Search

Copyright of Environmental & Social Management Journal / Revista de Gestão Social e Ambiental is the property of Environmental & Social Management Journal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Álabe is the property of Alabe and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Beytulhikme: An International Journal of Philosophy is the property of Beytulhikme: An International Journal of Philosophy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

En 1911 se celebraron con gran suntuosidad las fiestas del centenario de los movimientos políticos registrados en la Intendencia de San Salvador en 1811. Las conmemoraciones-celebraciones de 1911 fueron parte de un conjunto de ritos, símbolos, efemérides, monumentos, lugares de memoria cívica que el Estado necesitaba inventar para inculcar en la población sentimientos hacia la patria. Para lograrlo había que crear, también, un relato basado en hechos históricos que se convirtiera en un canon y que les diera soporte a las invenciones nacionalistas. Para ello, en 1912 el presidente de la República Manuel Enrique Araujo encomendó a tres intelectuales la escritura de una historia oficial. A Francisco Gavidia se le pidió que escribiera lo relativo a la independencia de El Salvador. El resultado de aquella solicitud fue la publicación del libro Historia Moderna de El Salvador. En dicho libro Gavidia incluyó dos capítulos sobre lo que se denominó “Primer Grito de Independencia”. Así, los movimientos de 1811 se convirtieron en uno de los mitos fundacionales de la nación salvadoreña. Junto a la fecha —5 de noviembre—, se creó el mito del prócer / héroe / padre de la patria José Matías Delgado. El tercer eslabón del mito fue el campanario de la Iglesia La Merced. De este modo, el relato para crear una “cuna de la patria” estaba resuelto. Junto a Gavidia otros intelectuales completaron aquella empresa. Analizar el contexto de invención de “El Primer Grito de Independencia” es el objetivo del presente trabajo. Realidad, Revista de Ciencias Sociales y Humanidades, No. 164, 2024: 39-88.

Este artigo teve como objetivo aprofundar os estudos sobre o transtorno de personalidade borderline, do ponto de vista da psicologia analítica, e compreender a dinâmica da psique nos pacientes portadores de tal condição, por meio da ampliação da mitologia africana. A partir do estudo de autores junguianos e pós-junguianos, foi feito um paralelo simbólico do atendimento de pacientes com transtorno de personalidade borderline, por meio dos itãs (histórias) iorubás dos orixás Nanã, Oxalá e Obaluaê, apresentando ainda a ausência paterna de Oxalá e o aspecto guerreiro de Obaluaê. Iemanjá foi trazida como o aspecto materno positivo, da Grande Mãe, sendo ela a figura que acolhe e cuida do filho rejeitado, permitindo a ampliação e a correlação entre as figuras da mãe e do terapeuta. A mitologia africana, diferentemente da grega, pode ser vivida e experienciada, seja na clínica, no centro de umbanda ou no terreiro de candomblé. Apesar de o Brasil ser um país diverso e plural, o preconceito e o racismo sobre as religiões de matrizes africanas permeiam e atravessam a coletividade. Estudar e experenciar os mitos é acessar uma possibilidade de transformação.

La reproducción de nociones falsas y mitos en los estudios sobre migración disminuye la credibilidad en su conexión con las Relaciones Internacionales y la Seguridad. Para evitar eso, proponemos la utilización del escepticismo creativo como herramienta académica. De esta manera, valoramos el área de estudios sobre migración analizando su desarrollo institucional y la calidad de sus resultados de investigación. Como segundo paso, describimos los seis mitos más persistentes en los estudios sobre migración en las siguientes áreas: en el del Derecho; en el de las Políticas Públicas; en el de la Demografía; en el de la Economía; en el de la cooperación y el desarrollo y, en el de la cultura; por la importancia que para estas investigaciones tienen las distintas etnias y religiones. Concluye el artículo con ejemplos de las implicaciones que el uso de mitos tiene para las relaciones internacionales entre Estados miembros de la Unión Europea.

La pandemia del Covid-19 resultó ser un hecho sustancial en los cambios y las adaptaciones ejercidas en este sistema dentro de las instituciones educativas. En ese sentido, el presente estudio aborda la cultura escolar en las instituciones educativas públicas durante ese contexto inusual y tiene por objetivo analizar dicha cultura a partir de las percepciones del personal directivo y docente durante la pandemia del Covid-19. La recogida de información se realizó a través de la aplicación de entrevistas semiestructuradas a cinco directores y nueve docentes de cinco escuelas ubicadas en cuatro regiones distintas del Perú. A partir del análisis, se concluye que, en las instituciones educativas públicas, hubo cambios en la organización y el desarrollo de los rituales propios de su identidad. Asimismo, se evidenciaron mitos y metáforas relacionados con la educación a distancia que evidencian ciertas fortalezas, debilidades y oportunidades de mejora que dejó la pandemia del Covid-19 en el contexto educativo.

