Search

Given the rising interest in AI-generated and synthetic media, the goal is to synthesise trending topics on how AI technology and media operation converge. A review of 2727 records from 13 international academic/non-academic databases is analysed through topic modelling and data scanning for exploratory analysis. The interpretation of the results allows a proposal of the "AI media" concept framing social-news-artificial-fake-service media phenomena leading to an extended or AI mediatisation. This study identifies fundamental challenges including trust and ethics, privacy safeguards, and the sustainability of AI ecosystems. The proposed conceptual model, definitions, and research agenda contribute to a comprehensive understanding of this emerging field. The study supports academic inquiry and policymaking with precise terminology and a forward-looking view that also considers the hype around generative AI. [ABSTRACT FROM AUTHOR]

In this article, we investigate traces of a news media logic in the Swedish parliamentary speeches from 1920 to 2019. Drawing on theories of mediatisation, we examine two aspects: the length of the speeches and repeated political slogans. Our analysis is based on a complete corpus of parliamentary records with annotated speeches. Speech length was measured based on word count, and the identification of slogans was based on repeated seven-word segments, filtered to exclude generic phrases. While it is difficult to draw any definitive conclusions about the influence of an external media logic, the speech length has dropped by 50 per cent since 1920. This change relates to new parliamentary procedures, and from the 1980s, with the explicit goal to attract the news media. Short and snappy political slogans have increased significantly since the 1990s. This development reflects previous research stating that sound bites are getting shorter.

Mediatisation has established itself in the last decade as a key approach in media and communication studies. Its aim is to explain the vast transformations of social relations caused by the growing power of the media. I provide a theoretical and empirical critique of this approach, with a particular focus on the institutionalist (strong) approach to mediatisation. As I argue, one of the biggest problems of mediatisation is that it perceives the power of the media in a wholly abstract manner. Even though authors advocating for the mediatisation approach typically preach about holism, their works often narrowly focus on the media, without embedding them in the social totality. This leads to a flawed approach, primarily due to the excessive media-centrism. For a critique of the ontological, epistemological and theoretical failures of mediatisation, I largely base the article on two critical approaches to the media and communication research: critical sociology of the media and political economy of communication. Empirically and mostly for illustrative purposes, the article is based on semi-structured interviews with representatives of Slovenian political parties. Three fundamental issues are identified based on this focus of the paper: mediatisation fails to distinguish between the form and content of communication; it does not make a proper distinction between public political communication and political activity; and it ignores the non-public parts of politics and deep inequalities, which influence the political process. Mediatisation generally bypasses these issues, in turn also ignoring the wider relations of power in capitalist society and how they change.

Tapping into mediatisation as a critical lens to examine how cultural synergy, particularly Korean Wave’s influence, manifests and impacts of everyday cultural practice in Malaysia. Despite a delayed start compared to neighbours, the Korean Wave ignited by the drama “Winter Sonata” in 2002, maintains a remarkable popularity in Malaysia. This study delves deeper than the surface of the Korean Wave, or Hallyu, exploring the intricate interplay between Korean stars, social media, and the phenomenon’s power. This work aims to understand how these elements actively shape and maintain its influence. While there has been a proliferation of research on the Korean Wave, it focuses on K-Pop music and K-Drama. Thus, this research project is designated to highlight elements other than K-Pop and K-Drama in the Korean Wave phenomenon by focusing on non-K-Pop cultural products. By observing open social media accounts and content, as well as events related to South Korean products, this study will use qualitative methods, netnography and participant observation for data collection. The findings are discussed in four key themes: Exploring Platforms and Fan Communities and Their Impact on Everyday Practices; International Brands Using Korean Stars for Product Promotion in Malaysia; the Potential of Selected Qualitative Methods for Understanding Social Phenomena; and the Limitations of These Methods in Research. The study highlights the need to choose relevant theories and research methods to improve the quality and depth of findings, especially when exploring complex subjects such as fandom. [ABSTRACT FROM AUTHOR]

