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This paper investigates the use of Optical Coherence Tomography (OCT) and Short-wave Infrared (SWIR) spectral imaging to study the deterioration of a Limoges enamel panel. Limoges enamels are formed of glass layers applied on a metal substrate and are prone to glass disease. However, the level of deterioration in Limoges enamels is generally difficult to assess visually. In this study, SWIR was used to produce a hydration level map of the enamel, which was coupled with virtual OCT cross-sections. The study shows a good correlation between levels of hydration and structural damage over the enamel panel. Hydration mapping allows visualisation of structural damage across the entire enamel in one image., Comment: 6 pages

A holistic approach using non-invasive multimodal imaging and spectroscopic techniques to study the materials (pigments, drawing materials and paper) and painting techniques of watercolour paintings is presented. The non-invasive imaging and spectroscopic techniques include VIS-NIR reflectance spectroscopy and multispectral imaging, micro-Raman spectroscopy, X-ray fluorescence spectroscopy (XRF) and optical coherence tomography (OCT). The three spectroscopic techniques complement each other in pigment identification. Multispectral imaging (near infrared bands), OCT and micro-Raman complement each other in the visualisation and identification of the drawing material. OCT probes the microstructure and light scattering properties of the substrate while XRF detects the elemental composition that indicates the sizing methods and the filler content. The multiple techniques were applied in a study of forty six 19th century Chinese export watercolours from the Victoria & Albert Museum (V&A) and the Royal Horticultural Society (RHS) to examine to what extent the non-invasive analysis techniques employed complement each other and how much useful information about the paintings can be extracted to address art conservation and history questions. A micro-destructive technique of microfade spectrometry was used to assess the vulnerability of the paintings to light exposure., Comment: 26 pages (excluding cover page), 16 figures, 3 tables, submitted to Applied Physics A