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3. Prefazione

6. Art that scared Picasso: Corinna Lotz applauds a catalogue of Picasso's collection of African and Oceanic art, which throws much light on the complex, puzzling impact that 'primitive' art had on him

7. Thorn in the flesh Baselitz in London: in his restrospective exhibition at the Royal Academy Georg Baselitz emerges as an artist who provocatively brings bold techniques to bear on a few deeply felt themes, writes Corinna Lotz. Above all, he has said, 'what I could never escape was Germany and being German'

10. Perfection and pastiche: Corinna Lotz reports on an exploration of Picasso's influence on 20th-century British art

11. Defining the indefinable: postmodernism dodges tidy art historical definitions, but, asks Corinna Lotz, did this disparate movement give us anything other than irony?

12. Painting and philosophy: Corinna Lotz applauds an exhibition that offers an unsettling encounter with Spanish Golden Age depictions of philosophical thought and religious ideas

13. Corinna Lotz

14. The Power of the Poster

19. Access all areas.

20. Home truths.

21. Closed encounters.

22. Common touch: Corinna Lotz on the parallels between the Victorian art for all movement and today's drive to broaden the range of people who visit museums and galleries.

23. After the decline.

24. The missing links.

25. Avoiding the tourism trap.

26. Empire building.

27. Market forces.

28. Diary.

29. Potsdamer Platz.

30. Dirty arcadia.

31. Perfection and pastiche.

32. Defining the indefinable.

33. Painting and philosophy.

34. New kid on the block.

35. Beneath the Surface: The Making of Paintings.

36. Sculpted colour.

37. Vermeer and the Dutch interior.

38. Berthe Morisot at Lille.

39. Max Beckmann.

40. Angelika Kauffmann.

41. A frenzy of white torsos in a Catholic excess.

42. Hagia Sophia tottering.

43. Before Now … and After.

44. Portrait of a gifted generation.

45. Pleasure, leisure, protest, propaganda.

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