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Svrha je ovoga rada prikazati koncepciju lika Antigone u suvremenoj hrvatskoj dramskoj književnosti, i to uzimajući u obzir djela: Ljubav u koroti ili Antiantigona (1957) Drage Ivaniševića, Antigona, kraljica u Tebi (1981) Tončija Petrasova Marovića, Kreontova Antigona (1983) Mire Gavrana i Cvita, vitica, tica... (ili Moja dva brata i ja) (2012) Helene Peričić. Naglasak je stavljen na važnost aktualizacije mitoloških tema u suvremenoj književnosti, posebice antigonskih i antiantigonskih motiva. Rad je posvećen i proučavanju ostvarivanja načina utjecaja iz stranih književnosti budući da je riječ o dramama koje se, više ili manje izravno, intertekstualno poigravaju sa Sofoklovom Antigonom, kao i s drugim književnim djelima. Budući da je kao prototekst uzeta starogrčka tragedija, posebno je poglavlje posvećeno Aristotelovim pravilima o dobrome načinu pisanja, u sklopu kojega se analizira koliko suvremeni autori poštuju određena Aristotelova načela. Na koncu slijedi podrobna analiza svih navedenih drama, gdje se po svoj prilici fokus stavlja ne samo na interpretaciju dramskih djela, već i na gradnju lika Antigone u svakoj pojedinoj drami, kao i na filozofsku-idejnu sastavnicu, a sve u svrhu toga ne bismo li istaknuli kolika je važnost i univerzalnost Antigonina lika od antike pa sve do suvremenosti. The purpose of this paper is to present the concept of Antigone's character in modern Croatian dramatic literature taking into account the works: Ljubav u koroti (1957) written by Drago Ivanišević, Antigona, kraljica u Tebi (1981) written by Tonči Petrasov Marović, Kreontova Antigona (1983) written by Miro Gavran and Cvita, vitica, tica...(ili Moja dva brata i ja) (2012) written by Helena Peričić. Emphasis has been put on the importance of updating mythological themes in contemporary literature, particularly antigonal and antiantigonal motifs. The paper is also devoted to studying the effect of the influence of foreign literature since it is about dramas/plays that are more or less in direct intertextual relations with Sophocles Antigone, as well as with other literary works. Since an ancient Greek tragedy was taken as a prototype, there is a particular chapter devoted to Aristotle's rules on good writing in which it is analyzed how much contemporary authors respect Aristotle's principles. At the end of the paper there is a thorough analysis of all of the mentioned dramas, where the focus is not only on the interpretation of dramas, but also Antigone's character in each drama, as well as the philosophical and conceptual component – all for the sake of emphasizing the importance and universality of Antigone's character from antique to the modern times.

U završnome radu prikazuje se drugi dramski ciklus Marijana Matkovića pod naslovom I bogovi pate. Ciklus je nastao u doba hrvatske neomoderne pa se stoga prikazuje i analizira povezanost s političkom te društvenom situacijom ondašnjega vremena. Prikazana je usporedba djela koja su obuhvaćena ciklusom s helenskom mitologijom, odakle je utjecaj i preuzet. Posebno poglavlje posvećeno je intertekstualnosti i utjecaju s obzirom na navedeno. Shodno tomu istražuje se te prikazuje Matkovićeva interpretacija antičkoga mita. Želi se prikazati koliko nije bitan odabir mitološke tematike, već interpretacija iste. Prikazana su osnovna načela Aristotelove Poetike kako bi se zaključilo koliko ih Matković poštuje u neoklasičnome teatru. Zasebno su interpterirane drame Prometej, Heraklo te Ahilova baština s naglaskom na: obilježja dramskih tekstova, sadržaj/fabularne odnose, psihološku te sociološku komponentu, kao i motivsko-idejnu. This thesis shows the second dramatic cycle of I bogovi pate written by Marijan Matković. The cycle was created in the neomodernism era and it analyses the connection between the political and social situation of that era. A comparison of the works covered by the cycle with helenic mythology is presented, from which the influence is taken. Particularly dedicated to intertextuality and influence with regard to the above. Accordingly, it explores and shows Matković's interpretation of the antique myth. This work wants to show how important is the interpretation of the mythology instead of it's theme. The basic principles of Aristotle's Poetics are presented in order to conclude how much Matković respects them in the neoclassical theater. Prometej, Heraklo and Ahilova baština are the dramas that are interpreted separately with the emphasis on: the characteristics of dramatic texts, content / fabular relationships and the psychological, sociological and motivational component.