ABSTRAK: Penelitian ini bertujuan untuk menggali lebih dalam tentang fungsi linguistik dan implikasi kontektual dari istilah Antu Banyu yang berkembang dalam komunitas Melayu Palembang. Metode kualitatif dimanfaatkan sebagai metode penelitian dengan menggunakan dokumentasi, observasi, dan wawancara untuk mengumpulkan data. Kerangka analisis yang digunakan mengikuti model Miles dan Huberman mencakup reduksi data, penyajian data melalui lensa teoritis Finnegan, dan diakhiri dengan penyimpulan hasil analisis data. Melalui kuisioner yang melibatkan 50 orang responden yang dikelompokkan menjadi Gen X, Gen Y, Gen Milenial, dan Gen Z, sekaligus wawancara dengan para ahli, terlihat bahwa istilah Antu Banyu diketahui secara universal. Sumber keluarga memainkan peran penting dalam memahami istilah tersebut, seringkali terkait dengan keyakinan terhadap mitos hantu yang hidup di air. Klasifikasi istilah Antu Banyu mencakup 15 fungsi dan konteks yang berbeda, yaitu perenang handal, penyelam terampil, penguasa perairan, seseorang yang meninggal di air, seseorang yang mandinya sangat lama, seseorang yang mandi di sungai saat magrib atau malam hari, siswa ataupun pekerja yang datang dan pergi sesuka hati, seseorang yang pelit, seseorang yang menghindar dari kewajiban dan tanggung jawab, ejekan kepada orang yang tidak disukai, seseorang yang memiliki ilmu hitam, peringatan bahaya, untuk menakut-nakuti orang, hantu yang hidup di air, dan seseorang yang gesit dan lincah dalam mengerjakan sesuatu. Semua penggunaan istilah Antu Banyu yang berkembang di masyarakat Melayu Palembang berkaitan erat dengan mitos hantu air yang masih sangat dipercaya. Namun, konotasi positif pada istilah tersebut pun ditemukan pada beberapa fungsi. Hal ini mengindikasikan pergeseran semantik yang signifikan dalam penggunaannya. KATA KUNCI: Finnegan, hantu air; masyarakat melayu Palembang; mitos; semantik. “ANTU BANYU” TRADITIONS IN PALEMBANG MALAY COMMUNITY: ANALYSIS OF FUNCTION AND CONTEXTUAL SIGNIFICANCE ABSTRACT: This study aims to delve extensively into the linguistic functionality and contextual implications of the term Antu Banyu, which developed within the Palembang Malay community. Qualitative methods are employed as research methods by using documentation, observation, and interview in collecting data. The analytical framework adopted follows Miles and Huberman's model, encompassing data reduction, data presentation through Finnegan's theoretical approach, and data analysis conclusion. Through a questionnaire involving 50 respondents categorized into Generation X, Generation Y, Generation Millennial, and Generation Z, and alongside experts interviews, it becomes apparent that the term Antu Banyu that all respondents were familiar with the term Antu Banyu. Most of the information about the term Antu Banyu was universally recognized. Family sources play a pivotal role in comprehending the term, often intertwined with the myth of water ghost. The Antu Banyu term spans 15 distinct functions and contexts, including that of an adept swimmer, skilled diver, nautical experts, deceased in the water, prolonged bathers, twilight or nocturnal river bathers, undisciplined students or workers, miserly person, obligation-averse individual, derisive remarks directed at disliked persons, black magic shaman, danger harbinger, intimidation means, river ghosts, and adroit task performers. All applications of the Antu Banyu term, as molded by Palembang Malay society, remain closely related to the enduring myth of water ghosts, upheld by persistent convictions. However, select usages of the term exhibit positive connotations across diverse functions, signaling a notable shift in its semantic utilization. KEYWORDS: Finnegan; ghost water; Palembang Malay community; myth; semantic.

