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Le Conservateur est créé en 1818 pour donner une voix unifiée à l’opinion légitimiste. Cependant, l’équipe de rédaction du journal n’est pas homogène, et les désaccords y sont profonds. Cet article étudie dans ce périodique une unité médiatisée, dont l’importance est liée à sa capacité à se montrer dans l’espace public, et interroge la notion de réseau de préférence à celle de groupe, pour désigner l’ensemble des hommes associés au titre de presse., Le Conservateur is founded in 1818 to give the legitimist opinion a unified voice. However, the editorial team isn’t uniform in any way, and some of the disagreements go quite deep. This paper studies the newspaper as a mediatic unit, the importance of which is related to its ability to exist in the public space. It introduces the notion of network instead of team, to better name and understand the group of men associated to this publication.

L’ethos de Chateaubriand en société est difficile à caractériser parce qu’entre le moment où il lit ses textes dans le groupe de Joubert (1802) et celui où Ampère lit ses Mémoires chez Madame Récamier, Chateaubriand est devenu une célébrité dont la communauté d’appartenance n’est plus celle des vivants, mais celle des grands morts. Sa posture dans les tableaux et les dessins le montre : il est passé d’une sociabilité de l’entre-soi à une sociabilité immatérielle entre génies universels., Chateaubriand's ethos in society is difficult to characterize because between the time when he read his texts in Joubert's group (1802) and the time when Ampère read his Mémoires at Madame Récamier’s, Chateaubriand was become a celebrity whose community of belonging is no longer that of the living, but that of the great dead. His posture in the paintings and drawings shows it clearly: he went from an emotional sociability of the self to an immaterial sociability between universal geniuses.

De février à mars 1834, Chateaubriand donne à lire des extraits de ses futurs Mémoires d’outre-tombe dans le salon de Juliette Récamier, à l’Abbaye-aux-Bois. Ces lectures constituent rapidement un événement médiatique qui déborde le cadre strictement mondain du salon. Cet article revient en détail sur cet épisode pour montrer que les articles critiques qui en rendent compte forment une opération collective destinée à assurer la diffusion littéraire des Mémoires au-delà d’un auditoire restreint., From February to March 1834, Chateaubriand gives to read extracts of his future Mémoires d’outre-tombe in Juliette Récamier’s salon, at the Abbaye-aux-Bois. These readings quickly become a media event which goes beyond the strictly social framework of the salon. This paper analyses this episode in detail to show that the critical articles that report on it form a collective operation intended to ensure the literary dissemination of the Mémoires beyond a restricted audience.

La carrière de Chateaubriand s’est développée dans un moment où les structures sociales et institutionnelles de l’Ancien Régime ont été défaites par les évolutions qui ont conduit à la Révolution. Dans cette période de l’histoire littéraire sans école dominante, de nouvelles communautés se sont inventées. Dès lors, son cas interroge la notion même de sociabilité littéraire par la variété et la complexité des « sociétés » qui ont été le creuset de ses œuvres et de sa poétique., Chateaubriand's career developed at a time when the social and institutional structures of the Ancien Régime had been defeated by the developments that led to the Revolution. In this period of literary history without a dominant school, new communities were invented. From then on, his case questions literary sociabilities; it shows the variety and complexity of the "societies" that were the crucible of his works and his poetics.

La publication de la brochure De la nouvelle proposition relative au bannissement de Charles X et de sa famille, le 31 octobre 1831, valut à Chateaubriand une publicité considérable. Cet article s’interroge sur le poids du pair de France démissionnaire dans la presse et dans le camp royaliste en reconfiguration après la révolution de Juillet., The publication of the pamphlet De la nouvelle proposition relative au bannissement de Charles X et de sa famille, on October 31th 1831, brought Chateaubriand an extensive publicity. This article questions the weight of the resigning peer of France, in the press and in the royalist camp after the Three Glorious.

