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3. A database linking piano and orchestral MIDI scores with application to automatic projective orchestration

Author

Crestel, Léopold, Esling, Philippe, Heng, Lena, and McAdams, Stephen

Subjects
Computer Science - Sound, Computer Science - Machine Learning, Electrical Engineering and Systems Science - Audio and Speech Processing
Abstract

This article introduces the Projective Orchestral Database (POD), a collection of MIDI scores composed of pairs linking piano scores to their corresponding orchestrations. To the best of our knowledge, this is the first database of its kind, which performs piano or orchestral prediction, but more importantly which tries to learn the correlations between piano and orchestral scores. Hence, we also introduce the projective orchestration task, which consists in learning how to perform the automatic orchestration of a piano score. We show how this task can be addressed using learning methods and also provide methodological guidelines in order to properly use this database.

Published
2018

5. Modeling Human Experts’ Identification of Orchestral Blends Using Symbolic Information

Author

Antoine, Aurélien, Depalle, Philippe, Macnab-Séguin, Philippe, McAdams, Stephen, Goos, Gerhard, Founding Editor, Hartmanis, Juris, Founding Editor, Bertino, Elisa, Editorial Board Member, Gao, Wen, Editorial Board Member, Steffen, Bernhard, Editorial Board Member, Woeginger, Gerhard, Editorial Board Member, Yung, Moti, Editorial Board Member, Kronland-Martinet, Richard, editor, Ystad, Sølvi, editor, and Aramaki, Mitsuko, editor

Published
2021
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7. Timbre as a Structuring Force in Music

Author

McAdams, Stephen, Fay, Richard R., Series Editor, Avraham, Karen, Editorial Board Member, Popper, Arthur N., Series Editor, Bass, Andrew, Editorial Board Member, Cunningham, Lisa, Editorial Board Member, Fritzsch, Bernd, Editorial Board Member, Groves, Andrew, Editorial Board Member, Hertzano, Ronna, Editorial Board Member, Le Prell, Colleen, Editorial Board Member, Litovsky, Ruth, Editorial Board Member, Manis, Paul, Editorial Board Member, Manley, Geoffrey, Editorial Board Member, Moore, Brian, Editorial Board Member, Simmons, Andrea, Editorial Board Member, Yost, William, Editorial Board Member, Siedenburg, Kai, editor, Saitis, Charalampos, editor, and McAdams, Stephen, editor

Published
2019
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8. The Perceptual Representation of Timbre

Author

McAdams, Stephen, Fay, Richard R., Series Editor, Avraham, Karen, Editorial Board Member, Popper, Arthur N., Series Editor, Bass, Andrew, Editorial Board Member, Cunningham, Lisa, Editorial Board Member, Fritzsch, Bernd, Editorial Board Member, Groves, Andrew, Editorial Board Member, Hertzano, Ronna, Editorial Board Member, Le Prell, Colleen, Editorial Board Member, Litovsky, Ruth, Editorial Board Member, Manis, Paul, Editorial Board Member, Manley, Geoffrey, Editorial Board Member, Moore, Brian, Editorial Board Member, Simmons, Andrea, Editorial Board Member, Yost, William, Editorial Board Member, Siedenburg, Kai, editor, Saitis, Charalampos, editor, and McAdams, Stephen, editor

Published
2019
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9. The Present, Past, and Future of Timbre Research

Author

Siedenburg, Kai, Saitis, Charalampos, McAdams, Stephen, Fay, Richard R., Series Editor, Avraham, Karen, Editorial Board Member, Popper, Arthur N., Series Editor, Bass, Andrew, Editorial Board Member, Cunningham, Lisa, Editorial Board Member, Fritzsch, Bernd, Editorial Board Member, Groves, Andrew, Editorial Board Member, Hertzano, Ronna, Editorial Board Member, Le Prell, Colleen, Editorial Board Member, Litovsky, Ruth, Editorial Board Member, Manis, Paul, Editorial Board Member, Manley, Geoffrey, Editorial Board Member, Moore, Brian, Editorial Board Member, Simmons, Andrea, Editorial Board Member, Yost, William, Editorial Board Member, Siedenburg, Kai, editor, Saitis, Charalampos, editor, and McAdams, Stephen, editor

Published
2019
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10. The function of timbre in the perception of affective intentions: Effect of enculturation in different musical traditions.

