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Hanbury Brown and Twiss (HBT) interferometry is a milestone experiment that transformed our understanding of the nature of light. The concept was demonstrated in 1956 to measure the radii of stars through photon coincidence detection. This form of coincidence detection later became a cornerstone of modern quantum optics. Here we connect HBT interferometry to the physics of scintillation, the process of spontaneous light emission upon excitation by high-energy particles, such as x-rays. Our work reveals intrinsic photon bunching in the scintillation process, which we utilize to elucidate its underlying light emission mechanisms. Specifically, g^((2) ) ({\tau}) enables the quantitative extraction of scintillation lifetime and light yield, showing their dependence on temperature and X-ray flux as well. This approach provides a characterization method that we benchmark on a wide gamut of scintillators, including rare-earth-doped garnets and perovskite nanocrystals. Our method is particularly important for nano- and micro-scale scintillators, whose properties are challenging to quantify by conventional means: We extract the scintillation properties in perovskite nanocrystals of only a few hundreds of nanometers, observing strong photon bunching (g^((2) ) (0)>50). Our research paves the way for broader use of photon-coincidence measurement and methods from quantum optics in studying materials with complex optical properties in extremes regions of the electromagnetic spectrum.

Text-to-video models have made significant strides in generating short video clips from textual descriptions. Yet, a significant challenge remains: generating several video shots of the same characters, preserving their identity without hurting video quality, dynamics, and responsiveness to text prompts. We present Video Storyboarding, a training-free method to enable pretrained text-to-video models to generate multiple shots with consistent characters, by sharing features between them. Our key insight is that self-attention query features (Q) encode both motion and identity. This creates a hard-to-avoid trade-off between preserving character identity and making videos dynamic, when features are shared. To address this issue, we introduce a novel query injection strategy that balances identity preservation and natural motion retention. This approach improves upon naive consistency techniques applied to videos, which often struggle to maintain this delicate equilibrium. Our experiments demonstrate significant improvements in character consistency across scenes while maintaining high-quality motion and text alignment. These results offer insights into critical stages of video generation and the interplay of structure and motion in video diffusion models., Comment: Project page: https://research.nvidia.com/labs/par/video_storyboarding

Generating 3D visual scenes is at the forefront of visual generative AI, but current 3D generation techniques struggle with generating scenes with multiple high-resolution objects. Here we introduce Lay-A-Scene, which solves the task of Open-set 3D Object Arrangement, effectively arranging unseen objects. Given a set of 3D objects, the task is to find a plausible arrangement of these objects in a scene. We address this task by leveraging pre-trained text-to-image models. We personalize the model and explain how to generate images of a scene that contains multiple predefined objects without neglecting any of them. Then, we describe how to infer the 3D poses and arrangement of objects from a 2D generated image by finding a consistent projection of objects onto the 2D scene. We evaluate the quality of Lay-A-Scene using 3D objects from Objaverse and human raters and find that it often generates coherent and feasible 3D object arrangements.

Multiview Structure from Motion is a fundamental and challenging computer vision problem. A recent deep-based approach was proposed utilizing matrix equivariant architectures for the simultaneous recovery of camera pose and 3D scene structure from large image collections. This work however made the unrealistic assumption that the point tracks given as input are clean of outliers. Here we propose an architecture suited to dealing with outliers by adding an inlier/outlier classifying module that respects the model equivariance and by adding a robust bundle adjustment step. Experiments demonstrate that our method can be successfully applied in realistic settings that include large image collections and point tracks extracted with common heuristics and include many outliers.

This paper addresses the long-standing challenge of reconstructing 3D structures from videos with dynamic content. Current approaches to this problem were not designed to operate on casual videos recorded by standard cameras or require a long optimization time. Aiming to significantly improve the efficiency of previous approaches, we present TracksTo4D, a learning-based approach that enables inferring 3D structure and camera positions from dynamic content originating from casual videos using a single efficient feed-forward pass. To achieve this, we propose operating directly over 2D point tracks as input and designing an architecture tailored for processing 2D point tracks. Our proposed architecture is designed with two key principles in mind: (1) it takes into account the inherent symmetries present in the input point tracks data, and (2) it assumes that the movement patterns can be effectively represented using a low-rank approximation. TracksTo4D is trained in an unsupervised way on a dataset of casual videos utilizing only the 2D point tracks extracted from the videos, without any 3D supervision. Our experiments show that TracksTo4D can reconstruct a temporal point cloud and camera positions of the underlying video with accuracy comparable to state-of-the-art methods, while drastically reducing runtime by up to 95\%. We further show that TracksTo4D generalizes well to unseen videos of unseen semantic categories at inference time.

