230 results on '"Marcus, Millicent"'
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2. 13 Comic Relief: Riccardo Milani's Ma cosa ci dice il cervello (Don't Stop Me Now), 2019
3. 10 Liberating the Left: Toward a Humanist Language of Engagement for a Post-political Age in Roberto Andò’s Viva la libertà (Long Live Freedom), 2013
4. 14 Hidden Beneath the Blah Blah Blah: Paolo Sorrentino's La grande bellezza (The Great Beauty), 2013
5. Part Three: Migrants
6. Part Four: Leadership
7. Index
8. Part Six: In a Category unto Itself
9. Bibliography
10. 12 It Ended the Way It Should Have Ended: Francesca Comencini's Lo spazio bianco (The White Space), 2009
11. 11 The Pontiff and the Shrink: Nanni Moretti's Habemus Papam (We Have a Pope), 2011
12. Part Five: Women
13. 9 The Ironist and the Auteur: Paolo Sorrentino's Il Divo: La vita spettacolare di Giulio Andreotti (Il Divo: The Spectacular Life of Giulio Andreotti), 2008
14. 8 Your Position Please: Gianfranco Rosi's Fuocoammare (Fire at Sea), 2016
15. 7 Channelling the Geographic Unconscious: Federico Bondi's Mar nero (Black Sea), 2008
16. 6 What History Is This?: Giorgio Diritti's L'uomo che verrà (The Man Who Will Come), 2009
17. Cover
18. Part Two: Neo-regionalism
19. 5 Per vacanza? No, per viverci! (To vacation? No, to live here!): Giorgio Diritti's Il vento fa il suo giro (The Wind Blows Round), 2005
20. 4 The Unsustainable Normality of Devastation: Matteo Garrone's Gomorra (Gomorrah), 2008
21. 2 The Anti-Mafia Martyr Film Takes an Unexpected Turn: Pierfrancesco Diliberto's La Mafia uccide solo d'estate (The Mafia Only Kills in the Summer), 2013
22. 3 This Is Not Just a Crime Film: Michele Placido's Romanzo criminale (Crime Novel), 2005
23. 1 Toward a New Language of Engagement for the New Millennium: Marco Tullio Giordana's I cento passi (The One Hundred Steps), 2000
24. Part One: Mafias
25. Introduction: Persistence of Vision, Vectors of Change
26. Acknowledgments
27. Half Title Page, Title Page, Copyright, Dedication
28. Primo Levi and the Identity of a Survivor by Nancy Harrowitz (review)
29. Boccaccio and the Seventh Art: The Decameronian Films of Fellini, De Laurentiis, Pasolini, Woody Allen
30. Film Index
31. Epilogue: The Holocaust, the Cinema, and ‘the Italian Case’ in Ettore Scola’s ’43–’97
32. General Index
33. 7. The Present through the Eyes of the Past: Ferzan Ozpetek's La finestra di fronte (Facing Windows)
34. Bibliography
35. Postscript - A Glimpse at 2004: Il servo ungherese (The Hungarian Servant) and La fuga degli innocenti (The Flight of the Innocents)
36. PART II: Recovered Memory: Contemporary Italian Holocaust Films in Depth
37. 6. The Holocaust Rescue Narrative and the End of Ideology: Alberto Negrin's Perlasca: Un eroe italiano (Perlasca: The Courage of a Just Man)
38. 4. A Childhood Paradise Lost: Andrea and Antonio Frazzi's Il cielo cade (The Sky Is Falling)
39. 2. A Diaphanous Body of Films
40. 1. Ghost Stories: An Introduction
41. 5. The Alter-Biography of the Other-in-Our-Midst: Ettore Scola's Concorrenza sleale (Unfair Competition)
42. Cover
43. 3. The Haunting Strains of Holocaust Memory: Ricky Tognazzi's Canone inverso (Making Love)
44. Acknowledgments
45. Synopsis, Title Page, Copyright, Dedication
46. Historical Background Sketch
47. Image Plates
48. PART I: Weak Memory: From the End of the Second World War to the End of the Cold War, with a Foray into the 1990s
49. The Seriousness of Play in Boccaccio’s Decameron
50. “Due icone della Shoah” : Primo Levi, Anne Frank, and the “peccato della finzione”
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