This article analyses how and why, in the digital age of interconnectivity, the Toraja funeral ceremony known as Rambu Solo (or ‘descending smoke’) has become increasingly mediatised. Prominently featured on Instagram and Facebook, Toraja content creators emphasise its luxury over its cultural values, epitomising the contemporary mediatisation of ceremonial practices. By depicting it so elaborately, these creators may inadvertently reinforce the perception of a luxurious funeral as an obligation for all social classes in Toraja, potentially leading to significant and enduring socioeconomic implications for individuals and the broader Toraja community. By demonstrating how content creators exploit social media to commodify public fascination with the distinctive Rambu Solo ceremony for economic and political gain, this article challenges the assumption of both Indonesian and Western scholars that the exposure of traditions on social media invariably supports cultural preservation. Instead, it reveals complex dynamics whereby the intersection of mediatisation and social media can simultaneously act as agents of both cultural commodification and redefinition. These findings offer a new perspective in this field, highlighting its ambivalence and prompting a re-evaluation of how we perceive the preservation and promotion of cultural tradition in the age of social media’s transformative power. [ABSTRACT FROM AUTHOR]

This paper deals with the question of how the process of digitalisation on the technical basis of the computer can be described in Marxist categories and what consequences are foreseeable as a result. To this end, the first section shows, based on a historical analysis of the emergence of the computer, that this apparatus was invented as an instrument of a division of human mental labour and thus complementary to the division of physical labour. It is therefore necessary to analyse computers and digitalisation in their relation to human beings and human labour. In the second section, the central ideology of digitalisation is elaborated, which is supposed to make the current form of digitalisation appear meaningful for people and society: The anthropomorphisation of the computer, which was said to be increasingly able to think, speak, and learn like humans, to become more and more intelligent, and to be able to do everything better than humans once the technical singularity had been reached. This claim, which has been propagated again and again, is contradicted on various levels. The computer operates on about two dozen simple mathematical, logical, and technical commands and can do nothing but run one programme at a time, developed and entered by programmers on the basis of behavioural or physical data. This sometimes produces amazing results because the computer can work quickly and systematically as well as reliably. But in contrast to humans, it faces the world as a behaviouristic machine that can neither understand meaning nor reflect its own or human behaviour. The computer also ”sees” and ”hears” its environment only on a physical basis and it ”thinks” at best on a statistical basis if the programme tells it to do so. The apparatus can therefore simulate mechanical machines, but in interaction with humans its actions and reactions are, as any machine, not socially oriented, but dependent on whether humans interpret them as meaningful und useful. The third section elaborates on the complementarity of mental and physical divisions of labour. This would be a central theme of a critical Marxism for an analysis of digitalisation today, which understands the previous capitalism from the division of physical labour. Even though there are some theoreticians who have contributed to this, so far there is no comprehensive theory of it. Therefore, section 4 wants to contribute to such a theory by collecting empirical observations in an interpretive way regarding the related questions. In this way, it becomes clear how the division of people's intellectual labour made possible by the computer is being dealt with today: Capitalism is reorganising more and more areas of human life such as mobility, social relations, education, medicine, etc. through the use of the computer. As a result, first and foremost the business fields of the digital economy are expanding. Moreover, capitalism no longer has to limit itself to controlling the field of production but is increasingly intervening in the whole symbolic world of people. Consequently, according to the thesis, we are heading for an expanded capitalism that will increasingly restrict and reduce both democracy and people's self-realisation. Section 5 emphasises once again that a different digitalisation is also possible, one that serves humanity and not capitalism. Further, some summarising and comments are added there.

Copyright of Publizistik: Vierteljahreshefte für Kommunikationsforschung is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The study focuses on the heterogeneous discursive representations of the Chinese Dream in three international newspapers from different geopolitical regions between 2012 and 2022. To this end, a combined method that uses the discourse-historical approach and corpus-assisted analysis was adopted. In the analysis, it identifies three salient discursive strategies (namely, nomination, perspectivisation and argumentation) that are employed to reconstruct/represent the national Dream differently in the three media. The findings suggest that the Chinese Dream is a floating discourse in media, and its portrayals strongly depend on the news institutions and their ideologies, stances and socio-political systems in which they are based and that the objective presentation of media is fragmented or an illusion, at least in the case of the mediatised Chinese Dream. The heterogeneous representations also show the features of discourse power struggle and ideological divergence in the media based in different geopolitical regions. The study contributes to the critical understanding of the Chinese Dream in the discursive world constructed by news media. [ABSTRACT FROM AUTHOR]