İnsanın yaşam mücadelesinde doğanın sonsuzluğundan seçtiği ilk taş parçasını şekillendirerek yeniden adlandırması bilim, teknoloji ve sanatın başlangıcı olarak tanımlanabilir. İnsanlığın doğada var olmak için gerçekleştirdiği mücadelesi büyüsel, mitik arketipleri ve aynı zamanda bireye, topluma denge ve düzen getiren ilk örnek modelleri oluşturmuştur. Mitler, arkaik toplumların dünyayı algılayışlarını ve yaşam düzeni tasarımlarını sembolik bir dille ifade eden anlatım biçimidir. İlk çağlardan günümüze mitler, yaşam için gerekli bilgileri içeren formüller gibidir. Bu, insanlık için; kaostan kozmosa varma, toplumsal ve bireysel boyutta denge ve düzene ulaşma olgusudur. Avlanmak için mağara duvarlarına avlayacakları hayvanların resimlerini çizen, dans eden ve aksiyon sesleri çıkaran ilk insan, ilkel ritüelleri ile birlikte sanatın ilk formlarını oluşturmuştur. Bu çalışmada mitos ve insan ilişkisinin çağdaş sanata yansımalarının değerlendirilmesi amaçlanmıştır. Araştırmada, çağdaş sanatçıların mitlere, arketiplerden ne ölçüde farklı bir işlev yüklediği sorusunun cevapları aranmış, imge mitos ilişkisi bağlamında toplumsal olguların sanat eserine yansımaları seçilen eserler üzerinden analiz edilmiştir. Çağdaş sanatçı, mitik konuların anlatısal içeriğine değil, sembolik yorumlar aracılığıyla kendi çağının olay ve olgularına yönelmektedir. Çağdaş sanatçılar güncel olay ve olguları aydınlatmak için arketiplere ve mitlere başvuruyor. Bu bağlamda, çağdaş sanatta mit, söylencenin bir tasviri olarak değil, çağdaş olayların sembolik bir temsili, toplumsal-siyasal çatışmalara tepki ve eleştirel söylem olarak öne çıkmaktadır. Başka bir deyişle, mitolojiye dayanan yirminci yüzyıl sanat eserleri genellikle toplumsal streslere karşı tepkileri ortaya koymaktadır. Böylece savaş, şiddet, insani olmayan her türlü olay ve olgu metaforlarla kavramsal bir biçim kazanıyor. Belki de sanatçı, bugünü asırlık insan dürtüleri ve motivasyonlarıyla birleştirerek herkes için erişilebilir ortak bir zemin inşa etmek istiyor.

Copyright of Revista UNISCI is the property of Unidad de Investigaciones Sobre Seguridad y Cooperacion International (UNISCI) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of RumeliDE Journal of Language & Literature Research / RumeliDE Dil ve Edebiyat Araştırmaları Dergisi is the property of RumeliDE Uluslararasi Hakemli Dil & Edebiyat Arastirmalari Dergisi and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

A summary of the historical background of the present-day Lacandon Maya is followed by an account of their worldview, with respect to the archaeological remains which are found all over their territory, and about the deities who inhabited them. Southern Lacandon beliefs about the soul and death are outlined in order to grasp the meaning of “the song of the dead person’s soul”, which tells of the different phases through which the soul passes during the process of dying, in its transition between the human world and the world of the deities. A description of Lacandon funerary rites is provided, as well as an explanation of the term used in the song to signify the body. Finally, this song is compared to “the song to a dead person”, which belongs to Northern Lacandon oral tradition. [ABSTRACT FROM AUTHOR]

Copyright of Art & Interpretation / Sanat ve Yorum is the property of Ataturk University Coordinatorship of Scientific Journals and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Felsefe ve Sosyal Bilimler Dergisi (FLSF) is the property of Felsefe ve Sosyal Bilimler Dergisi (FLSF) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Actualmente, no pocas veces continúan vigentes patrones de comportamiento discriminatorio contra las personas que se encuentran en situación de pobreza, apoyados en mitos, falsas creencias, ideas estereotipadas, prejuicios y estigmas hacia las personas pobres o en situación de exclusión social. De esta forma, se genera una discriminación y, por tanto, un aislamiento y una revictimización de esas personas en situación vulnerable, que justifica el planteamiento de esta investigación. Así, el presente trabajo pretende indagar en las representaciones sociales acerca de las personas pobres, sirviéndose de una metodología cuantitativa no experimental. Se diseñó un cuestionario ad hoc, conformado por 27 ítems que combinan preguntas de escala tipo Likert, de opción múltiple, preguntas cerradas y preguntas abiertas y que fue aplicado a una muestra de n=160 participantes. Tras analizar e interpretar los datos, y de acuerdo a los resultados obtenidos, constatamos la existencia de creencias y pensamientos que muestran todavía índices negativos, que subrayan la necesidad de intervención, pues todavía queda pendiente un vasto trabajo de concienciación para que la sociedad sea capaz de reconocer y empatizar con los grupos sociales vulnerables y los problemas que sufren. A modo de conclusión, se enfatiza la importancia de una intervención psicosocial y educativa, indispensable para sensibilizar a la población, dar mayor visibilidad al colectivo, reducir las barreras que coartan su desarrollo y conseguir así su plena inclusión en la sociedad.