Author

Heng, Lena and McAdams, Stephen

Abstract

Timbre has been identified as a potential component in the communication of affect in music. Although its function as a carrier of perceptually useful information about sound source mechanics has been established, less is understood about whether and how it functions as a carrier of information for communicating affect in music. To investigate these issues, listeners trained in Chinese and Western musical traditions were presented with Phrases, Measures, and Notes of recorded excerpts interpreted with a variety of affective intentions by performers on instruments from the two cultures. Results showed greater accuracy and more extreme responses in Chinese musician listeners and lowest accuracy in nonmusicians suggesting that musical training plays a role in listeners' decoding of affective intention. Responses were more differentiated and more accurate with more musical information. Excerpts were also analyzed to determine acoustic features that are correlated with timbre characteristics. Temporal, spectral, and spectrotemporal attributes were consistently used in judging affective intent in music, suggesting purposeful use of these properties by listeners. Comparison between listeners' use of acoustic features reveals a greater number of shared features between Western musicians and nonmusicians compared to Chinese musicians for valence, although the three groups shared more features for arousal. How timbre is utilized in musical communication appears to be different across musical traditions, and valence responses seem to be more culture-specific and arousal responses more similar across cultures. [ABSTRACT FROM AUTHOR]

Published
2024
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13. Perceptual analyses of action-related impact sounds

Author

Bezat, Marie-Céline, Roussarie, Vincent, Richard, Kronland-Martinet, Ystad, Solvi, and Mcadams, Stephen

Subjects
Computer Science - Sound
Abstract

Among environmental sounds, we have chosen to study a class of action-related impact sounds: automobile door closure sounds. We propose to describe these sounds using a model composed of perceptual properties. The development of the perceptual model was derived from the evaluation of many door closure sounds measured under controlled laboratory listening conditions. However, listening to such sounds normally occurs within a natural context, which probably modifies their perception. We therefore need to study differences between the real situation and the laboratory situation by following standard practices in order to specify the precise listening conditions and observe the influence of previous learning, expectations, action-perception interactions, and attention given to sounds. Our process consists in doing in situ experiments that are compared with specific laboratory experiments in order to isolate certain influential, context dependent components.

Published
2010

46. Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates

Author

Trochidis, Konstantinos, Sears, David, Trân, Diêu-Ly, McAdams, Stephen, Hutchison, David, editor, Kanade, Takeo, editor, Kittler, Josef, editor, Kleinberg, Jon M., editor, Mattern, Friedemann, editor, Mitchell, John C., editor, Naor, Moni, editor, Nierstrasz, Oscar, editor, Pandu Rangan, C., editor, Steffen, Bernhard, editor, Sudan, Madhu, editor, Terzopoulos, Demetri, editor, Tygar, Doug, editor, Vardi, Moshe Y., editor, Weikum, Gerhard, editor, Aramaki, Mitsuko, editor, Barthet, Mathieu, editor, Kronland-Martinet, Richard, editor, and Ystad, Sølvi, editor

Published
2013
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49. A Vibrotactile Device for Display of Virtual Ground Materials in Walking

Author

Visell, Yon, Cooperstock, Jeremy R., Giordano, Bruno L., Franinovic, Karmen, Law, Alvin, McAdams, Stephen, Jathal, Kunal, Fontana, Federico, Hutchison, David, editor, Kanade, Takeo, editor, Kittler, Josef, editor, Kleinberg, Jon M., editor, Mattern, Friedemann, editor, Mitchell, John C., editor, Naor, Moni, editor, Nierstrasz, Oscar, editor, Pandu Rangan, C., editor, Steffen, Bernhard, editor, Sudan, Madhu, editor, Terzopoulos, Demetri, editor, Tygar, Doug, editor, Vardi, Moshe Y., editor, Weikum, Gerhard, editor, and Ferre, Manuel, editor

Published
2008
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50. A Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCAL

Author

Burgoyne, John Ashley, McAdams, Stephen, Hutchison, David, editor, Kanade, Takeo, editor, Kittler, Josef, editor, Kleinberg, Jon M., editor, Mattern, Friedemann, editor, Mitchell, John C., editor, Naor, Moni, editor, Nierstrasz, Oscar, editor, Pandu Rangan, C., editor, Steffen, Bernhard, editor, Sudan, Madhu, editor, Terzopoulos, Demetri, editor, Tygar, Doug, editor, Vardi, Moshe Y., editor, Weikum, Gerhard, editor, Kronland-Martinet, Richard, editor, Ystad, Sølvi, editor, and Jensen, Kristoffer, editor

Published
2008
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