 (Edizioni Quasar, Roma 2011)

Author

Morandini, Flavia

Subjects
ricerca archeologica, Lazio, topografia, ricerca archeologica, scavi, musealizzazione, valorizzazione, topografia, musealizzazione, Settore L-ANT/03 - Storia Romana, Lazio, Settore L-ANT/09 - Topografia Antica, Settore L-ANT/10 - Metodologie della Ricerca Archeologica, scavi, Settore L-ANT/07 - Archeologia Classica, valorizzazione
Published
2014

6. «Leoni-Capri: qualche annotazione sulla stele felsinea nr. 82»

Author

Morandini, Flavia

Subjects
arte etrusca, artigianato artistico, Mischwesen, leoni-capri, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, iconografia, arte orientale, Settore L-ANT/07 - Archeologia Classica, stele felsinee, Settore L-OR/05 - Archeologia e Storia Dell'Arte Del Vicino Oriente Antico, iconografia, leoni-capri, Mischwesen, stele felsinee, arte etrusca, arte orientale, artigianato artistico
Published
2013

7. G. Camporeale, G. Firpo (a cura di), 'Arezzo nell’Antichità', Accademia Petrarca di Lettere Arti e Scienze – Arezzo, Roma, Giorgio Bretschneider Editore

Author

Morandini, Flavia

Subjects
età romana, storia della ricerca, Arezzo, produzioni artigianali, storia della ricerca, età etrusca, età romana, età etrusca, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, produzioni artigianali, Settore L-ANT/09 - Topografia Antica, Settore L-ANT/07 - Archeologia Classica, Arezzo
Published
2011

9. P. Aureli, M. A. De Lucia, S. Del Lungo, 'Orte (VIterbo) e il suo territorio. Scavi e ricerche in Etruria Meridionale fra Antichità e Medioevo', BAR International Series 1545, Notebooks on Medieval Topography, 7, Oxford, 2006'

Author

Morandini, Flavia

Subjects
Orte, topografia antica, documenti d'archivio, metodologia della ricerca, topografia antica, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, Settore L-ANT/09 - Topografia Antica, Orte, documenti d'archivio, Settore L-ANT/07 - Archeologia Classica, metodologia della ricerca
Published
2010

10. G. Cifani, 'Architettura romana arcaica. Edilizia e società tra Monarchia e Repubblica', Roma, 2008'

Author

Morandini, Flavia

Subjects
architettura domestica, età arcaica, età regia, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, architettura romana, Settore ICAR/18 - Storia dell'Architettura, Settore L-ANT/03 - Storia Romana, Settore L-ANT/07 - Archeologia Classica, architettura romana, età arcaica, architettura domestica, architettura templare, età regia, architettura templare
Published
2010

13. Ceramiche fini di produzione pompeiana: i dati dal recupero e studio dei materiali dei saggi Impianto Elettrico 1980-81

Author

Daniela Cottica, Erika Cappelletto, Luca Millo, Flavia MORANDINI, Alessandro Sanavia, University of Ca’ Foscari [Venice, Italy], University of Heidelberg, Institut für Klassische Archäologie, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), and Morandini, Flavia

Subjects
[STAT]Statistics [stat], [SPI]Engineering Sciences [physics], [SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, [SPI] Engineering Sciences [physics], [SHS.ART] Humanities and Social Sciences/Art and art history, [SHS] Humanities and Social Sciences, Settore L-ANT/07 - Archeologia Classica, [SHS.ART]Humanities and Social Sciences/Art and art history, ComputingMilieux_MISCELLANEOUS, [STAT] Statistics [stat], [SHS]Humanities and Social Sciences
Abstract

International audience

Published
2020

14. Iscrizioni etrusche della Casa-Museo 'Lodovico Pogliaghi' del Sacro Monte di Varese

Author

Flavia MORANDINI, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), and Morandini, Flavia

Subjects
[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, [SHS.MUSEO] Humanities and Social Sciences/Cultural heritage and museology, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, [SHS.ART] Humanities and Social Sciences/Art and art history, Settore L-ANT/07 - Archeologia Classica, [SHS.ART]Humanities and Social Sciences/Art and art history, [SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museology, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

Published
2019

15. Iconografia del leone in Etruria tra la fine dell'età arcaica e l'età ellenistica

Author

Flavia MORANDINI, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), Ausonius-Institut de recherche sur l'Antiquité et le Moyen âge, Université Bordeaux Montaigne-Centre National de la Recherche Scientifique (CNRS), Program IdEx Bordeaux, reference ANR-10-IDEX-03-02, Ministero dei Beni e delle Attività Culturali, FP7/2007-2013 - MSCA-COFUND - grant agre-ement n°245743 - Post-doctoral programme Braudel-IFER-FMSH, Istituto Nazionale di Studi Etruschi ed Italici, and Morandini, Flavia