Attending and consuming events are integral to many peoples' leisure lives. However, as the literature attests, events represent significant sites of contestation over who does and does not belong. This paper explores such contestation in the notoriously elitist and traditionally exclusionary sport of cricket, and specifically The Hundred; the most recent attempt to democratise the sport by appealing to a more demographically diverse spectator base. It uniquely blends extensive semi-structured interviews with stakeholders (n = 33), and a synthesised theoretical framework of mediatisation, media events and digital leisure studies, to argue that the apparent success of The Hundred in attracting and including new audiences has been enabled by incorporating elements of media spectacle. We therefore, use The Hundred to further delineate the processes described in the extant literature, and extend analysis of the 'digital turn', by drawing attention to the tensions between the speed and trajectory of these developments and the constraints imposed by cricket's history. We illustrate how digital and analogue leisure remain highly interdependent, and argue that the ongoing contestation of game forms championed by different cricket stakeholders makes it improbable that The Hundred can achieve its twin goals of being economically viable, while increasing the popularity and, ultimately survival, of other cricket formats. [ABSTRACT FROM AUTHOR]

One major contestation of mediatisation is insufficient empirical historiography of its development, particularly in light of claims for its value in understanding political and social change and the processes of change. This article seeks to add to evidence on concept development by considering a single transformation from mediation towards mediatisation in public communication processes as an example of its phased development at the juncture of press and politics. Using a historical case framework from the British Coal Dispute of 1984-5 to consider political change agency, it explores print media representations of union activity and union leadership to examine how the Conservative government used the media as a proxy in seeking to change public attitudes toward industrial relations. Using three themes from the 1977 Stepping Stones strategy, the article discusses how media outlets were used as a vehicle for purposeful political communication. [ABSTRACT FROM AUTHOR]

This article analyses the cultural construction of gender in a highly mediated, globally publicised Australian murder trial. Using the tools of multimodal socio-linguistic analysis, it interrogates the construction of a key female witness – known by the legal pseudonym 'JC' – in the physical, digitally distributed and livestreamed courtroom and subsequently through the media sphere, including in newspapers, magazines, podcasts, television and social media. It surfaces a victimblaming narrative in relation to alleged child sexual abuse that was an underlying theme in pretrial reporting, a central feature of the defence's courtroom strategy and cross examination, and subsequently a dominant focus of the mainstream media's trial coverage. It traces the emergence of a counter-discourse on social media largely propelled by contributors self-identifying as young women, and the radical reframing of the media narrative in response to the court's verdict. The article also contextualises its findings against a background in which media technologies and media logics are dramatically reshaping the court's practices and procedures in relation to 'open justice', as evidenced by the operation of the virtual media gallery and publicly livestreamed verdict. It concludes that the hyper-gendered narratives that framed the case are not new. Instead, media technologies – including the court's livestream, and the public's use of interactive media platforms – have brought new visibility to a longstanding socio-cultural problem. In Australia, R v Christopher Michael Dawson has been widely celebrated as a step forward for gender equality and the treatment of domestic and sexual abuse by and in the media and the legal system. This analysis demonstrates that in reality change is marginal and uneven. [ABSTRACT FROM AUTHOR]

Purpose: This study draws parallels between the Major and Johnson eras to reclaim a discursive space beyond the media and political battlefields to examine long-term systemic failure of government PR. Design/methodology/approach: As part of a wider study into government communications from 1979 to date, this paper draws on evidence from government archives from the 1990s, as well as contemporary accounts, official documents, media accounts, memoirs and biographies, to examine the PR record of two Conservative administrations divided by three decades. Findings: News management during the Major premiership is worth serious scrutiny, not just as an interlude between two media-friendly Prime Ministers, Thatcher and Blair, but in comparison to Boris Johnson's struggle to contain the news narrative between 2019 and 2022. Both administrations experienced terminal reputational crises during their closing years but their means of managing the news were counter-productive and damaging to public trust (65). Practical implications: Does this failure in public communication illustrate a systemic dysfunction in government-media relations and, if so, what is the role of government PR in these circumstances? Originality/value: This article uses a comparison between fixed and moving variables associated with two very different administrations to identify the causes of ongoing systemic failure in government communication. [ABSTRACT FROM AUTHOR]

