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An insightful biography of an unassuming literary scholar—and spy—who transformed postwar American culture. Although his impact on twentieth-century American cultural life was profound, few people know the story of Norman Holmes Pearson. Pearson's life embodied the Cold War alliances among US artists, scholars, and the national-security state that coalesced after World War II. As a Yale professor and editor, he helped legitimize the study of American culture and shaped the public's understanding of literary modernism—significantly, the work of women poets such as Hilda Doolittle and Gertrude Stein. At the same time, as a spy, recruiter, and cultural diplomat, he connected the academy, the State Department, and even the CIA. In Code Name Puritan, Greg Barnhisel maps Pearson's life, from his childhood injury that led to a visible, permanent disability to his wartime counterespionage work neutralizing the Nazis'spy network to his powerful role in the cultural and political heyday sometimes called the American Century. Written with clarity and informed by meticulous research, Barnhisel's revelatory portrait of Pearson details how his unique experiences shaped his beliefs about the American character, from the Puritans onward.

A reflective volume of essays on literature and literary study from a storied professor. In The Pensive Citadel, Victor Brombert looks back on a lifetime of learning within a university world greatly altered since he entered Yale on the GI Bill in the 1940s. Yet for all that has changed, much of Brombert's long experience as a reader and teacher is richly familiar: the rewards of rereading, the joy of learning from students, and most of all the insight to be found in engaging works of literature. The essays gathered here range from meditations on laughter and jealousy to new appreciations of Brombert's lifelong companions Shakespeare, Montaigne, Voltaire, and Stendhal. A veteran of D-day and the Battle of the Bulge who witnessed history's worst nightmares firsthand, Brombert nevertheless approaches literature with a lightness of spirit, making the case for intellectual mobility and openness to change. The Pensive Citadel is a celebration of a life lived in literary study, and of what can be learned from attending to the works that form one's cultural heritage.

The memoir Ordinary Days by the scholar and critic Leo Ou-fan Lee and his wife Esther Lee Yuk Ying brings to this Hong Kong series an intensely personal touch, consciously echoing the great sentimental memoir of the eighteenth century, Shen Fu's Six Chapters of a Floating Life. With disarming candour, Leo and Esther lay bare their hearts to share with us their story of love and suffering, charting in a series of memorable chapters their shared spiritual quest. Set partly against the recent backdrop of some of Hong Kong's most turbulent years, partly in the far-flung diaspora of the Chinese intelligentsia, this is a revealing record of the inner life of a highly cultivated modern Chinese couple.

Jane Tompkins, a renowned literature professor and award-winning author, thought she knew what reading was until, struck by a debilitating illness, she finds herself reading day and night because it is all she can do. A lifelong lover of books, she realizes for the first time that if you pay close attention to your reactions as you read, literature can become a path of self-discovery.Tompkins's inner journey begins when she becomes captivated unexpectedly by an account of friendship between two writers to whom she'd given little thought, Paul Theroux and V. S. Naipaul. Theroux's memoir launches her on a path of introspection that stretches back to the first weeks of her life in a Bronx hospital, and forward to her relationship with her mother and the structure of her present marriage. Her reading experience, intensified by the feelings of powerlessness and loss of self that come with chronic illness, expands to include writers such as Henning Mankell and Ann Patchett, Alain de Botton, Elena Ferrante, and Anthony Trollope. As she makes her way through their books, she recognizes herself in them, stumbling across patterns of feeling and behavior that have ruled her without her knowing it—envy, a desire for fame, fear of confronting the people she loves, a longing for communion.The reader, along with Tompkins, comes to the realization that literature can be not only a source of information and entertainment, not only a balm and a refuge, but also a key to unlocking long-forgotten memories that lead to a new understanding of one's life.

'The great virtue of McCormick's memoirs is their blunt honesty. He writes with a persuasive directness about what happened to him and what he believes...'--Arts and LettersThe title of John McCormick's autobiographical book, may be taken both literally and symbolically. In a literal sense, going to sea was an early and powerful ambition, while seagoing is also a metaphor for the twists and turns in a rootless life, a long voyaging. This is not a conventional autobiography. It is personal only as necessary for continuity, and never confessional. The essays center upon telling episodes in the author's life and strive for objectivity and accuracy about the recent past, both personal and historical. He does so, as he writes, without'any pretension of producing a true history.'The events of his life are necessarily unique to him, thus he finds uniqueness in the events that impinged upon him. McCormick begins with his early years, growing up in the American mid-West during the Depression, a time of broken family relations and random jobs. He relates his falling away from religious faith. He describes his first experience as a sailor in a tanker, which gave him physical liberation, a world free of constrictions, as with Hemingway. In discussing his early teaching experience, he gives a vivid portrayal of Germany in the immediate postwar years, along with observations of residual pro-Hitler sentiment and the awkward circumstances (for Germans) of the immediate past. He devotes a chapter to a moving memoir of his friend Francis Fergusson, eminent Rutgers University scholar. McCormick also relates his experience as an amateur bullfighter and reiterates his defense of bullfighting as an art. He paints a vivid picture of an adventure at sea while working on a definitive biography of George Santayana, reflecting also on changes in the genre of biography, with its prevailing emphasis on trivia and sensationalism. In describing his retirement to England, McCormick describes the conflict between nationalism and expatriation. He punctuates details of his naval war experiences with thoughtful observations on military combat. Finally, in his closing chapter,'Coda: Closet Space,'McCormick attempts to make sense of old age and death. This autobiographical account of a well-lived life encompasses far more than a splendid teaching and literary career. It will provide insight and good reading for those who know McCormick's scholarly work, for students of the humanities, and for the general public interested in vivid prose. John McCormick is professor emeritus of comparative literature at Rutgers University, and honorary fellow of English and literature at the University of York. He is the author of George Santayana: A Biography, Catastrophe and Imagination, The Middle Distance, and Fiction as Knowledge.

