103 results on '"Maite Conde"'
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2. Notes
3. Index
4. Bibliography
5. 10. Fabricating Discipline and Progress in São Paulo, Symphony of a Metropolis
6. 2. Cinematic Vistas of Rio de Janeiro’s Worldly Modernity
7. 7. The Expedition Films of Major Luiz Thomaz Reis
8. Postscript: Toward New Cinematic Foundations
9. PART IV. MODERNISM AND THE MOVIES
10. 8. Modernismo’s Literary Engagements with Film
11. 3. Alternative Urban Projections in Early Narrative Films
12. 9. The Cine-Poetry of Mário Peixoto’s Limite
13. 1. Early Cinema and National Identity in Brazil: Mapping Out a Space of Analysis
14. 5. Beyond Hollywood: Reading Slave Relations in Humberto Mauro’s Lost Treasure (1927)
15. 4. Film and Fandom in Cinearte Magazine
16. PART I. LOCATING THE BELLE EPOQUE OF BRAZILIAN CINEMA
17. PART II. HOLLYWOOD REVISIONS
18. 6. Picturing the Tropics: Forging a National Territory through Photography and Film
19. PART III. THE RONDON COMMISSION: PRODUCING NEW VISIONS OF THE AMAZON
20. Acknowledgments
21. CONTENTS
22. Title Page, Copyright, Dedication
23. Introduction: The Modern Foundations of Brazilian Cinema
24. Index
25. Filmography
26. Bibliography
27. Notes
28. Title Page, Copyright Page
29. Appendix 6: “Love and Cinema,' by Lima Barreto
30. Contents
31. Acknowledgments
32. 2. Comic Visions of the New City: Writers and Film Production during the Belle Époque of Brazilian Cinema
33. Part One: Writers, Film, and the New Visual Landscape of Rio de Janeiro
34. 4. Women, Rio’s Modernity, and Film’s Visual Pleasures: Benjamin Costallat’s Mademoiselle Cinema
35. 1. Documenting New Urban Experiences: The Cinematic Work of the Crônica
36. Part Two: Writers, Film, and Alternative Visions of Rio de Janeiro
37. Appendix 1: “Contemporary Illness,' by Olavo Bilac
38. 3. Envisioning a New Political Landscape: Martin Fontes’s Anarchist Flirtation with Film
39. Conclusion: Reviving the Lettered City
40. Appendix 2: “Cinematographer of Letters,' by João do Rio
41. Appendix 3: “The Rush to Get Things Done,' by João do Rio
42. Appendix 5: “Screenplay for a Fantastic film— A Super Production. The Greatest Man of All Humankind The Story of the Life of Peter Kropotkin. An Epic in Three Parts' by Martins Fontes
43. Appendix 4: “Sacrilege,' by Olavo Bilac
44. Manifesting Democracy?: Urban Protests and the Politics of Representation in Brazil Post 2013
45. Foundational Films: Early Cinema and Modernity in Brazil
46. Introduction
47. CHAPTER 1 Consuming visions: Female stars, the melindrosa and desires for a Brazilian film industry
48. Towards an Alternative 1922: Popular Culture and Rio de Janeiro’s Vernacular Modernisms
49. Brazilian modernism and the movies: Oswald de Andrade’s cinematic consumption
50. Between Conformity and Resistance: Essays on Politics, Culture, and the State
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