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This article intends to show how the notion of embeddedness, a concept derived from network theory, can improve our understanding of how a journal’s reliance on regional and national intellectual networks impacts the journal’s performance. The study takes as test case Alberto Carocci’s editorship of Solaria. It also discusses - to a more limited extent - Giacomo Noventa (La riforma letteraria), and Berto Ricci (L’Universale). The study shows how uneven distribution of social capital (connections, links, etc.) across the members of the editorial board affects the journal’s embeddedness in existing networks. The article closes by arguing the need to focus on how journal editors develop their networks as a reaction to political pressure and in order to sustain competition in the marketplace. [ABSTRACT FROM AUTHOR]

This article is primarily concerned with interconnections between forms of impegno (political engagement) and aesthetic choices, as they were articulated in the literary and cultural journal Officina. In order to reassess the role of Officina within the Italian cultural and political debate of the day, this article considers two main narratives unfolding in the journal: the aesthetic rejection of Novecentismo, understood as the epitome of artistic autonomy, and the articulation of a form of Marxist impegno suitable for a neo-capitalist society and stemming from the class-based idea of the organic intellectual. Using published and unpublished correspondence, we argue that Officina had a pivotal role in producing a theoretical framework for the conceptualisation of a post-neorealist idea of Marxist critical analysis as well as of intellectual, aesthetic and political engagement. [ABSTRACT FROM PUBLISHER]

This article aims at showing how and why two cultural periodicals, namely the German edition of Tempo, published by Mondadori between 1940 and 1943, and the German magazine Italien, the official periodical of the Deutsch-Italienische Gesellschaft from 1942 to 1944, contributed to shaping the German readership’s idea of contemporary Italian literature. The analysis of the contents of these journals shows a rather diversified cultural offer, promoting authors that would be later associated with the anti-fascist struggle. To this end, the article will particularly focus on the way these periodicals presented Elio Vittorini, who would be heralded as one of the most engaged writers of post-war Italy. [ABSTRACT FROM PUBLISHER]

Long neglected by critical literature and historians, the Neapolitan journal Sud (1945–1947) shared similar aims and objectives with the more famous Il Politecnico, although the two journals were inserted into and connected with lively yet different cultural environments and networks, which crucially influenced their outputs. Most notably, both journals paid significant attention to politically committed literary and essay translations. By combining an analysis of the journals’ articles and translations with the editors’ published and unpublished correspondence, the article reassesses the journals’ relationship and illuminates the engagement of the two editorial boards through translations. The analysis of the two intellectual networks and projects will re-establish the relevance of Sud in stimulating a transnational dialogue and will reconsider the role of translation in shaping the editors’ political identities. Finally, the article offers a geo-cultural perspective on post-war Italian impegno by charting its multiple, both national and transnational, identities. [ABSTRACT FROM PUBLISHER]

Working at the intersection between literary history and periodical studies, this article investigates the role played by the literary journal Botteghe Oscure (Rome, 1948–1960) in processes of Anglo-Italian literary transfer. The article charts the journal’s British network, analysing quantitatively the presence of both established and new writers. Further, it focuses on Botteghe Oscure’s publishing and distribution policy in the United Kingdom, drawing on its founder Marguerite Caetani’s correspondence in order to interrogate the location of the journal within the Italian and the English literary systems, and thus illuminate the journal’s role as a site of literary production as it was shaped in both Italy and Britain. [ABSTRACT FROM PUBLISHER]

This article explores the intellectual discourse of Il Mulino’s intellectual group in relation to the transformation of Italian politics during the period leading up to the centre-left governments. First, it investigates Il Mulino’s cultural project of overcoming the hegemony of idealism by endorsing the empiricist approach favoured by Anglo-American social sciences, while establishing a new role for intellectuals. Then, it focuses on the group’s political agenda aimed at rationalising Italy’s ‘imperfect two-party system’. We argue that, within the Italian intellectual-political scenario, Il Mulino’s intellectual discourse sought to establish a new relationship between culture and politics. It tried to do so both by anchoring Italian political culture to the liberal- and social-democratic European tradition and by contributing to the stabilisation of Italian democracy, while proposing a reduction in the number of political parties. [ABSTRACT FROM PUBLISHER]

This article provides a historical and theoretical contextualization of Amelia Rosselli's practice of translation. Some hitherto neglected Rosselli translations from John Berryman will be examined to ascertain the role played by translation in her multilingual oeuvre. My analysis builds upon recent explorations of translingual authors' translating practice informed by Deleuze and Guattari's seminalKafka: pour une littérature mineure. It aims to achieve an understanding of the aesthetic of Rosselli's trilingualism and the function of translation within the author's minorizing project. [ABSTRACT FROM PUBLISHER]