Este estudio examina las concepciones y creencias arraigadas en la escuela acerca de las altas capacidades, que pueden obstaculizar el adecuado desarrollo educativo y la atención a la diversidad de este alumnado, a través del análisis de las representaciones sociales presentes entre estudiantes universitarios en formación docente. La investigación tiene un enfoque mixto, utilizando para su análisis la teoría de representaciones sociales por medio de un análisis prototípico de palabras, con la participación de 274 individuos. Los resultados revelan que la palabra “inteligente” prevalece en todas las representaciones sociales, mientras que los elementos periféricos varían y se relacionan más con aspectos socioemocionales. La formación académica se destaca como un elemento importante que desestabiliza el núcleo central de la representación, ofreciendo una visión más holística del concepto. En la percepción colectiva del grupo investigado, se identifican varios mitos, estereotipos y falsas creencias. Entre ellos, destaca la creencia en la idea de que las altas capacidades son innatas. Además, persiste el estereotipo de que este alumnado siempre sobresale en rendimiento, y la presencia de dificultades en su adaptación personal y social. Social representations of giftedness among university students in preservice teacher Abstract This study examines the conceptions and beliefs entrenched in schools regarding giftedness, which hinder the proper educational development and attention to the diversity of these students. It focuses on the social representations present among university students in preservice teacher. The research adopts a mixed-method approach, utilizing social representations theory through prototypical word analysis, with the participation of 274 individuals. The results reveal that the word “intelligent” prevails in all social representations, while peripheral elements vary and are more related to socioemotional aspects. Academic training stands out as an important element that destabilizes the central core of the representation, offering a more holistic view of the concept. In the collective perception of the investigated group, several myths, stereotypes, and false beliefs are identified. Among them, the belief in the idea that giftedness is innate stands out. Additionally, the stereotype persists that these students always excel in performance and face difficulties in their personal and social adaptation.

O trabalho apresenta uma análise do texto da canção de forró Filha do sol, com base nas premissas da Estilística Lexical em diálogo com as elucubrações de Bakhtin sobre os gêneros discursivos. A análise verificou que a aparente simplicidade da linguagem empregada no texto é, na verdade, uma complexa articulação de elementos lexicais e estilísticos que o enriquecem com valores expressivos que são considerados encontráveis apenas nas mais elevadas manifestações artísticas com requintado valor erudito. Reveste o texto uma rede semântica formada pelo diálogo entre diversos discursos. De fato, a intertextualidade ocorre tanto por meio dos traços dos arquétipos de mitos – como o da donzela-guerreira, o da femme fatale e os das narrativas gregas clássicas – quanto pela evocação de saberes do conhecimento popular e das tradições socioculturais – por meio da simbologia das flores e do batom– e do conhecimento científico sobre os corpos celestes.

The research question is the role of audiovisual narratives in the construction of myths to transcend historical events in the collective imagination. The objective is to study the case of the figure of King Juan Carlos I in the history of the democratic transition in Spain (1975-1982) as told in the television series "Cuéntame cómo pasó" (Tell me how it happened), broadcast since 2001 and with an audience of more than 7 million viewers. The qualitative methodology used consists of a bibliographic review of scientific works on "Cuéntame", myths, construction of collective memory and recent history of Spain, and the viewing and analysis of the first fourteen seasons of Cuéntame (2001-2013 - 253 episodes) using the methodological categories of Julien Greimas' actantial model of semiotics. The results show that in the first season of the series the idea that the king will lead the Spaniards towards democracy is already established, but it is in the fourteenth season that the circle is closed with his leading role in stopping the military coup d'état attempt. [ABSTRACT FROM AUTHOR]