This paper is a reflection on the points of convergence between live performance and the media within Indian stand-up comedy. Traditionally, live performance has been seen in opposition to the media. While the former is defined by spatial and temporal co-presence of the audience and spectators, the latter has neither (Auslander, 2012). While stand-up comedy is primarily live, digital and mass media are used extensively by comedians to build a professional reputation for themselves through their presence and participation on social media. However, after the onset of the COVID-19 pandemic, much of performance art – including stand-up comedy – has moved online. That is, comedians are experimenting with the online media: Zoom, Instagram Live, Facebook Live and so on, to put up live performances that would otherwise have been performed within a comedy club or café. This paper derives its theoretical basis from Philip Auslander's postulation of liveness in a mediatised culture and digital liveness which 'results from our conscious act of grasping virtual entities as live in response to the claims [technology makes] on us' (2012: 13). The paper attempts a theoretical reflection on how to 'read' a stand-up comedy performance for pedagogical purposes in these different contexts as the idea of liveness, mediatisation and our experience of the live evolves with time and context. [ABSTRACT FROM AUTHOR]

Copyright of Estudos em Comunicação is the property of Labcom / Universidade da Beira Interior and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Soziale Passagen is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Mass media mediate different publics, thus being crucial in constructing political reality. By selecting which topics are covered (agenda), which voices are heard, or how social and political issues/actors/dynamics are represented (priming and framing), mass media impacts how political conversations and processes unfold. Acknowledging the increasing mediatisation of politics, this article zooms into media texts of the Portuguese media during a complex political period that included national elections to explore how populism as a term, label, or topic was used and/or co-opted to create and negotiate political EU representations. Building on a historical perspective and using critical thematic analysis, this article argues that populism was used in the media and by the media as a discursive mechanism of political positionality and/or delegitimisation or criticism of political actors, agendas, or moves, thus making populism and the EU co-constitutively used as embodying political antipodes and making the EU work as a discursive buffer concerning populism in the country.

The evolution of the media environment and the expanding use of social media pose a question about how the public sphere has changed in the last decade and what standards churches and religious communities can refer to in order to thrive and be present. It is vital to see that the nature of mass communication is different from the way religious ideas are conveyed. Consequently, there is a constant threat that, if mass media report on religions and religious activities, even with the greatest possible neutrality, they can easily falsify them. This paper sets out to explore this paradox; we examine the social media activity of a tradition-driven religious community. This research focuses on particular phenomena that lead to general assumptions. Despite the fact that the online reality is not the primary space of the researched community, its activity has moved towards cyber space because of the diminishing presence of interpersonal and group relationships. This paper analyses this community's Facebook presence by applying quantitative and qualitative methods. [ABSTRACT FROM AUTHOR]

Copyright of Pro Publico Bono - Magyar Közigazgatas is the property of National University of Public Service and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Mass media mediate different publics, thus being crucial in constructing political reality. By selecting which topics are covered (agenda), which voices are heard, or how social and political issues/actors/dynamics are represented (priming and framing), mass media impacts how political conversations and processes unfold. Acknowledging the increasing mediatisation of politics, this article zooms into media texts of the Portuguese media during a complex political period that included national elections to explore how populism as a term, label, or topic was used and/or co-opted to create and negotiate political EU representations. Building on a historical perspective and using critical thematic analysis, this article argues that populism was used in the media and by the media as a discursive mechanism of political positionality and/or delegitimisation or criticism of political actors, agendas, or moves, thus making populism and the EU co-constitutively used as embodying political antipodes and making the EU work as a discursive buffer concerning populism in the country. [ABSTRACT FROM AUTHOR]

Copyright of Horizons of Politics / Horyzonty Polityki is the property of Jesuit University Ignatianum in Krakow and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Twenty-first-century politics have been defined by celebrity leaders such as Tony Blair, Gerhard Schröder, and Barack Obama. How have 'traditional' politicians like 'Mutti Merkel', who embody the opposite of star status, still managed to compete with these celebrity politicians in an attention economy in which politicians continuously vie for media exposure? Scholarship on concepts such as 'mediatisation', 'personalisation', and 'celebritisation' explains the emergence of charismatic media personalities, but fails to explicate the success of 'conventional' politicians within systems of mediatised politics structured according to a celebrity logic. Based on an analysis of newspapers and both historical and contemporary political actors, this article argues that celebrity politics produced an antithesis, the 'anticelebrity'. This political figure constitutes an 'authentic' alternative to the supposed mediatised 'superficiality' of celebrity politicians, but could not have the same appeal without the latter superficiality to contrast itself with. The text constructs an ideal type of the anticelebrity figure within different political and media systems, distinguishing between 'reactionary anticelebrities' and 'natural anticelebrities'. By focussing on the anticelebrity concept, the article shows the photographic negative of the celebrity politician, which also enables us to see the contours of the notoriously blurred phenomenon of celebrity more distinctly. [ABSTRACT FROM AUTHOR]

