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Research pertaining to the emergence and presence of trans and gender nonconforming identities in press materials has been lacking, particularly within the queer Irish context. This article fills this gap by presenting the findings of a study exploring the emergence of gender nonconformity through the alternative queer media outlet, Gay Community News (GCN). Using the first decade of the GCN’s reportage (1988 to 1998), this article explores 113 issues of GCN, including supplements, deploying textual analysis to uncover how GCN negotiated and represented trans and gender diverse identities. Through this analysis, three key themes relating to trans visibility emerge across this decade: 1. Negotiating the inclusion and exclusion of trans femme identities; 2. Transvestite identity and its normal attachments and 3. Information provision and consciousness-raising. In exploring these themes, this article argues that alternative media have been crucial for the emergence of trans and gender diverse visibility in the Irish queer press. Additionally, it contends that this community is very much minoritised regarding the kinds of inclusions offered to them. While highlighting the activist potential of alternative media like GCN, the article demonstrates that trans visibility was often complex, marred by exclusions and expectations around conformity. [ABSTRACT FROM AUTHOR]

In 2021, three documentary series revitalised the unsolved murder of Sophie Toscan du Plantier in 1996 in West Cork, Ireland, for a global audience of true crime enthusiasts. This article analyses the podcast West Cork (Audible 2018/iTunes 2021) and two streaming series, Murder at the Cottage: The Search for Justice for Sophie (Sky Crime 2021) and Sophie: A Murder in West Cork (Netflix 2021) and argues that they conferred documentary celebrity on their central figures, Sophie Toscan du Plantier and Ian Bailey. The celebritisation of these individuals as victim and villain, was achieved through the development of a convergent narrative across the three series, one salted with the plot twists, end-of-episode cliff hangers, emotional confrontations and supernatural speculation familiar to viewers of true crime, reality television and serial drama. Moreover, the gendered discourse deployed by these documentaries posthumously transformed Sophie Toscan du Plantier into a world-famous victim while providing an opportunity for Ian Bailey, who remains the prime suspect, to self-brand as a Gothic villain. Bailey's 2022 announcement that he would launch a podcast and television series and his self-promotional activity on TikTok confirm the cultural capital associated with documentary celebrity, even, or especially, for the infamous. [ABSTRACT FROM AUTHOR]

Cancel culture claims, narratives and practices now play out in predominantly platformed spaces, spanning from progressive publics and accountability practices to reactionary/anti-woke/far right publics. We argue that platform affordances, architectures and cultures serve as a nodal point to bring together a disparate set of practices, discourses and ideological positions to facilitate polarized, reactionary, and or strategic networked publics in the context of digital politics and the (re)emergence of culture wars. Papers within this special issue speak to our argument in varying ways. They explore the mechanisms, sentiments, tolerances, and practices in local and global contexts. They consider how certain practices manifesting as social justice interventions apply to negatively impact marginalized groups, theorize the role of and power of platforms in propelling cancelations, and track the rituals associated with cancel culture on platforms. In doing so we encompass perspectives and case studies from the global majority to inform what has to date been a largely Western area of focus and scholarship. [ABSTRACT FROM AUTHOR]

This article examines the incongruence within Netflix's corporate practice: while on the one hand the streamer promotes trans inclusion along with trans talent development in Netflix's production culture, both on and off screen, on the other hand its industrial practices and representational output demonstrate a different approach. This article argues that, while the streamer positions itself as a champion of inclusion and diversity in the television industry, Netflix is invested in transness as an economic frontier rather than in adopting anti-transphobic practices. In making this argument, this article fosters a three-pronged approach to explore the treatment of trans identities by Netflix. Firstly, the article analyses Netflix's corporate practices in relation to promotion of its limited series, Tales of the City. Secondly, the article explores the media event of Dave Chappelle's comedy special The Closer and the subsequent trans employee walkout. Thirdly, it performs on audit of Netflix's website and corporate materials to highlight how Netflix has developed a response to trans inclusion in relation to the walkout. Exploring these facets through Aron Kundnani's (2023) critique of the diversity industry, this article argues that, on a policy and corporate performativity level, Netflix's approach to trans inclusion can be defined as transliberalist (Raha, 2015), so that its practices result in a platform catalogue that is simultaneously at best trans-affirming and at worst transphobic. [ABSTRACT FROM AUTHOR]