Copyright of Ciencia y Sociedad is the property of Ciencia y Sociedad and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Filosofía (0034-8244) is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos Republicanos is the property of Centro de Investigaciones de Estudios Republicanos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This research focuses on analyzing segmental and suprasegmental structures in earthquake myths in Dawan-East. Apart from that, this research will also discuss the relationship between culture and the results of the segmental and suprasegmental structures found. Research data was collected using interview methods, literature studies and word techniques. This research is explained using a qualitative approach and the data is presented descriptively. This research uses segmental and suprasegmental theories to analyze the data found. The result was that vowel sounds were found: [a], [i], [e], [o]. and the consonants alveolar [d], labiodental [f], glottal [h], nasal [n], nasal [m]. From a suprasegmentary perspective, it was found that there was a change in high pitch in the myth of the earthquake in Dawan-East. The results are related to the highly Dawan voice culture which is influenced by biological, psychological, social factors, as well as health and age. [ABSTRACT FROM AUTHOR]

Al referirse a la libertad, la igualdad y la fraternidad, el tríptico de la Revolución Francesa introdujo estos principios entre las categorías políticas. La historia de los tres ha seguido caminos autónomos. La fraternidad ha conocido su desarrollo junto a la cristianitas, pero antes de que maduraran las libertad y la igualdad como categorías; el desarrollo de los principios de libertad e igualdad ha ocurrido en medio del eclipse de la fraternidad. La Declaración Universal de Derechos Humanos, vuelve a reunir el tríptico y nos obliga a confrontarnos con un catálogo de derechos inalienables e irrenunciables. Para ello, es necesario sumergirnos en las raíces de la fraternidad y en su esencia, la que no excluye el conflicto, sino que brinda métodos para superarlos o, en todo caso, convivir sanamente con él.

En el contexto de la web 3.0, Instagram constituye un espacio complejo respecto de la circulación de información y la publicidad relativa a la alimentación. Como característica de este medio, y en el marco de una cultura del fitness, encontramos una amplia oferta de servicios-productos asociados a regímenes dietéticos y sistemas de entrenamiento, que prometen la obtención de corporalidades específicas. Ante una saturación de contenidos y frente a una necesidad/demanda por ostentar una corporalidad exitosa, se desarrollan estrategias de marketing digital que son empleadas indistintamente por marcas, individuos comunes e Influencers. En esta escena, verificamos la referencia y actualización del mito, el cual no sólo es tematizado, sino utilizado a partir de su potencia antropológica, apelando, principalmente, al arquetipo de la transformación y a una validación en las comunidades virtuales, de valores como la voluntad, la disciplina y el control. A través de un análisis de caso específico con la cuenta @nutrientreno_1, revisaremos diversas formas de operación del mito en Instagram.

El propósito de este trabajo será el de analizar el sustrato mítico presente en una novela nacida de este contexto, Siete lunas y siete serpientes (1970), del escritor ecuatoriano Demetrio Aguilera-Malta. La importancia que el mito adquiere dentro de esta novela es la que suscita el presente estudio. Los diferentes mitos y creencias populares insertados en la narrativa maltiana no responden a una mera sucesión cumulativa de los mismos sino que son parte fundamental en la significación de toda la obra en su conjunto.

Artikel ini bertujuan untuk menggali aspek etika dalam mitos dan legenda Islam sebagai reservoir nilai-nilai moral dan etika . Penelitian ini menggunakan pendekatan interdisipliner, menggabungkan studi sastra, agama, dan etika untuk memahami kedalaman relevansi kearifan tradisional Indonesia yang terkandung dalam mitos dan legenda Islam. Dengan menganalisis narasi-narasi kuno dan cerita-cerita epik dalam warisan Islam, studi ini memaparkan bahwa etika bukan hanya sebuah konsep abstrak, tetapi juga sebuah panduan hidup yang tercermin dalam cerita-cerita kuno. Hasil penelitian ini mengungkapkan kompleksitas etika dalam berbagai konteks mitos dan legenda Islam, yang mencakup nilai-nilai seperti kejujuran, kebijaksanaan, keberanian, dan kasih sayang. Analisis mendalam terhadap kisah-kisah seperti "Kisah Ali Baba" dan "Kisah Nabi Sulaiman" menyoroti bagaimana nilai-nilai ini terjalin dalam narasi-narasi tersebut dan memberikan arahan etis bagi pembaca. Studi ini merangsang pemikiran tentang bagaimana masyarakat Islam dapat menggali kekayaan etika dalam warisan budaya mereka untuk memandu tindakan dan keputusan mereka dalam kehidupan sehari-hari. Kesimpulannya, artikel ini menyoroti pentingnya mengintegrasikan kearifan tradisional dalam kajian etika kontemporer

