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1. Cover

2. 5. Best Practices for Children and Their Families in Postconflict Settings: A Culturally Informed, Strength-Based Family Therapy Model

3. PART II. Participatory Approaches

4. PART I. Socio-Ecological Approaches

5. Notes on Contributors

6. 10. Arts-Based Research Innovations in Work with War-Affected Children and Youth: A Synthesis

7. Acknowledgments

8. 12. Drawing to Be Seen and Heard: A Critical Analysis of Girls' Drawings in Three Refugee Camps

9. 13. Young People with Refugee Experiences as Authors and Artists of Picture Books

10. Index

11. 11. Creative Arts Therapies in School-Based Interventions with Children and Youth Affected by War

12. 9. An Arts-Based Participatory Approach to Research with Migrant Young People in South Africa

13. PART III. Arts-Based Approaches

14. 8. Ethical Tensions in Participatory Research with Queer Young Peoplefrom Refugee Backgrounds: Critiquing a Code of Ethics

15. 3. A Case for Preservice Teachers Reflexively Engaging in Work with War-Affected Children in Canadian Schools

16. 4. The Thunder of War Is Much Less Heard: Engaging Young People and Older Adults to Restore Social Cohesion in the Midst of Crisis in Eastern Ukraine

17. 6. Navigating Participatory Research with Children Affected by Armed Conflict: Conceptual, Methodological, and Ethical Concerns

18. 2. Unlearn and Deconstruct to Collaboratively Build a Sense of Well-Being around Children Affected by War: A Family and Community Approach

19. 1. A Tri-pillared Approach to Studying Children and Families Affected by War, Migration, and Displacement

20. Title Page, Copyright

21. 7. The Right to Be Heard in Research: Participatory Research Ethics in Kakuma Refugee Camp

22. Re-visioning as Practice in Cellphilming in Sierra Leone: A Reflexive Account of Addressing Gender Transformation in the Moment

23. A Visionary Conversation: International NGOs on Cellphilming in Interventions and Advocacy

24. Cellphones Beyond the Workshop: Youth Researchers Owning Gender Transformative Change Through Participatory Visual Research in Rural India During COVID-19

25. The Story Behind the Story: Accounts of Youth Cellphilm-Makers on Their Experiences of the Pandemic

26. ‘Face Value’: The Ethics and Aesthetics of a No-Face Approach to Cellphilming with Young People in Mali

27. Re-visioning Cellphilming Methodology: An Introduction

28. Teaching about Missing and Murdered Indigenous Women, Girls, and 2SLGBTQQIA+ People: Implications for Canadian Educators

40. Picturing (as) Resistance: Studying Resistance and Well-Being of Indigenous Girls and Young Women in Addressing Sexual Violence

43. Girlhood and the Politics of Place

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