This study explores politicians' subjective views of the mediatisation of politics and the implication it has for their satisfaction with democracy. Based on previous research, we hypothesise a negative effect of their perception of media influence on their evaluation of the news media's performance as a public informant. These perceptions directly and indirectly influence politicians' satisfaction with democracy. The relationships were tested with a Structural Equation Model (SEM) based on comparative survey data from politicians in seven democracies (Austria, Denmark, France, Germany, Spain, Sweden, Switzerland). Results show that a strong influence runs from politicians' perception of the media's performance as regards public information to their satisfaction with the functioning of democracy. This influence is stable across countries. The SEM thus may provide a good explanation for why some politicians attack legacy media and excessively use social media to communicate with voters. Results also point to risks of media-driven democracies. [ABSTRACT FROM AUTHOR]

This paper analyzes the women's narratives about working in soup kitchens during the COVID-19 pandemic, in the city of Córdoba (Argentina), in 2020/2021. This research derives from a large study, which has a mixed methodological approach. The quantitative phase (n: 680 households) reveals asymmetric effects: the socio-segregated sectors had a higher risk of job loss or lower income than the rest of the population (63% vs 42.4%). The qualitative phase (n:10) shows that the food demand increased exponentially. The central contribution of the research is to show that -in a pandemic situation and against the advertising discourse- the possibility of accessing and using social networks was not only unequally according to social class, but that women from subaltern social classes dispute in action with the dominant ideological constructions about this notion of equality associated with technological mediatisation. In addition, some redefinitions of domestic space/time and collective tasks are observed during the period of confinement, given the increasing demands and obstacles, as well as the impact on the caring bodies. [ABSTRACT FROM AUTHOR]

Copyright of ESSACHESS is the property of ESSACHESS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sur le Journalisme, About Journalism, Sobre Jornalismo is the property of Sur le journalisme, About journalism, Sobre jornalismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Soziale Passagen is the property of Springer Nature and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Among the processes related to network communication, the study presents the concept of deep mediatisation resulting from digitisation. In the theories related to traditional mass communication (printed press, radio, television), the nature of the process of mediation has been problematic since the 1980s, and some researchers have focused on researching the process of mediatisation instead of the media phenomenon. In this study, I explore the research traditions of mediatisation in terms of both media sociology and cultural theories. While the concept of mediatisation is used to describe traditional mass communication technologies and processes that operate in a classical, analogue way, deep mediatisation is the key word for network communication on a digital infrastructure. After highlighting the differences between traditional mediatisation and deep mediatisation, I present the theory of Couldry and Hepp, which underpins a new kind of social construction theory based on deep mediatisation in the social world.

This contribution deals with the evolution of women's mobilization forms and digital activism in Tunisia and Morocco and their media coverage. The objective is to observe and describe the main demand topics for more individual freedoms and women's rights carried by citizen and activist actors in the Tunisian and Moroccan digital space. The study focuses on a double corpus resulting from a regular monitoring of Facebook pages, Twitter accounts as well as the Youtube platform. This analysis allowed us to point out the new forms of engagement allowed by digital media and to show the emergence, in these countries, of a new activism from below that is complementary but autonomous from classical activism.

