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Open environment oriented open set model attribution of deepfake audio is an emerging research topic, aiming to identify the generation models of deepfake audio. Most previous work requires manually setting a rejection threshold for unknown classes to compare with predicted probabilities. However, models often overfit training instances and generate overly confident predictions. Moreover, thresholds that effectively distinguish unknown categories in the current dataset may not be suitable for identifying known and unknown categories in another data distribution. To address the issues, we propose a novel framework for open set model attribution of deepfake audio with rejection threshold adaptation (ReTA). Specifically, the reconstruction error learning module trains by combining the representation of system fingerprints with labels corresponding to either the target class or a randomly chosen other class label. This process generates matching and non-matching reconstructed samples, establishing the reconstruction error distributions for each class and laying the foundation for the reject threshold calculation module. The reject threshold calculation module utilizes gaussian probability estimation to fit the distributions of matching and non-matching reconstruction errors. It then computes adaptive reject thresholds for all classes through probability minimization criteria. The experimental results demonstrate the effectiveness of ReTA in improving the open set model attributes of deepfake audio., Comment: Accepted by ISCSLP 2024

Speech synthesis technology has posed a serious threat to speaker verification systems. Currently, the most effective fake audio detection methods utilize pretrained models, and integrating features from various layers of pretrained model further enhances detection performance. However, most of the previously proposed fusion methods require fine-tuning the pretrained models, resulting in excessively long training times and hindering model iteration when facing new speech synthesis technology. To address this issue, this paper proposes a feature fusion method based on the Mixture of Experts, which extracts and integrates features relevant to fake audio detection from layer features, guided by a gating network based on the last layer feature, while freezing the pretrained model. Experiments conducted on the ASVspoof2019 and ASVspoof2021 datasets demonstrate that the proposed method achieves competitive performance compared to those requiring fine-tuning., Comment: submitted to ICASSP2025

In recent years, speech diffusion models have advanced rapidly. Alongside the widely used U-Net architecture, transformer-based models such as the Diffusion Transformer (DiT) have also gained attention. However, current DiT speech models treat Mel spectrograms as general images, which overlooks the specific acoustic properties of speech. To address these limitations, we propose a method called Directional Patch Interaction for Text-to-Speech (DPI-TTS), which builds on DiT and achieves fast training without compromising accuracy. Notably, DPI-TTS employs a low-to-high frequency, frame-by-frame progressive inference approach that aligns more closely with acoustic properties, enhancing the naturalness of the generated speech. Additionally, we introduce a fine-grained style temporal modeling method that further improves speaker style similarity. Experimental results demonstrate that our method increases the training speed by nearly 2 times and significantly outperforms the baseline models., Comment: Submitted to ICASSP2025

Current mainstream audio generation methods primarily rely on simple text prompts, often failing to capture the nuanced details necessary for multi-style audio generation. To address this limitation, the Sound Event Enhanced Prompt Adapter is proposed. Unlike traditional static global style transfer, this method extracts style embedding through cross-attention between text and reference audio for adaptive style control. Adaptive layer normalization is then utilized to enhance the model's capacity to express multiple styles. Additionally, the Sound Event Reference Style Transfer Dataset (SERST) is introduced for the proposed target style audio generation task, enabling dual-prompt audio generation using both text and audio references. Experimental results demonstrate the robustness of the model, achieving state-of-the-art Fr\'echet Distance of 26.94 and KL Divergence of 1.82, surpassing Tango, AudioLDM, and AudioGen. Furthermore, the generated audio shows high similarity to its corresponding audio reference. The demo, code, and dataset are publicly available., Comment: 5 pages, 2 figures, submitted to ICASSP 2025

With the rapid development of deepfake technology, especially the deep audio fake technology, misinformation detection on the social media scene meets a great challenge. Social media data often contains multimodal information which includes audio, video, text, and images. However, existing multimodal misinformation detection methods tend to focus only on some of these modalities, failing to comprehensively address information from all modalities. To comprehensively address the various modal information that may appear on social media, this paper constructs a comprehensive multimodal misinformation detection framework. By employing corresponding neural network encoders for each modality, the framework can fuse different modality information and support the multimodal misinformation detection task. Based on the constructed framework, this paper explores the importance of the audio modality in multimodal misinformation detection tasks on social media. By adjusting the architecture of the acoustic encoder, the effectiveness of different acoustic feature encoders in the multimodal misinformation detection tasks is investigated. Furthermore, this paper discovers that audio and video information must be carefully aligned, otherwise the misalignment across different audio and video modalities can severely impair the model performance.

