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363 results on '"Literary techniques -- Analysis"'

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1. Reading between the Lines: Sous Rature Spaces in the Works of Andre Brink and Assia Djebar

2. When Philip Roth Went to Gloversville

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3. Essay / Harry, Barry and Larry

4. Essay / Snap, Crackle and Pop

5. The Essentials / Joan Didion

6. Essay / Everyone Wants a Piece of Kafka

7. Lady Mary Wortley Montagu's Anne Finch

8. The Problem of Genre and Spenserian Courtesy: Virgilian Georgic in The Faerie Oueene Book 6

9. The Head of Satalia: A Romance Monstrously Birthed

10. Christian Traditional Themes and the Cynewulfian Sociolect in Old English Verse

11. Transcending the Border: The Encounter with the Other in Tinker Bell and the Secret of the Wings/Mas alla de la frontera: el encuentro con el Otro en Campanilla y el secreto de las hadas

12. 'You': A Girl amidst Images and Sounds of Adult Violence in Joyce Carol Oates's Rape: A Love Story/'Tu': una nina entre imagenes y sonidos de violencia adulta en Rape: A Love Story, de Joyce Carol Oates

13. Family Secrets and Narrative Structure in Celeste Ng's Everything I Never Told You/Secretos de familia y estructura narrativa en Everything I Never Told You, de Celeste Ng

14. Embracing Darkness and Silence: A Cognitive Reading of Trauma in A Small Silence, by Jumoke Verissimo/ Abrazando la oscuridad y el silencio: una lectura cognitiva del trauma en A Small Silence, de Jumoke Verissimo

15. The Double-Headed Arrow of Trauma: The Morally Traumatised Perpetrator in Martin Amis's Time's Arrow/La doble flecha del trauma: el perpetrador moralmente traumatizado en Time's Arrow, de Martin Amis

16. Mapping the Self: Leonora Carrington's Journey through the Mad Mind in Down Below/Trazar un mapa del Yo: el viaje de Leonora Carrington a traves de la locura en Down Below

17. When a Word Is Worth a Thousand Pictures

18. DRAWING IS THE BEST MEDICINE: Somatic Dis-ease and Graphic Revenge in Miriam Katin's Letting It Go

19. 'I Am Not Helpless': Miss Bates as the Hidden Queen of Highbury

20. An Appraisal / Martin Amis

21. Multimodality and Semiotic Codification in Dante's Inferno

22. Holy Stink

23. Per Olov Enquist and Germany

24. LESSENED BY ADDITION: PROCESSION BY DIMINUTION IN PROCLUS AND AQUINAS

25. Elliptical Orality: Rhetoric as Style in Conrad

26. The Hidden Connections Between Math and Literature

27. Roving Eye / Gerald Murnane Signs Off

28. Deproblematizing The Merchant of Venice: Text, and Pretexts for Changing Subtext

29. ROBERTO BOLANO Y EL APOCALIPSIS: SALVAJISMO Y CARNAVAL /ROBERTO BOLAÑO Y EL APOCALIPSIS: SALVAJISMO Y CARNAVAL

30. The Question of Punctuation in John 1:3-4: Arguments from Ancient Colometry

31. A Forcible Return to the Womb: Elfriede Jelineks Lust (1989) and the Melodramatic Mode

32. The Past does not end here: Memory and 'Collective Enunciation' in Antje Ravic Strubels Sturz der Tage in die Nacht (2011)

33. Pope, Bathurst, and the Duchess of Buckingham

34. 'Arabesques of the Final Pattern': Len Deighton's Hard-Boiled Espionage Fiction

35. The Record of King Wu of Zhou's Royal Deeds in the Yi Zhou shu in Light of Near Eastern Royal Inscriptions

36. Comparative Analysis of Past and Present Generation Discourse Patterns: Progression vs. Regression

37. Analyzing Patriarchal Preoccupation and Instinctual Delectation in Waste Land: A Gender Perspective

38. Critical Rejection

39. Job 2 and 42:7-10 as Narrative Bridge and Theological Pivot

40. Elizabeth Bowen's Melisande

41. Reporting Verbs as a Stylistic Device in the Creation of Fictional Personalities in Literary Texts/Los verbos de habla como recurso estilistico en la caracterizacion de personajes en textos literarios

42. Levi-Strauss's Last Laugh--Encore, Encore: A Medley-essay in L'Entre-deux/A Ultima Gargalhada de Levi-Strauss--Ainda, Ainda: Urn Ensaio-misto em L'Entre-deux

43. SHEMOT'S MISSING NAMES

44. Edwin G. Boring: The historian's path in the pages of The American Journal of Psychology

46. The Narrative Metalepsis as an Instrument of the Uncanny in Contemporary Fantastic Fiction

47. 'Ammirami, e fa altrimenti': reframing the historical narrative in Enzo Striano's Il resto di niente

48. 'Or rather a Wyldernesse': the changing works of Dudley, third Baron North

49. 2 Maccabees 10:1-8: who wrote it and where does it belong?

50. 'I Hate [begin strikethrough]You[end strikethrough] Everything': Reading Adolescent Bad Feelings in Tamaki's Skim