Con ocasión del 80 aniversario de la Universidad Iberoamericana y de su Departamento de Filosofía hemos querido recuperar y comentar uno de los dos primeros libros que se publicaron en lo que entonces se llamaba Centro Cultural Universitario. El libro que nos ocupa es fiel testimonio de la época en que fue publicado. Las conferencias del padre jesuita Ledit son ejemplo de la manera de entender la historia moderna y contemporánea de muchos pensadores católicos preconciliares. La cristiandad medieval había realizado una síntesis con el pensamiento griego. La modernidad fue la paulatina separación de esta filosofía perenne abierta a la trascendencia, con el resultado de una razón soberbia y orgullosa de su finitud; una de sus consecuencias fueron los sistemas totalitarios de la primera mitad del siglo xx, los cuales en su confrontación llevaron al estallido de la Segunda Guerra Mundial.

Reseña del libro Mitos e identidades en las autoras hispánicas contemporáneas, de Pilar Nieva-de la Paz (ed.)

The patients/clients and the skilled professionals' beliefs and expectations about hypnosis, influence the decision to use this procedure as well as its effects. On the other hand, in the Internet there is plenty of information about hypnosis, which shapes opinions of public and professionals. Therefore, the aim of this study is to analyze the quality of the information disseminated by non-specialized online press. 334 articles (from 2011 to 2012) and 200 articles (from 2018-2019) written in Spanish and published online in non-specialized publications press have been analyzed. Results show that, although a high number of articles demystify hypnosis, many of them disseminate myths as well. The highest percentage of articles that demystify hypnosis is associated with the press topic "Science and Culture". Results indicate that myths are broadly present in the popular culture, and are maintained with the support of their ongoing dissemination in the newspapers online articles. This supports the importance of fostering the dissemination of scientific available evidence about applied and basic research on hypnosis. [ABSTRACT FROM AUTHOR]

William R. Lethaby Traducción: Isabel Suárez-Llanos Arquitectura, misticismo y mito Germinarq, 2023

Los relatos relativos a la caza del ciervo son prácticamente universales y tienen una intensa dimensión metafórica (el ciervo puede tener múltiples significados, asociados a veces al bien y otras al mal) y una intensa dimensión metonímica (el ciervo puede ser sustituto o sustituido, en relatos análogos, por otros animales). La relación entre el ciervo y el humano ha suscitado además una densa antropología, con proyecciones que van desde lo ideológico hasta lo ritual y lo político. La caza (por lo general colectiva) del ciervo ha suscitado además, en contraposición con la caza (por lo general solitaria) de la liebre, métodos de análisis que se integran en la teoría de juegos, y que son aplicados en este artículo.

Copyright of Confluenze. Rivista di Studi Iberoamericani is the property of Universita di Bologna, Dipartimento di Lingue, Letterature e Culture Moderne and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Muiraquitã: Revista de Letras e Humanidades is the property of Muiraquita and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

To evaluate the Milano-Torino staging (MiToS) and King's staging systems as potential outcome measures for clinical trials in amyotrophic lateral sclerosis (ALS) by assessing these outcomes in FORTITUDE-ALS. This was a post hoc analysis of the phase 2b FORTITUDE-ALS trial (NCT03160898), a double-blind, randomized, dose-ranging, placebo-controlled, parallel-group study of reldesemtiv in patients with ALS. The treatment period was 12 weeks, with a follow-up assessment at week 16. Patients were retrospectively classified into MiToS and King's stages. Outcomes were the mean time maintaining baseline stage and risk of progression from the baseline stage to a later stage. The full analysis set consisted of 456 patients randomized 3:1 (reldesemtiv n = 342, placebo n = 114) who received at least one dose of double-blind study drug and had at least one post-baseline assessment. At baseline, MiToS and King's stages were balanced between the reldesemtiv and placebo groups: >99% of patients were in MiToS stage 0 or 1 and King's stage 1, 2 or 3. Time of maintaining the baseline stage was similar in both groups, for each staging system. The two staging systems exhibited considerably disparate results for risk of progression from baseline to a later stage: hazard ratio (HR) = 0.62 (95% confidence interval [CI] 0.38, 0.99) for MiToS and HR = 0.96 (95% CI 0.63, 1.44) for King's. This exploratory analysis showed the feasibility of MiToS and King's staging as potential outcome measures in ALS. Additional studies of these staging systems are needed to further explore their utility in ALS clinical trials. [ABSTRACT FROM AUTHOR]