Currently, Audio Language Models (ALMs) are rapidly advancing due to the developments in large language models and audio neural codecs. These ALMs have significantly lowered the barrier to creating deepfake audio, generating highly realistic and diverse types of deepfake audio, which pose severe threats to society. Consequently, effective audio deepfake detection technologies to detect ALM-based audio have become increasingly critical. This paper investigate the effectiveness of current countermeasure (CM) against ALM-based audio. Specifically, we collect 12 types of the latest ALM-based deepfake audio and utilizing the latest CMs to evaluate. Our findings reveal that the latest codec-trained CM can effectively detect ALM-based audio, achieving 0% equal error rate under most ALM test conditions, which exceeded our expectations. This indicates promising directions for future research in ALM-based deepfake audio detection.

In the current era of Artificial Intelligence Generated Content (AIGC), a Low-Rank Adaptation (LoRA) method has emerged. It uses a plugin-based approach to learn new knowledge with lower parameter quantities and computational costs, and it can be plugged in and out based on the specific sub-tasks, offering high flexibility. However, the current application schemes primarily incorporate LoRA into the pre-introduced conditional parts of the speech models. This fixes the position of LoRA, limiting the flexibility and scalability of its application. Therefore, we propose the Exploring Efficient and Extensible LoRA Integration in Emotional Text-to-Speech (EELE) method. Starting from a general neutral speech model, we do not pre-introduce emotional information but instead use the LoRA plugin to design a flexible adaptive scheme that endows the model with emotional generation capabilities. Specifically, we initially train the model using only neutral speech data. After training is complete, we insert LoRA into different modules and fine-tune the model with emotional speech data to find the optimal insertion scheme. Through experiments, we compare and test the effects of inserting LoRA at different positions within the model and assess LoRA's ability to learn various emotions, effectively proving the validity of our method. Additionally, we explore the impact of the rank size of LoRA and the difference compared to directly fine-tuning the entire model.

In the field of deepfake detection, previous studies focus on using reconstruction or mask and prediction methods to train pre-trained models, which are then transferred to fake audio detection training where the encoder is used to extract features, such as wav2vec2.0 and Masked Auto Encoder. These methods have proven that using real audio for reconstruction pre-training can better help the model distinguish fake audio. However, the disadvantage lies in poor interpretability, meaning it is hard to intuitively present the differences between deepfake and real audio. This paper proposes a noval feature extraction method via color quantisation which constrains the reconstruction to use a limited number of colors for the spectral image-like input. The proposed method ensures reconstructed input differs from the original, which allows for intuitive observation of the focus areas in the spectral reconstruction. Experiments conducted on the ASVspoof2019 dataset demonstrate that the proposed method achieves better classification performance compared to using the original spectral as input and pretraining the recolor network can also benefit the fake audio detection., Comment: accepted by ISCSLP2024

The Inspirational and Convincing Audio Generation Challenge 2024 (ICAGC 2024) is part of the ISCSLP 2024 Competitions and Challenges track. While current text-to-speech (TTS) technology can generate high-quality audio, its ability to convey complex emotions and controlled detail content remains limited. This constraint leads to a discrepancy between the generated audio and human subjective perception in practical applications like companion robots for children and marketing bots. The core issue lies in the inconsistency between high-quality audio generation and the ultimate human subjective experience. Therefore, this challenge aims to enhance the persuasiveness and acceptability of synthesized audio, focusing on human alignment convincing and inspirational audio generation. A total of 19 teams have registered for the challenge, and the results of the competition and the competition are described in this paper., Comment: ISCSLP 2024 Challenge description and results

Foley audio, critical for enhancing the immersive experience in multimedia content, faces significant challenges in the AI-generated content (AIGC) landscape. Despite advancements in AIGC technologies for text and image generation, the foley audio dubbing remains rudimentary due to difficulties in cross-modal scene matching and content correlation. Current text-to-audio technology, which relies on detailed and acoustically relevant textual descriptions, falls short in practical video dubbing applications. Existing datasets like AudioSet, AudioCaps, Clotho, Sound-of-Story, and WavCaps do not fully meet the requirements for real-world foley audio dubbing task. To address this, we introduce the Multi-modal Image and Narrative Text Dubbing Dataset (MINT), designed to enhance mainstream dubbing tasks such as literary story audiobooks dubbing, image/silent video dubbing. Besides, to address the limitations of existing TTA technology in understanding and planning complex prompts, a Foley Audio Content Planning, Generation, and Alignment (CPGA) framework is proposed, which includes a content planning module leveraging large language models for complex multi-modal prompts comprehension. Additionally, the training process is optimized using Proximal Policy Optimization based reinforcement learning, significantly improving the alignment and auditory realism of generated foley audio. Experimental results demonstrate that our approach significantly advances the field of foley audio dubbing, providing robust solutions for the challenges of multi-modal dubbing. Even when utilizing the relatively lightweight GPT-2 model, our framework outperforms open-source multimodal large models such as LLaVA, DeepSeek-VL, and Moondream2. The dataset is available at https://github.com/borisfrb/MINT .