Subjects
Etruria, arte etrusca, arte greca, [SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, età arcaica, ellenistica, tipi iconografici, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, età classica, Settore L-ANT/07 - Archeologia Classica, leone, [SHS.ART]Humanities and Social Sciences/Art and art history, produzione artigianale, modelli di ispirazione, classica, Etruria, iconografia, leone, produzione artigianale, tipi iconografici, modelli di ispirazione, età arcaica, classica, ellenistica, artigianato, età ellenistica, [SHS.ART] Humanities and Social Sciences/Art and art history, Iconografia
Abstract

International audience; L’immagine del leone è una delle iconografie predilette dal repertorio figurativo etrusco sin dalla sua introduzione, all’inizio dell’età orientalizzante, ed è ripercorribile fino all’estinguersi della civiltà etrusca. La scelta di affrontare lo studio dell’immagine del leone nell’arte etrusca nasce dall’esigenza di una revisione della fondamentale opera “The Etruscan Lion” di L. Brown (1960), l’unica sintesi sull’argomento scritta quasi sessanta anni fa. La decisione di circoscrivere la cronologia tra la fine dell’età arcaica e l’età ellenistica è dovuta al fatto che questi periodi non erano ancora stati oggetto di studi di sintesi sull’argomento, come è possibile evincere dalla rapida disamina dei contenuti dell’opera di Brown e di quanto edito successivamente. Obiettivo del presente lavoro è, in primo luogo, quello di rimettere mano alle nutrite liste di testimonianze offerte dallo studioso per aggiornarle e rivederne le cronologie, e, in seguito, quello di ampliare la ricerca a tutte le classi di materiali, anche a quelle non contemplate a suo tempo da Brown. Lo studio degli schemi iconografici e una costante attenzione alla ricerca dei modelli di ispirazione ha messo in luce la complessità delle dinamiche sottese alla ricezione, assimilazione, rielaborazione da parte degli artigiani etruschi di tipi iconografici giunti dall’esterno, ed alla creazione di soluzioni iconografiche originali, che abbinano a nuovi elementi stilistici stilemi attinti dal repertorio tradizionale.

Published
2018

16. La collezione etrusca: osservazioni preliminari sulle urne cinerarie

Author

Flavia MORANDINI, Celtes et Etrusques : identités, pouvoirs, échanges, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS)-École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), Ausonius-Institut de recherche sur l'Antiquité et le Moyen âge, Université Bordeaux Montaigne-Centre National de la Recherche Scientifique (CNRS), and Morandini, Flavia

Subjects
storia del collezionismo, urne etrusche, Chiusi, urne etrusche, [SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, storia del collezionismo, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, history of art collecting, Chiusi, iconography, Settore L-ANT/07 - Archeologia Classica, Etruscan cinerary urns, Etruscan epigraphy, myths
Abstract

International audience; A recent revision of the Classical collection preserved in the Museum was led by the author in the 2014-2015. The present contribution focuses on the Etruscan collection of the Museum that counts about thirty objects: vases, bronzes, terracotta statuettes and cinerary urns. A preliminary iconographical and stylistic study of the ten urns suggests to assign them to the artisanal production of ancient Chiusi and Perugia. The analyses of the inscriptions preserved confirm this provenance and provide important information about the composition of the Lodovico Pogliaghi’s antiquities collection.

Published
2018

17. 'Chimere incomplete': viaggio di iconografie attraverso il Mediterraneo

Author

Flavia MORANDINI, Monde romain, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS)-École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), Morandini, Flavia, and École normale supérieure - Paris (ENS Paris)-École pratique des hautes études (EPHE)-Centre National de la Recherche Scientifique (CNRS)-Paris Sciences et Lettres (PSL)-École normale supérieure - Paris (ENS Paris)-École pratique des hautes études (EPHE)-Centre National de la Recherche Scientifique (CNRS)-Paris Sciences et Lettres (PSL)

Subjects
ibridi, Chimère, [SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, ibridi, leoni-serpenti, numismatica, glittica, chimere-dragoni, Populonia, hybrides, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, iconographie, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, chimere-dragoni, Populonia, numismatica, Settore L-ANT/07 - Archeologia Classica, Bassin méditerranéen, Antiquité étrusque, leoni-serpenti, glittica
Abstract

International audience; This contribution is inspired by the observation of some iconographic types engraved on the well-known Etruscan silver series, attributed to Populonia. In particular, these are monsters with a leonine and anguished body. The peculiarity of these hybrids, given the presence of two of the three components of the chimera's classic iconography, is still unexplored. The present paper therefore proposes to analyze the question of their identity through a verification of their presence in the Etruscan figurative repertoire and, more generally, of the Mediterranean basin, to highlight the problems related to origin and their transmission.

