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Copyright of Práticas da História is the property of Práticas da História and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of História da Historiografia is the property of Sociedade Brasileira de Teoria e Historia da Historiografia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article discusses the intersection between oral history and business history based on the project Educar para o futuro [Educating for the future], ordered by the Bradesco Foundation to Museu da Pessoa Institute. The historiographical practice of the latter identifies with oral history, reinforcing the idea of community empowerment as a result of archives and narratives compounded by oral testimonies. At the same time, the Institute renders historiographical service to companies, which leads to new demands and contingencies that may differ from historiographic parameters. Bearing in mind the consolidation of a market for business history on demand in Brazil over the last two decades - in which oral history has taken up an important space - how should the possibilities and restraints of the historiographical practice be assessed? The case of Museu da Pessoa is paradigmatic and provides the grounds for a better understanding about theoretical and methodological implications of the intersection between oral history and companies in Brazil. [ABSTRACT FROM AUTHOR]

Copyright of Tiempo y Economía is the property of La Fundacion Universidad de Bogota Jorge Tadeo Lozano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Esboços: Historias em Contextos Globias is the property of Esbocos: historias em contextos globais and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The social isolation provoked by Covid-19 pandemic increased the daily presence of digital media, on a global scale. To react to the unexpected and tragic event of the novel coronavirus, a variety of digital archiving initiatives have come forth to record experiences during the pandemic. These projects have used techniques and concepts that already existed. However, for the first time, similar initiatives around the world responded to a unique disruptive event. Understanding the theoretical problems of digital archiving is a challenge that historiography must address. This article argues that digital archives on the pandemic presents an ideal opportunity to look at these problems from a comparative and global standpoint. By discussing the theoretical dimension of the "digital archive" category and contemplating a sample of Covid-19 archives around the world, introductory notes are elaborated on the matter, as part of an ongoing research. [ABSTRACT FROM AUTHOR]