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The article focuses on pianist Kyra Xuerong Zhao's recital featuring a diverse selection of compositions described as a "colorful excursion." Zhao's performance demonstrates her deep understanding and interpretation of each piece, from Rachmaninoff's rich tonality to Scriabin's mystical imprint, capturing nuances with commendable clarity and intelligence.

The article focuses on introducing two compositions, Brian Field's "Arctic Variations" and Neil Stipp's "Symphony Capriccio," featured in the album "Chisinau 1: New Music for Orchestra." Field's piece draws inspiration from Anastasia Mityukova's photo series, evoking a sense of icy stillness with powerful brass lines cutting through complex textures, while Stipp's composition showcases clean Neoclassical elements reminiscent of Stravinsky.

The article focuses on the 50th anniversary celebration of the Oregon Repertory Singers (ORS) through their album "50," featuring works by contemporary composers, including pieces by members of the chorus like Stacey Philipps and Naomi LaViolette. Led by Ethan Sperry, ORS delivers outstanding performances showcasing their rich tonal quality and energy, with contributions from Lisa Riffel and the Union High School Chamber Orchestra, making it a comprehensive tribute to the ensemble's success.

The article focuses on Mia Brentano's latest album, "American Diary," a continuation of Klaus Martin Kopitz's ongoing musical narrative, exploring the Mia Brentano sound characterized by repetition, collaged sounds, modern Romanticism, Classical roots, and fusion of musical genres. It mentions the album represents a new chapter in the musical journey, offering a nostalgic yet continually surprising experience.

An introduction is presented in which the editor discusses articles in the issue on topics including the third volume of complete duos for harp and piano on the Toccata Classics label, featuring compositions and arrangements by Welsh composer and harpist John Thomas.

The article focuses on the distinction between the art-historical "École de Paris" and the musico-historical "École de Paris," featuring composers like Ibert, Antheil, and Stravinsky. Topics include the significance of this distinction, the detailed background provided in the notes, and the quality and value of the music presented on the disc.

The article focuses on tenor Brian Thorsett and his involvement with the chamber ensemble October Sky, discussing their new recording "October Skies: Songs for Tenor, Violin, Cello, and Percussion" on the MSR label. Topics include Thorsett's approach to various genres like opera, oratorio, and recital, emphasizing his attraction to music that is driven by text and the combination of intimacy and grandiosity found in these genres.

The article delves into the intricacies of performing Charles Ives's music, particularly his Second Piano Sonata, with pianist Donald Berman presenting his own edition that includes previously unrecorded pages and the First Transcription. Berman's deep understanding of Ives's harmonies and directionality, coupled with his masterful interpretation, brings out the inherent beauty and complexity of Ives's compositions.

The article highlights the Aros Guitar Duo's SACD, featuring six world premiere recordings, with meticulous presentation and detailed artwork. Composed between 2018 and 2021, the album is structured like a multi-composer suite paying homage to Aarhus, Denmark, drawing inspiration from the historic bell tower of Aarhus' City Hall and Morten Børup's composition "In vernalis temporis," skillfully performed by the Aros Guitar Duo.

An interview with Barbara Harbach, is presented. Topics include the exploration of Barbara Harbach's choral music in Volume 17 of MSR Classics' series, her upbringing in Livonia, PA, where she began playing for church services at a young age, and her journey into choral composition, sparked by her experiences as an organist and choir director in various churches and synagogues.

The article focuses on the 50th anniversary celebration of the Oregon Repertory Singers (ORS) and their new disc, "50," which highlights the chorus's collaborative legacy. Ethan Sperry, the artistic director and conductor of ORS, discusses the choir's history, including its formation in 1974 and its evolution under different conductors, emphasizing their commitment to performing both classical masterworks and contemporary choral music.

The article focuses on two percussion pieces, Matt Sargent's "Between Time" and Peter Garland's "The Basketweave Elegies," both performed excellently by Michael Jones, showcasing their beauty and depth. Topics include Sargent's use of algorithms to create music during the pandemic, Jones's phenomenal performance emphasizing restraint and otherworldly sounds, and the contrasting moods and nuances between Sargent's and Garland's compositions.

The article focuses on Elena Dorozhkina's album "Russian Piano Gems," featuring a diverse repertoire ranging from Romantic to Avant-Garde pieces. Topics include Dorozhkina's background as a Russian-born pianist, her musical journey from St. Petersburg to Atlanta, and her passion for conveying deep emotions through her performances.

The article presents an interview with bass-baritone Mikhail Smigelski, discussing his musical journey from singing in an Orthodox church in St. Petersburg to becoming an opera singer and lecturer in voice at the University of Texas. Topics discussed include his favorite operatic roles, diverse recital repertoire, and his new recording, "Mayn Shprach," featuring Yiddish art songs by Lazar Weiner.

The article presents an interview with Robert Burns Arnot talking about the world of music, medicine, journalism, television, and humanitarian endeavor. Topics include pursuing a career in medicine, broadcasting at CBS and NBS News, publishing and trustee for international humanitarian development; and nearly a dozen world-class professors in composition, improvisation, music theory, conducting, and piano.

An interview with double bass player George Speed, is presented. Topics include information on his career as a double bass performer and educator; his latest recital disc from Centaur Records featuring works by Dragonetti, Boccherini, Beethoven, and Sperger; and his experiences performing in orchestral, solo, and chamber repertoire, all of which inform each other.