Legal positivism, as a set of theses necessarily defended or assumed by those that fly its colors, has being commonly criticized with bases in errors or myths, constituting a “straw man” of what this philosophical tradition is. In this paper, we proport to rescue the central theses of positivism, defining them by the artifact thesis and the separability thesis, with contingent presence of the source thesis and/or the conventionality thesis. With that settled, we go on to demonstrate that the idea of a “outdated” positivism, unable to account for legal principles, is false, as well as the picture of a legal positivism that implies some specific interpretative methodology, such as textualism or originalism. Through this article, we expect to clear or even recover the debate about legal positivism, specially in Brazil, reviving the theses that are really defended by this century-old philosophical tradition, distancing ourselves from the “straw man” created. [ABSTRACT FROM AUTHOR]

Copyright of Estudos em Comunicação is the property of Labcom / Universidade da Beira Interior and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of GeSec: Revista de Gestao e Secretariado is the property of Sindicato das Secretarias e Secretarios do Estado de Sao Paulo (SINSESP) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Études Caribéennes is the property of Etudes Caribeennes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Study of the Mythical, Exotic and Supernatural Characters in the Oriental Legends of Gustavo Adolfo Bécquer ABSTRACT: This article aims to shed light on different crossings, interferences, interculturalities and considerable literary evolution between East and West, that was inherited from remote times creating an influence which look like a pearl necklace where the first pearl complete the next one. Spanish literature has always been inspired by traditional oriental Arabic poetry such as the Qasidah, located in the Andalusian historical past that had its roots in the pre-Islamic Arabic literature of the Jahiliya. In order for this influence to be justified, we have focused on the legends of Gustavo Adolfo Bécquer, from Seville author inspired by Eastern mythology, especially Arabic and Hindu that he adopted, thanks to his readings of authors such as Conde de Noroña (1760-1816). Famous with his book Asiatic Poems (1833) that opened the taste for what is exotic and for what is oriental. That romanticists like Bécquer used to feed their imaginations creating legendary, exotic, supernatural and, above all, mythical characters from Arab and Hindu mythology, creating, in this way, simultaneously a great diversity and richness of themes nourished by traditions and distant beliefs. RESUMEN: Este artículo tiene como objetivo arrojar luz sobre distintos cruces, interferencias, interculturalidades y evolución literaria considerable entre Oriente y Occidente que se heredó desde tiempos remotos creando una influencia que se asemeja a un collar de perlas donde la primera perla llama a la siguiente. La literatura española siempre se inspiró en la poesía árabe tradicional oriental tal como la qasidah, ubicada en su pasado histórico andaluz que tuvo su raíz en la literatura preislámica árabe del Yahiliya. Para que quede justificada esta influencia, nos hemos focalizado en las leyendas de Gustavo Adolfo Bécquer (1836-1870), un autor sevillano inspirado en la mitología oriental, en especial, árabe e hindú que adoptó gracias a sus lecturas de autores como Conde de Noroña (1760-1816) célebre por su libro Poesías asiáticas (1833), que abrió el gusto por lo exótico y lo oriental, que los romanticistas como Bécquer se sirvieron para alimentar sus imaginaciones creando personajes legendarios, exóticos, sobrenaturales y, sobre todo, míticos de la mitología árabe e hindú, creando, de esta manera, simultáneamente una gran diversidad y riqueza temáticas nutridas de tradiciones y creencias lejanas.

Komik online dengan judul “Next Door Coountry” merupakan komik yang bergenre top slice of life atau sepotong kehidupan yang terbit setiap hari selasa dan jumat. Di aplikasi bernama Line Webtoon dan bisa diakses melalui website. Tujuan penelitian ini untuk mengetahui tanda, objek, dan interpretant serta mengetahui perilaku mitos yang terjadi di Indonesia dalam komik online “Next Door Country”. Analisis yang digunakan adalah analisis semiotika menurut Charles S. Peirce. Berdasarkan analisis yang telah dilakukan terhadap komik tersebut dapat diperoleh kesimpulan bahwa komik online “Next Door Country” mempresentasikan perilaku mitos, seperti dalam kebiasaan, pandangan, atau kepercayaan di setiap negara yang berbeda. Serta komik ini membuka mata masyarakat Indonesia akan mengenai mitos-mitos atau budaya yang masih dipercayai sampai sekarang ini. Dalam hal ini mitos tersebut sebaiknya untuk dihindari, sebab untuk menjaga sopan santun dan tata krama walaupun belum terbukti akan kebenaran mitos tersebut. Selain itu komik ini memberikan pesan atau makna melalui gambar.