Text-to-image models offer a new level of creative flexibility by allowing users to guide the image generation process through natural language. However, using these models to consistently portray the same subject across diverse prompts remains challenging. Existing approaches fine-tune the model to teach it new words that describe specific user-provided subjects or add image conditioning to the model. These methods require lengthy per-subject optimization or large-scale pre-training. Moreover, they struggle to align generated images with text prompts and face difficulties in portraying multiple subjects. Here, we present ConsiStory, a training-free approach that enables consistent subject generation by sharing the internal activations of the pretrained model. We introduce a subject-driven shared attention block and correspondence-based feature injection to promote subject consistency between images. Additionally, we develop strategies to encourage layout diversity while maintaining subject consistency. We compare ConsiStory to a range of baselines, and demonstrate state-of-the-art performance on subject consistency and text alignment, without requiring a single optimization step. Finally, ConsiStory can naturally extend to multi-subject scenarios, and even enable training-free personalization for common objects., Comment: Accepted to journal track of SIGGRAPH 2024 (TOG). Project page is at https://consistory-paper.github.io

We present a new method for text-driven motion transfer - synthesizing a video that complies with an input text prompt describing the target objects and scene while maintaining an input video's motion and scene layout. Prior methods are confined to transferring motion across two subjects within the same or closely related object categories and are applicable for limited domains (e.g., humans). In this work, we consider a significantly more challenging setting in which the target and source objects differ drastically in shape and fine-grained motion characteristics (e.g., translating a jumping dog into a dolphin). To this end, we leverage a pre-trained and fixed text-to-video diffusion model, which provides us with generative and motion priors. The pillar of our method is a new space-time feature loss derived directly from the model. This loss guides the generation process to preserve the overall motion of the input video while complying with the target object in terms of shape and fine-grained motion traits., Comment: Project page: https://diffusion-motion-transfer.github.io/

The majority of existing large 3D shape datasets contain meshes that lend themselves extremely well to visual applications such as rendering, yet tend to be topologically invalid (i.e, contain non-manifold edges and vertices, disconnected components, self-intersections). Therefore, it is of no surprise that state of the art studies in shape understanding do not explicitly use this 3D information. In conjunction with this, triangular meshes remain the dominant shape representation for many downstream tasks, and their connectivity remain a relatively untapped source of potential for more profound shape reasoning. In this paper, we introduce ROAR, an iterative geometry/topology evolution approach to reconstruct 2-manifold triangular meshes from arbitrary 3D shape representations, that is highly suitable for large existing in-the-wild datasets. ROAR leverages the visual prior large datasets exhibit by evolving the geometry of the mesh via a 2D render loss, and a novel 3D projection loss, the Planar Projection. After each geometry iteration, our system performs topological corrections. Self-intersections are reduced following a geometrically motivated attenuation term, and resolution is added to required regions using a novel face scoring function. These steps alternate until convergence is achieved, yielding a high-quality manifold mesh. We evaluate ROAR on the notoriously messy yet popular dataset ShapeNet, and present ShapeROAR - a topologically valid yet still geometrically accurate version of ShapeNet. We compare our results to state-of-the-art reconstruction methods and demonstrate superior shape faithfulness, topological correctness, and triangulation quality. In addition, we demonstrate reconstructing a mesh from neural Signed Distance Functions (SDF), and achieve comparable Chamfer distance with much fewer SDF sampling operations than the commonly used Marching Cubes approach., Comment: The first two authors contributed equally to this work. Project page: https://yoterel.github.io/ROAR-project-page/

Point-cloud data collected in real-world applications are often incomplete. Data is typically missing due to objects being observed from partial viewpoints, which only capture a specific perspective or angle. Additionally, data can be incomplete due to occlusion and low-resolution sampling. Existing completion approaches rely on datasets of predefined objects to guide the completion of noisy and incomplete, point clouds. However, these approaches perform poorly when tested on Out-Of-Distribution (OOD) objects, that are poorly represented in the training dataset. Here we leverage recent advances in text-guided image generation, which lead to major breakthroughs in text-guided shape generation. We describe an approach called SDS-Complete that uses a pre-trained text-to-image diffusion model and leverages the text semantics of a given incomplete point cloud of an object, to obtain a complete surface representation. SDS-Complete can complete a variety of objects using test-time optimization without expensive collection of 3D information. We evaluate SDS Complete on incomplete scanned objects, captured by real-world depth sensors and LiDAR scanners. We find that it effectively reconstructs objects that are absent from common datasets, reducing Chamfer loss by 50% on average compared with current methods. Project page: https://sds-complete.github.io/