Published
2016

18. Il deposito votivo di Colle Arsiccio: nuovi dati e considerazioni

Author

Flavia MORANDINI, Monde romain, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS)-École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), G. Chiodini, École normale supérieure - Paris (ENS Paris)-École pratique des hautes études (EPHE)-Centre National de la Recherche Scientifique (CNRS)-Paris Sciences et Lettres (PSL)-École normale supérieure - Paris (ENS Paris)-École pratique des hautes études (EPHE)-Centre National de la Recherche Scientifique (CNRS)-Paris Sciences et Lettres (PSL), and Morandini, Flavia

Subjects
terrecotte, fanciulli, central Italy, [SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, water rituals, Italie, mothers and children, cult of fertility, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, Dépôt votif, madri, Perugia, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, fertilità, terracottas, bronzi, Settore L-ANT/07 - Archeologia Classica, votive deposit, Colle Arsiccio, terrecotte, bronzi, fanciulli, madri, fertilità, riti, culto di Mitra, riti, Colle Arsiccio, Antiquité romaine, Settore L-ANT/03 - Storia Romana, bronzes, culto di Mitra
Abstract

International audience; The contribution deals with the study of ancient cults devoted to the fertility and the motherhood testified by the votive deposit of Colle Arsiccio di Magione, near the Trasimeno lake, in central Italy.

Published
2014

19. Leoni-Capri: qualche annotazione sulla stele felsinea nr. 82

Author

Flavia MORANDINI, Monde romain, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris)-École pratique des hautes études (EPHE)-Centre National de la Recherche Scientifique (CNRS)-Paris Sciences et Lettres (PSL)-École normale supérieure - Paris (ENS Paris)-École pratique des hautes études (EPHE)-Centre National de la Recherche Scientifique (CNRS)-Paris Sciences et Lettres (PSL), M.C. Biella, E. Giovanelli, L. Perego, École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS)-École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), Morandini, Flavia, and M.C. Biella, E. Giovanelli, L. Perego

Subjects
Etruscan stone sculpture, Stèle, [SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, lion-goats, Italie, Mischwesen, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, Antiquité étrusque, iconography, Etruscan art, Felsina steles
Abstract

International audience; The proliferation of oriental iconographies on the stone steles of ancient Bologna suggests that even the lion-goat image belongs to this repertoire. The motif, typical of the near ancient East figurative heritage, was exported in the final decades of the seventh century BC in southern Etruria. The northern area of Etruria, in particular the area around Fiesole, played a fundamental role in the transmission of the orientalizing imagery to the Po Valley cultures.

Published
2012

20. Le fattorie arcaiche di Pian d’Alma (Scarlino –GR) e Marsiliana d’Albegna (Manciano – GR): modello 'urbano' esportato in campagna o modello 'extra-urbano' radicato nella tradizione

Author

Flavia MORANDINI, Celtes et Etrusques : identités, pouvoirs, échanges, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS)-École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), Ausonius-Institut de recherche sur l'Antiquité et le Moyen âge, Université Bordeaux Montaigne-Centre National de la Recherche Scientifique (CNRS), and Morandini, Flavia

Subjects
[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, Etruscan aristocratic buildings, architettura domestica, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, età arcaica, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, età arcaica, strutture residenziali, palazzi, fattorie, architettura domestica, strutture residenziali, palazzi, fattorie, farms, domestic architecture
Abstract

International audience; While in Rome the Tuscan atrium house remains linked to regal and aristocratic buildings, in Etruria it becomes an active part of the "urbanization" process and it is assimilated by domestic structures of the middle classes. The extra-urban residences of the archaic age, however, show the persistence of elements of strong conservatism that refer to the ancient aristocratic palaces.

Published
2011

21. Ager Perusinus, Colle Arsiccio di Magione (PG)

Author

Flavia MORANDINI, Morandini, Flavia, Celtes et Etrusques : identités, pouvoirs, échanges, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS)-École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), Ausonius-Institut de recherche sur l'Antiquité et le Moyen âge, and Université Bordeaux Montaigne-Centre National de la Recherche Scientifique (CNRS)

Subjects
[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, Epigrafia etrusca, iscrizione, alpan, dono, dono, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, iscrizione, Etruscan epigraphy, gift formula, alpan, Epigrafia etrusca
Abstract

International audience; The object of this contribution is a small bronze statue preserved in the National Archaeological Museum of Umbria in Perugia. It represents a standing female figure, with the right palm facing up, which characterizes her as a prayer. An Etruscan inscription runs along the left arm of the figurine. It a gift formula to the gods.