The response to the COVID-19 pandemic in 2020 necessitated changes in the working practices of many organisations such that online meetings suddenly became the norm. Governing board meetings were no exception. However, little is known about the impact of online meetings on the work of boards. Here we draw on empirical evidence from observations of in-person and online board meetings in eight colleges of further education across the UK to address the question: in what ways do governing board meetings differ in online and in-person contexts? From this we consider what this tells us about the role of the board in the life of the organisation. We conclude that social gathering, which emphasises the importance of place, is of central importance in the work of the board. [ABSTRACT FROM AUTHOR]

The purpose of the article is to summarise the foreign experience of constitutionalising mediatisation in general and the mediatisation of culture in particular. The research methodology is based on the application of general scientific (analysis, synthesis, induction, and deduction) methods of studying mediatisation as a social institution. The scientific novelty of the results obtained lies in the generalisation of the work of foreign scholars, which will contribute to the formation of mediatisation as a social meta-process by the Ukrainian scientific community, in particular, the identification of its stages and the clarification of socio-cultural consequences, which are undoubtedly ambivalent. Conclusions. The author emphasises that the problem of mediatisation of culture is actualised by the need to understand the originality of this process and clarify its specifics in order to explain the mutual influence of mass media, social institutions, and society. The key views of leading foreign mediologists on the process of mediatisation, its properties, role in modern society, and the relationship between the mediatisation of culture and society and technological changes are highlighted. The article concludes that mediatisation is a dynamic, ambivalent, and multi-layered process; it is a dominant factor in the development of society, which, by its consequences, is understood at the level of other large-scale transformational processes. The author emphasises that the concepts of mediatisation try to explain the long-term processes of interconnection between media changes and socio-cultural changes, however, mediatisation is still only a theoretical direction, not an established theory, which requires the development of strategies for its study. [ABSTRACT FROM AUTHOR]

Erholung neu definieren: Eine Taxonomie heutiger digitaler Schlaftechnologien «. Digital sleep tracking has become part of everyday life via smartphones with in-built sensors, dedicated sleep tracking software, and a range of peripherals. In a context of mediatised and managed sleep, this paper seeks to schematise the scope of consumer technologies, products, and media taking shape in the sleep industry. We outline a five-part taxonomy of sleep media technology: instrumentalisation of sleep data; augmentation of bedroom material; routinisation of sleep atmosphere; hacking of sleep rhythms; and finally, modulation of neurological states. We argue these technology types amalgamate to position sleep as in-crisis, while concurrently, commodifying this problem with digital "solutions" intervening at different scales, from the brain to body to bedroom to environment. Emerging from marketing and popular media coverage are new norms of "good sleep" and "sleep hygiene," normalising a discussion of "how" (rather than "if") digital technologies can measure, datafy, optimise, automate, and bioengineer sleep. [ABSTRACT FROM AUTHOR]

This article discusses the relations between mediatisation and datafication, and how the process of datafication has integrated several diverse value forms in complex interrelations. The first section outlines the rise of datafication in the wake of the technological development of digitisation in combination with new business models of the media and communications industries, leading to a tighter integration between these and other sectors of society. The second accounts for how this development paves way for certain specific value forms that result from this integrative process, and how the interrelation between value forms introduces a shift in the valuation processes of late modern data capitalism, where the social takes a prominent position. The final section discusses the relationship between datafication and mediatisation. The argument is that although datafication introduces a new phase in the mediatisation process, the former also extends beyond the latter. [ABSTRACT FROM AUTHOR]

Highly mediated, mega-sporting events provide opportunities for elite athletes to use their prominent status to elicit social change. However, with expectations and policies in place to regulate behaviour that prevents athletes from making political statements, athlete activists face risks. An examination of the 2018 Commonwealth Games highlighted two athletes who used their personal reputation whilst at this highly mediated global sporting event to raise the visibility of societal issues. Through the lens of persona studies, this research examined how these athlete celebrities crafted individualised narratives through internetworked platforms of new and traditional media to demonstrate forms of athlete citizenship. This research illustrates how athletes can become co-creators of the social cause narrative, demonstrating how valuable athletes can be in amplifying the core values of major sporting events by reinforcing a fluid form of intercommunication.