Cet article part de la fabrication, par une opération d’histoire littéraire, d’un cénacle de littérateurs du xviie siècle, dans lequel se serait épanoui La Fontaine. Il propose une contextualisation différente du recueil manuscrit de vers qui a suscité cette opération, et plaide, en s’appuyant sur l’analyse précise de ce manuscrit, pour une conception différente des rapports entre écriture et société que celle qui fonde d’ordinaire la description des groupes par l’histoire littéraire. L’article décrit la mise en scène d’un collectif par le recueil manuscrit. Il permet aux littérateurs qui y apparaissent de régler leurs rapports à un certain nombre d’espace sociaux (le monde des avocats et des magistrats, la fonction de chanoine) qui y sont engagés. On saisit par là un usage social et même politique du phénomène littéraire entre la création de l’Académie française et la période qui suit la Fronde. This article takes as its starting point the fabrication, through a literary history operation, of a cenacle of 17th-century literati in which La Fontaine is said to have flourished. It proposes a different contextualization of the manuscript collection of verses that gave rise to this operation, and, on the basis of a precise analysis of this manuscript, pleads for a conception of the relationship between writing and society different from what is usually underlain in the description of groups by literary history. The article describes the setting and organsization of a collective through the manuscript collection. It allows the writers who appear in it to regulate their relations to a certain number of social spaces (the world of lawyers and magistrates, the office of canon) which are involved in it. In this way, we can grasp a social and even political use of the literary phenomenon between the creation of the Académie française and the period which follows the Fronde.

Submitted by Boris Flegr (boris@uerj.br) on 2021-01-05T14:53:24Z No. of bitstreams: 2 Rosangela Florido Rangel_Tese.pdf: 3069232 bytes, checksum: 28f774c40e02f81f2449118056289822 (MD5) Rosangela Florido Rangel_Apendices e Anexos.pdf: 2256571 bytes, checksum: 45c8d11d9f0e09b24e937523ffc6d55c (MD5) Made available in DSpace on 2021-01-05T14:53:24Z (GMT). No. of bitstreams: 2 Rosangela Florido Rangel_Tese.pdf: 3069232 bytes, checksum: 28f774c40e02f81f2449118056289822 (MD5) Rosangela Florido Rangel_Apendices e Anexos.pdf: 2256571 bytes, checksum: 45c8d11d9f0e09b24e937523ffc6d55c (MD5) Previous issue date: 2018-03-28 The presente thesis proposes, fundamentally, to reflect on the literary group called Sabadoyle, that met between the years of 1964 and 1998, in the library of the bibliophile carioca Plínio Doyle. Sabadoyle welcomed regular participants, writers as Carlos Drummond de Andrade, Américo Jacobina Lacombe, Pedro Nava, Gilberto Mendonça Teles, Alphonsus de Guimaraens Filho, Homero Homem, among others. From Sabadoyle meetings, the testimonials of the visitors and the minutes of the meetings remained, records that subsidized the study presented here. The Sabadoyle Minutes contain the most varied literary and non-literary texts elaborated in the context of the meetings that allowed an interpretation of the issues addressed, these, in the bias of studies of literary life A presente tese se propõe, fundamentalmente, a refletir sobre o grupo literário denominado Sabadoyle, que se reuniu entre os anos de 1964 e 1998, na biblioteca do bibliófilo carioca Plínio Doyle. O Sabadoyle acolheu como participantes assíduos os escritores Carlos Drummond de Andrade; Américo Jacobina Lacombe; Pedro Nava; Gilberto Mendonça Teles; Alphonsus de Guimaraens Filho; Homero Homem, entre outros. Das reuniões do Sabadoyle restaram os depoimentos dos visitantes e as atas das reuniões, registros que subsidiaram o estudo ora apresentado. As atas do Sabadoyle contem os mais variados textos literários e não literários - elaborados no contexto das reuniões, que permitiram uma interpretação dos assuntos abordados, estes, no viés de estudos da vida literária

in English This work focuses on the Czech afterwar avant-garde and its fiction in the wider European context. The main goal of our writing was diversifying literary historical field by integrating genre of short story and its authors into the interpretive frame of the prepoetistic avant-garde. We could intrude a canonic picture of the Czech avant-garde by enriching the interpretive frame of the new genre (short story) and new, often hardly known or forgotten, writers. Last but not least by doing so we were able to questioned and problematized basic oppositions such as expressionism × avant-garde, and mainly individualism × collectivism. We introduce the principal opposition individualism × collectivism, which in our opinion, organizes afterwar literary discourse, as a main connecting line between Czech avant-garde art and European art (collective and one of its manifestation - crowd, as one of the main themes of modernism and avant-garde). We interpretate beyond this scope the fictions of French unanimism as the main inspiration of the Czech afterwar avan-garde and its (collective) fiction as well.