Birth certificate data has been identified for its centrality in providing complete and accurate information on demographics, particularly as it relates to families. Often, however, these forms of data collection, are very much hetero-centric, re-embedding normative conceptualizations of identity, particularly as it relates to sex, gender and sexuality. Modes of demographic data collection, such as that of the birth certificate, do not allow for the fluidity and multiplicity of gender and sexual identities that characterize the lived experience of many LGBTQ families. This article will explore the significance of the birth certificate for LGBTQ Irish families, particularly in light of the varying inequalities that emerge from the data gaps they create for both parent and child. In exploring these facets, this article draws upon qualitative semi-structured interviews with LGBTQ parents, exploring how they see the data gaps that emerge on birth certificates and the effects these gaps have on them as an LGBTQ family. Through exploring the ways in which the data gaps and omissions on the Irish birth certificate creates inequalities, this article uses the findings to build on the work of Ruberg and Ruellos (2020) who call for shifting how we see and understand queer identity through data. Through these findings, we argue that systems of data collection, data structures and certification must be changed to build data for queer parenthood and that it is necessary to recalibrate how we design birth certificates to more accurately represent LGBTQ-parent families. [ABSTRACT FROM AUTHOR]

Equality, diversity, and inclusion (EDI) in media are key concerns of contemporary academic research, current policy initiatives and ongoing activist debates in Ireland and across the world. This article evaluates the extent to which EDI change has been championed and best practice implemented by the leadership in Irish screen production. Adopting a qualitative case study approach, industry documents were analysed and structured in-depth interviews were undertaken with senior personnel across the sector. The findings suggest widespread support for EDI. The sector noted that wide ranging organisational change was needed alongside a coherent vision for the future. Visionary leadership from the top down and dedicated resources from government are identified as key requirements to embed EDI in the screen industries. However, in most cases, interviewees do not identify themselves, even implicitly, as industry leaders who are also empowered to generate change. Indeed, the actions taken to embed best practice in their own organisations often lag behind an expressed desire for change. [ABSTRACT FROM AUTHOR]

Media access in terms of participation and representation are central issues for underrepresented groups, particularly in media systems that are dominated by a homogenous elite. This article sets out to understand media activism in Ireland, especially by those who are campaigning for greater participation and better representation in the Irish media industry. While tools, measures and policies have been developed at varying levels within the media industry to improve Equality, Diversity and Inclusion (EDI), often these engagements with EDI issues do not directly speak to communities themselves. To that end, this article seeks to address this gap, setting out to understand media activism in Ireland through semi-structured interviews with 17 media activists from varying minoritized groups. The article is structured around four central themes: (i) problems identified, (ii) representation versus participation, (iii) possible changes and improvements and (iv) positioning for changes in the future. From these findings, the article makes two central recommendations: on the one hand, the development of policies regarding EDI must include the voices of the communities directly affected and on the other hand, media activists from minority or disenfranchised groups need to be considered as voices of authority on matters pertaining to them. [ABSTRACT FROM AUTHOR]

While research on media literacy education has focused on varying professional sectors, the role of public libraries in supporting media literacy has yet to be fully explored. This article reports on a university-public library collaboration between University College Dublin, the Libraries Development unit of the Local Government Management Agency (LGMA), the National Adult Literacy Agency (NALA), Meath County Council Libraries and Meta (formerly Facebook). This collaborative partnership sought to develop and pilot a cutting-edge curriculum, incorporating a creative and flexible approach to media literacy training for public library staff. This article details the partnership between the university and the stakeholders toward the common goals of assessing the media literacy training needs of public library staff, and piloting an online professional development course to address these needs. The paper makes several observations on the university-public library collaboration, and proposes that such strategic partnerships might be a key intervention in delivering media literacy education training to the public library sector more broadly. [ABSTRACT FROM AUTHOR]

Focusing on mainstream and tabloid news reporting and ancillary texts, this article analyses the media presentation of Meghan Markle's intersectional identities through a rhetoric of the feuding famous family. We argue that the media discourse centred on family conflict and domestic drama used to characterise Markle's position as a royal during the Brexit era both surfaces and suppresses the significance of her existential challenge to the normative racial, class, national and gendered attributes associated with British royalty. That discourse also obfuscates and trivializes the power struggle over the significant economic capital and political "soft power" associated with the British Royal Family brand. [ABSTRACT FROM AUTHOR]