H. Lark Hall presents the first comprehensive biography of Vernon Louis Parrington (1871-1929). The recipient of the 1928 Pulitzer Prize in history for the first two volumes of his Main Currents in American Thought, Parrington remains one of the most influential literary and historical scholars of the early twentieth century.Parrington was a man in search of a personal myth. He found his self-image successively mirrored in Victorian novels, painting, poetry, populism, religion, the arts and crafts movement, American literature, and American history. These changes were also reflected in his teaching as a professor of English - at the College of Emporia, the University of Oklahoma, and the University of Washington. Published late in his career, the two volumes of Main Currents represented the culmination of his search.Drawing upon his personal papers - including correspondence, diaries, and student course work, Main Currents chapter drafts, and other unpublished writings - Hall traces Parrington's intellectual development from his Midwestern childhood through his mid-life engagement with English poet and artist William Morris, then from the radical impact of'the new history'to the tempered post World War One reflection of his career at the University of Washington. Hall's reinterpretation of Main Currents emphasizes Parrington's concern with the drama of the life of the mind and links his historical viewpoint to his own personal history.

Missing Persons is a memoir about dealing with death in a culture that gives no help. As the last of her family, Greene's losses are stark, first her aunt, then her mother, in quick succession. She is as ill-equipped for the challenges of caring for a dying person at home as she is for the other losses, long repressed, that rise to confront her at this time: the suicide of her younger brother, the death of her father. As the professional identity on which she's based her selfhood comes to feel brittle and trivial, she is catapulted into questions of “who am I?” and “what have I done with my life?” The memoir is structured as an account of her mother's and aunt's final days and the year that follows, a year in which she reconstructs her life. This is a powerful story about family, what it means to have one, to lose one, never to have made one, and what, if anything, might take its place. It's the story of a vexed mother-daughter relationship that mellows with age. It is also a search for home, as the very landscape shifts around her and the vast orchards are dug up and paved over for tract housing, strip malls, freeways, and the Santa Clara Valley, once known as the Valley of Heart's Delight, is transformed to “Silicon.”

The stories one tells about pain are profound ones. Nothing is more legible than these stories. But something is left out of them. If there were no stories, there might be a moment of innocence. A moment before the burden of the stories and their perceived causes and consequences. For Anna, the narrator of Beautiful Work, there were moments when it was not accurate to say in relation to pain'because of this‚'or'leading to that.'They were lucid moments. And so she began to hunger for storylessness.In order to understand the nature of pain, Anna undertakes a meditation practice. We tend to think of pain as self-absorbing and exclusively our own ('my pain,''I am in pain'). In distinction, Sharon Cameron's Anna comes to explore pain as common property, and as the basis for a radically reconceived selfhood. Resisting the limitations of memoir, Beautiful Work speaks from experience and simultaneously releases it from the closed shell of personal ownership. Outside of the not quite inevitable stories we tell about it, experience is less protected, less compromised, and more vivid than could be supposed.Beautiful Work brings to bear the same interest in consciousness and intersubjectivity that characterizes Cameron's other work.

No Return Address is a vivid memoir of a life in exile and a poignant meditation on pleasure and loss, repression and transgression, and the complexities of love under harsh human conditions. In recounting her life's journey from Romania to Paris and Brussels, then on to the United States, Anca Vlasopolos writes movingly of the peculiar attributes of displacement in the contemporary world—the hyphenated, ambiguous identities; the purgatory in which immigrants await transfer to another country; the mysterious nostalgia for places and events dimly recalled. Throughout, she describes the constant search for a place to truly call home.Vlasopolos renders a clear and loving portrait of her mother, an Auschwitz survivor courageously raising a young girl by herself after the death of her husband, a political dissident. She details their years of limbo in Brussels and Paris and of settlement in Detroit, Michigan, as well as her ultimate decision to identify the United States as home, inspired by the strong multicultural quality that allows so many others to do the same.

H. Lark Hall herein presents the first comprehensive biography of Vernon Louis Parrington (1871-1929). The recipient of the 1928 Pulitzer Prize in history for the first two volumes of his Main Currents in American Thought (3 vols., 1927, 1930), Parrington remains one of the most influential literary and historical scholars of the early 20th century. Parrington was a man in search of a personal myth. He found his self-image successively mirrored in Victorian novels, painting, poetry, Populism, religion, the arts and crafts movement, American literature, and American history. These changes were also reflected in his teaching as a professor of English - at the College of Emporia, the University of Oklahoma, and the University of Washington. Published late in his career, Main Currents represented the culmination of his search. Drawing upon previously inaccessible personal papers - including correspondence, diaries, Harvard student course work, Main Currents chapter drafts, and other unpublished writings - Hall traces Parrington's intellectual development from his midwestern childhood through his mid-life engagement with English poet and artist William Morris, then from the radical impact of'the new history'to the tempered postwar reflection of his late career at the University of Washington. Her reinterpretation of Main Currents emphasizes Parrington's concern with the drama of the life of the mind and links his historical viewpoint to his own personal history. Thirty-three photographs enhance the text.