Straipsnyje pristatoma lietuvių literatūrinė jaunimo grupelė, veikusi Sibire, Altajaus krašte, Južakovo miško pramonės punkte ir 1944–1945 metais leidusi rankraštinį kūrybos žurnalą Tėvynės ilgesys, kurio pasirodė septyni numeriai. Aptariama šio leidinio genezė, pristatomos poeziją ir prozą kūrusių autorių biografijos, analizuojamos jų kūrybos meninės tendencijos. Tėvynės ilgesyje publikuota jaunųjų kūrėjų poezija ir proza atspindi dramatišką išėjusiųjų iš savos tradicinės kultūros savijautą. Poezijoje įsitvirtina pasaulio klajūno, visa praradusiojo savimonė, dažna mirties simbolika, esamo ir būto gyvenimo priešybė. Prozos kūriniuose plėtojama likimo tragizmo tema, bandoma įžvelgti sudėtingas žmogaus vidinio pasaulio problemas. Vieno ryškiausių autorių – Algirdo Rozmano prozoje ryškėja polinkis į egzistencializmą, joje svarbūs žmogaus pasąmonės slėpiniai, fantazijos ir mistikos pradai. The article presents the literary Lithuanian youth group, which operated in Siberia, Altai, Yuzhakov region, from 1944 to 1945 and published a manuscript literary collection Tėvynės ilgesys (Longing for Homeland); seven numbers appeared in total. The article discusses the genesis of the publication, shortly introduces the biographies of the authors, who created poetry and prose, and analyses the literary tendencies of their creation. The manuscript magazine Tėvynės ilgesys published poetry and prose of young creators, which expresses the dramatic feeling of the people who left their traditional culture. The poetry reflects the self-awareness of the world wanderer and the person who has lost everything, the symbols of death are frequent, as well as the juxtaposition of the present time and the past. In the prose, the topics of personal destiny are developed and the complicated problems of the inner world are analysed. In the prose of Algirdas Rozmanas, one of the most significant authors, existentialist depiction is common, where the subconsciousness of a person and the springs of fantasy and mystics are very important.

The submitted thesis concentrates on poetry of the Czech art group "Literární skupina", which was established in 1921. This thesis is divided into several chapters, in which the author interprets the poetry of single authors on the basis of several flag features. There are terms and motives of death and life as two inseparable parts of human being, religiousness and religion and shifting of the original meanings, further conception of an individual in terms of community. Another chapter deals with the motive of heart and reflections of sensibility and emotive involvement in interest of creation of "the new world". The last chapter displays reflections of "Literární skupina" by temporal critics and discussions between this art group and Prague avantgarde group "Devětsil". The author is interpreting the poetry in the context with expressionism, which meaning she feels in the wide word sense, not just as an artistic movement, but as a "stream", which goes through all spheres of human activity. From this point of view the group "Literární skupina" can be also seen - as an art group which was not distanced from expressionism, but on contrary in the beginning joined it via its speaker František Götz. The autor of this study analyzes the theoretical thoughts of "Literární skupina" which obviously in strong contrast to practical artistic gesture in poetry can be found.

Tekst jest artykułem wstępnym do "Sfery" nr 3/4. Autor prezentuje w nim program poetycki oraz interpretację ogólną poezji sferowców (członków grupy poetyckiej "Sfera") w Krakowie w Kole Młodych przy Stowarzyszeniu Pisarzy Polskich (za okres 1995-1997). The text is an Editorial communique, the introduction to "Sfera" ("the Sphere") No. 3/4. (1997). The author presents in it the program and the general interpretation of the members of the poetical group "Spehere" (the "Sfera") in Cracow in the Young Circle at the Polish Writers Association (for the period 1995-1997).