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1. TREATED LIKE ROYALTY: In a music world dominated by streaming, tracking royalties has moved centre stage. At any level of the ecosystem - from songwriters and independent artists, to top stars, major companies, collective management organisations (CMOs), indie labels and publishers - the money that comes in is only as good as the capacity to track it and account for it. As this Special Report explains

2. THE RIGHTS STUFF: The Covid-19 pandemic may have impacted revenues from neighbouring rights, but as economies bounce back, Music Week's special report discovers rights societies and collecting agencies forecasting continuous growth for this increasingly key sector

3. THE ULTIMATE COLLECTIONS: The royalty collections business is booming, thanks to the explosion in streaming consumption. But the new platforms mean a technological revolution is sweeping the sector. In this special report, Music Week talks to the major players in a fast-moving and vitally important sector

4. SERVICES WITH A SMILE: With thousands of musicians across all genres now using services companies to take their music to the world, the sector is in a happy place. In this special report, Music Week talks to key players about the new era for artist services

5. THE RIGHTS SIDE OF THE TRACKS: The neighbouring rights sector is now big business, with collections on the up and more international markets coming online. But competition is also on the rise. In this special report, Music Week rounds up the major players to take the pulse of a crucial sector for performers and labels alike

6. LEGAL AID: With the music business landscape changing by the day, a good legal team is more important than ever. In this Special Report, Music Week looks at how the new ecosystem is affecting law firms and the services they provide to the music industry

7. Treated like royalty: in the digital music world, where billions of transactions are registered each year, the most valuable side of the business has turned out to be royalty collections, with a vast range of services available to rights owners and digital services. Here's Music Week's special report

8. Good neighbours: the global market for neighbouring rights continues to experience growth, fuelling increased competition between collecting societies and independent rights management companies. Here, Music Week speaks to key players in the sector to identify trends in the growing market

9. Agents united: following UTA's acquisition of The Agency Group in August this year, Music Week sat down with Jeremy Zimmer and Neil Warnock to talk about the newly formed super agency

10. Big interview: Martin Bandier

11. The growth engine of the music industry: while most areas of the global music business struggle through the painful transition into a digital age, the neighbouring rights sector is one of the few that is growing at a pace. We talk to some of the market's key players about developments in 2015 as well as what the future holds

14. King Kobalt: drop the name Kobalt in a conversation with an executive from a major publishing company, or someone from a collective management organisation and you will see bodies stiffen, smiles freeze and demeanour change. Here, founder Willard Ahdritz talks growth, transparancy and the future

15. My A2IM is true: in his new role as CEO of A2IM, Richard James Burgess is responsible for protecting the interests of America's indie labels. After a turbulent few months for the sector, he tells Music Week why the whole industry needs to present a united front

16. Indie publishers find faith in the future: music publishing, like the recorded music sector, has had to adapt to changing music consumption habits, with many independents thriving in a competitive market that is always in flux. Here, Music Week profiles some leading indie companies and executives to find out their hopes for the business

17. Building bridges between UK and US retail: James Donio, president of the Music Business Association in the US (Music Biz), and Kim Bayley, chief executive of the UK's Entertainment Retailers Association (ERA), discuss their respective sectors and how upcoming changes, including global release day, could affect business

18. 'Washington DC is now stepping up to the plate': ASCAP president and chairman of the Board Paul Williams looks back on the PRO's historic struggle to get US legislators' attention-but points to a sea change in attitudes on the Hill

19. A copyright storm over Capitol Hill: the United States is in the process of a complete review of its copyright legislation. Issues such as performance rights, licensing, orphan works and consent decrees are on the table. But with a new Congress dominantly Republican and presidential elections looming, what can realistically be attained? US editor Emmanuel Legrand reports from Washington

21. A big win for the biz? US execs cheer Biden's election victory: Industry figures welcome incoming administration and expect renewed focus on copyright, tech and creative sector

22. US market swings to streaming

23. Brits around the world

24. International spotlight: France

25. British invasion: a string of recent high-profile moves confirm that british execs are making big waves in america. but why is this happening? music week investigates

26. All time high? The US market followed the UK into sustained growth in 2016. But is everything really rosy? Music Week looks at the key trends--good and not-so-good--from a busy year in American retail

27. The rise & fall of streaming exclusives

28. California uber alles? Is Los Angeles now the heartbeat of the us music industry? Or is new york still king? Music Week reports from the New East Coast-West Coast turf war frontline

29. United they stand: Europe's indies find strength in collective action

30. Kennedy preps for IFPI post: former UMI exec to succeed Berman in '05

31. U.K. market holds up in tough year for Europe

32. Popkomm takes pulse of Germany: this year's German music industry trade fair Popkomm, held in Cologne from August 15-17, was downsized but provided the usual barometer for the state of the industry. (M & M Reports)

33. The world (label) is not enough. (World Music Spotlight)

34. 2001: The stories that hit hardest. (Year in Review)

35. Trump cards: America goes to the polls on November 8 and, away from the bile of the Trump v Clinton debates, the US music industry is lobbying candidates hard on a wide range of copyright issues. Music Week speaks to the sector's key figures to find out if they're with her (or him)

36. Streaming USA: half-year figures from the US indicate that audio streaming has overtaken video streaming. Here, Music Week speaks to experts about the territory's key takeaways from the first half of 2016

37. Living for the weeknd: the Weeknd's Beauty Behind The Madness album was one of the biggest selling albums of 2015--and is still going strong in 2016. Music Week meets the production team behind its unique sound: Jason 'DaHeala' Quenneville and Danny 'DannyBoyStyles' Schofield

38. Different class: what drives a musician to launch a class action lawsuit against the world's No.1 streaming service? Singer-songwriter David Lowery explains why he's chosen to take on Spotify

39. The takedown squad: the RIAA's anti-piracy unit is in the frontline of the music business' war on copyright infringement, trying to keep blockbuster new releases away from illegal and unlicensed sites. Music Week rides along as they fight their latest battle

40. The talent pool: The company behind Reservoir Media might have started off in the drugs business. But they're now one of the fastest-growing indie publishers in America. Music Week finds out their prescription for success

41. So, should you give a damn about a Grammy? Eminem might have famously not been bothered, but for UK artists, could scoring a win, a performance slot or even a nomination at tonight's Grammy Awards ceremony be the key to breaking the US? Music Week investigates the power of America's biggest music night

43. The new crop of French stars

47. US set to sail up stream? With RIAA figures showing a flat US market in the first half of the year thanks to streaming, is there optimism about the future among execs? Music Week speaks to key industry players to find out

48. 'Allen Klein would fight for his artists': author Fred Goodman takes a fresh look at Allen Klein's legacy having penned the definitive autobiography on the legendary Beatles and Rolling Stones business manager

49. 'Content owners are losing the battle over copyright': former NMPA legal counsel Jay Rosenthal gives a frank forecast of the future of copyright, as well as outlining why the process of copyright reform is such a struggle in Washington DC

50. Copyright gridlock: Music Week reports from the US as progress on copyright reform slows to a crawl

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