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The article discusses the animated short Pentola (2021), which follows the story of a middle-aged man, Pentola, who struggles with his wife's love for bean soup, a dish he dislikes.

The article tells the true story of Matia Anna Pleše and her transition to womanhood.

The article reviews the exhibition "Bye Little Block," featuring Éva Darabos' animated short film, which captures surreal scenes of life in concrete apartment blocks and is showcased at various international film festivals, including Animafest Zagreb and the Ottawa International Animation Festival.

The article reviews the exhibition "Blind Vaysha," featuring works of animation by Theodore Ushev, held until a specified date, telling the story of a girl born with one green and one brown eye, unable to see the present but viewing the past with her left eye and the future with her right.

The article presents the discussion on physical evolution, a newfound awkwardness seeps into the intimacy of their friendship. Topics include Nienke Deutz addresses the transition from childhood to adolescence and the accompanying awkwardness that arises; and transition from childhood innocence to the self-consciousness of adolescence is tenderly illustrated.

The article reviews the exhibition "Daughter" by Daria Kashcheeva which shows the faces of the animated wooden puppets are made of papier-mâché.

The article presents the discussion on Animation Hausi being a stereotypical Swiss patriot addressing politically motivated fear-mongering and targeted campaigns.

The article reports that "Récit de soi" deals with questions of gender identity in a subtle and poetic way including examines Lou tells of personal experiences as a non-binary person, of pigeonholing and difficult situations created by a binary society.

The article reviews a film exhibition featuring the works of Malte Stein.

The article reviews the exhibition titled "Toutes les poupées ne pleurent pas" features animated films from Frédérick Tremblay.

The article reviews the short film exhibition "Towels" by Prawta Annez which is a short film about disputes over claimed territory.

The article focuses on feeling of being caught in an eternal cycle in which the days can hardly be told apart and the processes seem to repeat themselves over and over again as a concept that is also used again and again in feature films.

The article reviews the exhibition, 'Le Clitoris', the animated documentary by Lori Malépart-Traversy as of January 2022.

The article examines that in the middle of the sandy desert there is a green oasis with imposing trees, large-leaved plants and young saplings as amaranthe cherishes and cares for the small seedlings and provides them with water.

The article offers information on "Circuit" by Delia Hess that was shown at numerous festivals and can be seen on the 6th Horwer Filmnacht and Delia Hess is working on her next short films and a picture book.

The article reviews a film exhibition "Sore Eyes for Infinity" featuring the works of artist Elli Vuorinen at Vimeo.

The article reviews the exhibition which features work filmmakers Michelle Kranot and Uri Kranot shows animated films which also exists as virtual reality.

The article reviews a film exhibition "Elizabeth Hobbs I'm OK" featuring works of Oskar Kokoschka.

The article reports on the "Father and Daughter" painting that shows two figures traveling side by side, a father with his daughter.

The article focuses on the works of film director Jonas Raeber with reference to his latest short film "Grüezi," and discusses stereotypes and his participation in film festivals.