Published
2011

22. All’origine della comunicazione musicale in Etruria

Author

Flavia MORANDINI, Celtes et Etrusques : identités, pouvoirs, échanges, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS)-École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), Ausonius-Institut de recherche sur l'Antiquité et le Moyen âge, Université Bordeaux Montaigne-Centre National de la Recherche Scientifique (CNRS), Sargon, and Morandini, Flavia

Subjects
bronzo, [SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, aerofoni, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, Musica, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, cordofoni, sfera rituale, bronze, Orientalizing, ritual sphere, instruments, Musica, età orientalizzante, aerofoni, cordofoni, idiofoni, bronzo, sfera rituale, età orientalizzante, music, percussions, idiofoni
Abstract

International audience; In Etruria during the orientalizing the typological range of musical instruments is already articulated. Beside the wind and string instruments, there are percussion instruments which constitute the first expressive mean of Etruscan musical communication. Their presence in the votive and domestic contexts denotes a multiplicity of values connected to the ritual sphere.

Published
2011

23. Early Sounds from Etruria: musical scenery between Villanovan (IX century – 720 B.C.) and Orientalizing (720 – 580 B.C.) ages

Author

Flavia MORANDINI, Morandini, Flavia, Celtes et Etrusques : identités, pouvoirs, échanges, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS)-École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), Ausonius-Institut de recherche sur l'Antiquité et le Moyen âge, Université Bordeaux Montaigne-Centre National de la Recherche Scientifique (CNRS), and EAA

Subjects
Etruria, role of the women, ritual, female, [SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, instruments, percussions, music, rituals, idiophones, music, Etruria, percussions, instruments, ritual, female
Abstract

International audience; Music in Etruria is a topic widely discussed mainly as regards the archaic period. In this period there are many evidences, from both the material culture (realia, painted figures on pottery, tomb walls, sarcophagi, reliefs, mirrors, bronze or terracotta figurines and architectural elements) and literary sources. The matter has blurred outlines for earlier ages: Villanovan and Orientalizing. Although the number of documents currently available is limited, percussion instruments are known during the Villanovan, mainly from graves, connected to the female sphere. These objects have a ritual function, also “life”, which point out the important role the women played at the beginning of the Etruscan culture. During the Orientalizing period the scenery becomes more diversified with the occurrence of wind and stringed instruments that we know from painted pottery and exceptional finds, like the “tromba-lituo” from Tarquinia. This variety indicates a progressive specialization in the character of both music and rituals, which points to a more complex structure of the Etruscan society.

Published
2009

24. Una testimonianza del culto mitriaco a Colle Arsiccio di Magione (PG)

Author

Flavia MORANDINI, Celtes et Etrusques : identités, pouvoirs, échanges, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS)-École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), Ausonius-Institut de recherche sur l'Antiquité et le Moyen âge, Université Bordeaux Montaigne-Centre National de la Recherche Scientifique (CNRS), and Morandini, Flavia

Subjects
fertility, ceramica invetriata, central Italy, [SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, Etruschi, fertilità, cult devoted to Mithra, Settore L-ANT/07 - Archeologia Classica, terracotte, terracotta statues, culto mitriaco, glazed statues, terracotte, culto mitriaco, fertilità, ceramica invetriata, Etruschi, Roman age
Abstract

International audience; In 1934, at Colle Arsiccio (Magione), near lake Trasimeno, a votive deposit was found. It is made up of bronzes and terracottas, dating from the VI century b.C. to the Constantinian age. The terracottas can be divided into two groups: the "naked" ones that represent typologies of the Hellenistic age (swaddling babies, crouching children, kourotrophoi) and the glazed ones. The latter are products of the Imperial age, connected with a Mithraic worship (pinax with scene of tauroctony, "foculi", glassware with snakes, votive statues), which incorporates the Hellenistic cult, devoted to Artumes. The Mithraeum of Colle Arsiccio settles in a thick system of Mithraic places, appeared during Roman age, in the hearth of central Italy.

Published
2008

25. La sculpture funéraire étrusque : modèles orientaux et traditions locales

Author

Flavia MORANDINI, Archéologie et Philologie d'Orient et d'Occident (AOROC), École normale supérieure - Paris (ENS Paris), Université Paris sciences et lettres (PSL)-Université Paris sciences et lettres (PSL)-École pratique des hautes études (EPHE), Université Paris sciences et lettres (PSL)-Centre National de la Recherche Scientifique (CNRS), and Morandini, Flavia

Subjects
[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory, [SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistory, [SHS.HIST] Humanities and Social Sciences/History, Settore L-ANT/06 - Etruscologia e Antichita' Italiche, [SHS.ART] Humanities and Social Sciences/Art and art history, Settore L-ANT/07 - Archeologia Classica, [SHS.ART]Humanities and Social Sciences/Art and art history, [SHS.HIST]Humanities and Social Sciences/History, ComputingMilieux_MISCELLANEOUS
Abstract

International audience

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