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Your search keyword '"Matheson HE"' showing total 18 results

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18 results on '"Matheson HE"'

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1. Representing creative thought: A representational similarity analysis of creative idea generation and evaluation.

2. God in body and space: Investigating the sensorimotor grounding of abstract concepts.

3. Context-sensitive computational mechanistic explanation in cognitive neuroscience.

4. Neural correlates of the production effect: An fMRI study.

5. Scene context shapes category representational geometry during processing of tools.

6. The role of the motor system in generating creative thoughts.

7. Investigating grounded conceptualization: Stimulus-response compatibility for tool handles is due to spatial attention.

8. Investigating grounded conceptualization: motor system state-dependence facilitates familiarity judgments of novel tools.

9. Embodied object concepts: The contribution of structural and functional manipulability depends on available visual information.

10. Differential Tuning of Ventral and Dorsal Streams during the Generation of Common and Uncommon Tool Uses.

11. Photographs of manipulable objects are named more quickly than the same objects depicted as line-drawings: Evidence that photographs engage embodiment more than line-drawings.

12. A test of the embodied simulation theory of object perception: potentiation of responses to artifacts and animals.

13. Testing the embodied account of object naming: a concurrent motor task affects naming artifacts and animals.

14. Second-order relational face processing is applied to faces of different race and photographic contrast.

15. A computer-generated face database with ratings on realism, masculinity, race, and stereotypy.

16. Neuropsychological dissociations between motion and form perception suggest functional organization in extrastriate cortical regions in the human brain.

17. A contextual effect of 2nd-order configural processing of non-face objects by non-experts.

18. Temporal integration limits of stereovision in reaching and grasping.

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