Punakawan mempunyai perjalanan sejarah yang sangat panjang, sejak abad ke-12, hingga kini Punakawan yang tampil dengan ciri fisik wajah khas, bisa tampil sebagai tokoh dengan berbagai peran sesuai zamannya. Punakawan merupakan tokoh-tokoh ciptaan seniman Indonesia yang mampu merebut hati penonton seni pertunjukan di Indonesia mulai dari pertunjukan wayang kulit, wayang orang, hingga pertunjukan melalui layar kaca. Ketika Mahabharata yang merupakan sebuah epos para bangsawan dengan tatanan yang pasti masuk dan berkembang di Jawa, maka tatanan itu tidak sepenuhnya bisa diterima dan diciptakannya sebuah bentuk protes melalui wujud Punakawan. Melalui tahapan deskripsi praikonografis, analisis ikonografis, dan interpretasi ikonologis, serta menggunakan teori-teori pendukung yang lain dalam topik penelitian kajian budaya ini, maka dapat disimpulkan bahwa Punakawan sebagai subkultur merupakan strategi dari kaum tidak berdaya untuk mendefinisikan ketidak berdayaannya kepada penguasa., artinya, tradisi cerita yang diperankan Punakawan memberi ruang untuk kritik, untuk segala ketidakpatutan, dan untuk sikap-sikap egaliter, tapi ruang itu terpisah secara kategoris dari pusat wacana politik kekuasaan, dan merupakan bentuk ‘pemberontakan’ terhadap kemapanan idiom artistik dan ideologi estetik tertentu. Punakawan diproduksi sebagai mitos yang digunakan oleh dua belah pihak, yaitu penguasa dan rakyat yang ditafsirkan sesuai sosio kultur daerah masing-masing. Ketika dipakai oleh penguasa, mitos yang disampaikan akan sangat berbeda dengan ketika dipergunakan oleh rakyat.

Artikel ini bertujuan menjelaskan dan melakukan konstruksi atas aspek keadilan dalam praktik serta pemikiran akuntansi melalui birokrasi yang seringkali rasis dengan trah keilmuan. Konstruksi ini dilakukan melalui redefinisi (jika tidak mau menggunakan kata ‘dekonstruksi’) “normalitas”. Redefinisi ini sangat dibutuhkan untuk mencapai keadilan, sebagai sebuah konsep, yang berada pada tataran mitos atau wacana. Si Pitung, pahlawan Betawi, adalah metafora yang tepat untuk proses redefinisi ini karena dua alasan. Pertama, kajian tentang si Pitung banyak menempatkan tokoh ini sebagai sebuah mitos-urban legend yang aksinya dilakukan untuk mendapatkan keadilan. Kedua, aksi si Pitung pada esensinya merupakan konsekuensi logis atas redefinisi ‘normalitas’. Akhirnya, artikel ini mengusulkan sebuah perubahan asumsi atas normalitas akuntansi agar keadilan tidak menjadi sekadar mitos. Melalui akuntansi, menerima perubahan menuju perbaikan adalah hal yang normal, sedangkan mempertahankan kemapanan kuasa tertentu/status quo adalah hal yang abnormal.

This article is a phenomenological-hermeneutical approach to the anthropogenic myth found in the Popol Vuh. The first section exhibits the structure and meaning of mythical discourse. The second section sheds light on the idea of man implicit in the sacred book, for which the essential features and limitations of the men of clay and wood are exposed. Finally, the analysis is underpinned by its theme: the essence and the ultimate goal of the corn man. The thesis to be demonstrated is that man is a being created by and for the gods. The methodological approach on which our research is based is derived from both Mircea Eliade's phenomenology of religion and Heidegger's fundamental ontology. [ABSTRACT FROM AUTHOR]

Copyright of Revista de Poética Medieval is the property of Instituto Universitario de Investigacion en Estudios Medievales and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Altamira is the property of Centro de Estudios Montaneses and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Literatura y Lingüística is the property of Universidad Catolica Cardenal Raul Silva Henriquez and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Metaverse Basic & Applied Research is the property of Fundacion Salud, Ciencia y Tecnologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de la Facultad de Trabajo Social. Universidad Pontificia Bolivariana is the property of Universidad Pontificia Bolivariana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)