42 results on '"MacDonald, Shana"'
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2. Reimagining Public Space in Expanded Cinema Exhibition
3. Modes of Intersubjective Address in The Central Character (1977) and Our Marilyn (1987)
4. Dwelling as Method
5. Flipping the Script on Consent
6. Witches in Swamps, Sirens at Sea, and Leviathans of the Deep: Feminist Figures that Haunt our Social Media Worlds
7. What Do You (Really) Meme? Pandemic Memes as Social Political Repositories
8. Feminist memes: Digital communities, identity performance and resistance from the shadows
9. Media Studies
10. Reality media
11. Postmodernism and post-truth
12. Media power
13. Mass society and media
14. Media representations
15. Conclusion
16. Media histories
17. Introduction
18. Media audiences
19. Organising meaning in media texts: genre and narrative
20. How do media make meaning?
21. “Vital Acts of Transfer”: #MeToo and the Performance of Embodied Knowledge
22. Refusing to Smile for the Patriarchy : Jessica Jones as Feminist Killjoy
23. Feminist Shadow Networks: 'Thinking, Talking, and Making' as Praxes of Relationality and Care
24. Meme-ifying Data
25. The city (as) place
26. Voicing Dissonance : Resistant Soundscapes in 1960s Feminist Experimental Film
27. “All Your Faves Are Problematic”: The Performative Spectatorship of Drunk Feminist Films
28. Living whose best life? An intersectional feminist interrogation of postfeminist #solidarity in #selfcare
29. Not Influencers, but Amplifiers: @aesthetic.resistance as Feminist IG Hack
30. Carolee Schneemann's Fuses as erotic self-portraiture
31. What Do You (Really) Meme? Pandemic Memes as Social Political Repositories
32. Feminist futures: #MeToo’s possibilities as poiesis, techné, and pharmakon
33. Materializing Data: New Research Methods for Feminist Digital Humanities
34. Feminist futures: #MeToo's possibilities as poiesis, techné, and pharmakon.
35. Geospatial Memory
36. Mobilizing the “Multimangle”: Why New Materialist Research Methods in Public Participatory Art Matter
37. What Do You (Really) Meme? Pandemic Memes as Social Political Repositories.
38. Modes of Intersubjective Address in The Central Character (1977) and Our Marilyn (1987)
39. Voicing Dissonance
40. On Resonance in Contemporary Site-Specific Projection Art
41. Materiality and Metaphor: Rape in Anne Claire Poirier's Mourir à tue-tête and Jean-Luc Godard's Weekend
42. Visual Variations on Noguchi.
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