As the wealthiest groups have emerged as increasingly significant in societies, this article explores society's wealth elites from the vantage point of media and communication studies. Bridging the literature on policy advocacy and mediatisation, the article examines the hidden and public advocacy strategies of the wealthy. Drawing from 90 interviews with the wealthiest 0.1% in Finland, this study shows the wealthy's highly strategic stance towards the media and journalism. Most of all, they prefer to avoid the media and journalism, while actively using hidden advocacy strategies and being confident in their ability to wield political influence. As a consequence, the wealth elites may remain hidden from the public eye, making them 'shadow elites', whose power and scrutinisation pose a challenge to society and journalists as well. The findings support the view that paradoxically, one reaction to mediatisation – the media's heightened powers – is the deliberate avoidance of it. [ABSTRACT FROM AUTHOR]

Copyright of Dados - Revista de Ciências Sociais is the property of DADOS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article examines the multi-layered roles of photography and film in "cultural translation," representing architecture and landscape as a mediated place of conflicting visions, meanings and experiences. Taking the concept of the "production of space" as a starting point, it aims to contextualise the mediatory practices of photography and film by means of analysing the case study of a multifunctional building - the Krvavica Children's Health Resort - designed in the 1960s by Rikard Marasović on the Adriatic coast of Croatia (formerly Yugoslavia). Focusing on an analysis of three paradigmatic examples of visual practices, the photographic series by Wolfgang Thaler (2011), the episode Mysterious Object in the Pine Forest filmed as part of the documentary series Slumbering Concrete (2016), and the experimental film A Record of Landscape without Prehistory by the artistic duo Doplgenger (2020), the article explores how photography and film communicate quality, in particular how mediated representations (re)create current interpretation and understanding of the intertwined heritage of modern architecture and landscape. Examining aspects of recording the site from different perspectives, a series of questions arise when addressing the issue of space, focused on its role in reshaping meanings, memories, emotions and experiences, narrating not only what architecture and landscape are but also what they could become and how they might be constituted in the context of different cultural identities. [ABSTRACT FROM AUTHOR]

In the 1970s and 1980s a certain kind of anonymous architecture emerged in West German cities of the former Bonn Republic which is currently confronted with the risk of demolition, stemming mainly from the lack of recognition and care. These buildings have played a significant role in shaping the character of today's typical West German cities, thus holding a crucial place in the identity of these urban and suburban areas. Therefore, this paper focuses on the concept of photography as a visual preservation method, using the city of Aachen as a representative example of an average-sized West German city. The objective is to enhance the appreciation of this neglected cultural heritage, both in terms of sustainable urban planning and potential inclusion in the canon of architectural history. [ABSTRACT FROM AUTHOR]

The article discusses a wide spectrum of artistic uses of technological devices at different stages of Samuel Beckett's work for the theatre as well as his fascination with the medium of television and radio. It then focuses on the controversy surrounding Kenneth Tynan's staging of Breath as part of Oh Calcutta, Calcutta, and on later productions of this experimental stage miniature. It formulates several postulates concerning the „future of Beckett's performances". [ABSTRACT FROM AUTHOR]

The focus of this paper is to analyze the evolution of football language spoken by massmedia, from the origin of football as a social mass phenomenon to its nowadays transformation in a multimedia show. Football has always been a shared language, whose form depended on the specific mass medium that was egemonic in any epoch. From paper, to electonic, to mulimedia coverages, the performative language of football changed in a way that gave again more and more importance to its spoken side. This trend takes its maximum level in the present time, when di role of pundits gives help to the construction of a technocratic football language. [ABSTRACT FROM AUTHOR]

Copyright of CIRCULO de Linguistica Aplicada a la Comunicacion is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This work explores what drives Indonesian journalists' perceptions of media powers as political image-makers. The findings indicate that the following structural factors determined their perceptions: the journalists' willingness to adopt the news media logic, journalists' conceptions of the media as primary sources of political information and media and journalist independencies. The effects of these factors on journalists' perceptions are defined by the types of media content, platform and media ownership with which they are associated and also the journalists' age, gender, education level and position in the media organisation. [ABSTRACT FROM AUTHOR]

The evolution of the media environment and the expanding use of social media pose a question about how the public sphere has changed in the last decade and what standards churches and religious communities can refer to in order to thrive and be present. It is vital to see that the nature of mass communication is different from the way religious ideas are conveyed. Consequently, there is a constant threat that, if mass media report on religions and religious activities, even with the greatest possible neutrality, they can easily falsify them. This paper sets out to explore this paradox; we examine the social media activity of a tradition-driven religious community. This research focuses on particular phenomena that lead to general assumptions. Despite the fact that the online reality is not the primary space of the researched community, its activity has moved towards cyber space because of the diminishing presence of interpersonal and group relationships. This paper analyses this community’s Facebook presence by applying quantitative and qualitative methods.