We present Neural Fields for LiDAR (NFL), a method to optimise a neural field scene representation from LiDAR measurements, with the goal of synthesizing realistic LiDAR scans from novel viewpoints. NFL combines the rendering power of neural fields with a detailed, physically motivated model of the LiDAR sensing process, thus enabling it to accurately reproduce key sensor behaviors like beam divergence, secondary returns, and ray dropping. We evaluate NFL on synthetic and real LiDAR scans and show that it outperforms explicit reconstruct-then-simulate methods as well as other NeRF-style methods on LiDAR novel view synthesis task. Moreover, we show that the improved realism of the synthesized views narrows the domain gap to real scans and translates to better registration and semantic segmentation performance., Comment: ICCV 2023 - camera ready. Project page: https://research.nvidia.com/labs/toronto-ai/nfl/

In this work, we present Conditional Adversarial Latent Models (CALM), an approach for generating diverse and directable behaviors for user-controlled interactive virtual characters. Using imitation learning, CALM learns a representation of movement that captures the complexity and diversity of human motion, and enables direct control over character movements. The approach jointly learns a control policy and a motion encoder that reconstructs key characteristics of a given motion without merely replicating it. The results show that CALM learns a semantic motion representation, enabling control over the generated motions and style-conditioning for higher-level task training. Once trained, the character can be controlled using intuitive interfaces, akin to those found in video games., Comment: Accepted to SIGGRAPH 2023

We present Neural Congealing -- a zero-shot self-supervised framework for detecting and jointly aligning semantically-common content across a given set of images. Our approach harnesses the power of pre-trained DINO-ViT features to learn: (i) a joint semantic atlas -- a 2D grid that captures the mode of DINO-ViT features in the input set, and (ii) dense mappings from the unified atlas to each of the input images. We derive a new robust self-supervised framework that optimizes the atlas representation and mappings per image set, requiring only a few real-world images as input without any additional input information (e.g., segmentation masks). Notably, we design our losses and training paradigm to account only for the shared content under severe variations in appearance, pose, background clutter or other distracting objects. We demonstrate results on a plethora of challenging image sets including sets of mixed domains (e.g., aligning images depicting sculpture and artwork of cats), sets depicting related yet different object categories (e.g., dogs and tigers), or domains for which large-scale training data is scarce (e.g., coffee mugs). We thoroughly evaluate our method and show that our test-time optimization approach performs favorably compared to a state-of-the-art method that requires extensive training on large-scale datasets., Comment: Project page: https://neural-congealing.github.io/

We present a method for text-driven perpetual view generation -- synthesizing long-term videos of various scenes solely, given an input text prompt describing the scene and camera poses. We introduce a novel framework that generates such videos in an online fashion by combining the generative power of a pre-trained text-to-image model with the geometric priors learned by a pre-trained monocular depth prediction model. To tackle the pivotal challenge of achieving 3D consistency, i.e., synthesizing videos that depict geometrically-plausible scenes, we deploy an online test-time training to encourage the predicted depth map of the current frame to be geometrically consistent with the synthesized scene. The depth maps are used to construct a unified mesh representation of the scene, which is progressively constructed along the video generation process. In contrast to previous works, which are applicable only to limited domains, our method generates diverse scenes, such as walkthroughs in spaceships, caves, or ice castles., Comment: Project page: https://scenescape.github.io/

We present a method for zero-shot, text-driven appearance manipulation in natural images and videos. Given an input image or video and a target text prompt, our goal is to edit the appearance of existing objects (e.g., object's texture) or augment the scene with visual effects (e.g., smoke, fire) in a semantically meaningful manner. We train a generator using an internal dataset of training examples, extracted from a single input (image or video and target text prompt), while leveraging an external pre-trained CLIP model to establish our losses. Rather than directly generating the edited output, our key idea is to generate an edit layer (color+opacity) that is composited over the original input. This allows us to constrain the generation process and maintain high fidelity to the original input via novel text-driven losses that are applied directly to the edit layer. Our method neither relies on a pre-trained generator nor requires user-provided edit masks. We demonstrate localized, semantic edits on high-resolution natural images and videos across a variety of objects and scenes., Comment: Project page: https://text2live.github.io

We present a method that decomposes, or "unwraps", an input video into a set of layered 2D atlases, each providing a unified representation of the appearance of an object (or background) over the video. For each pixel in the video, our method estimates its corresponding 2D coordinate in each of the atlases, giving us a consistent parameterization of the video, along with an associated alpha (opacity) value. Importantly, we design our atlases to be interpretable and semantic, which facilitates easy and intuitive editing in the atlas domain, with minimal manual work required. Edits applied to a single 2D atlas (or input video frame) are automatically and consistently mapped back to the original video frames, while preserving occlusions, deformation, and other complex scene effects such as shadows and reflections. Our method employs a coordinate-based Multilayer Perceptron (MLP) representation for mappings, atlases, and alphas, which are jointly optimized on a per-video basis, using a combination of video reconstruction and regularization losses. By operating purely in 2D, our method does not require any prior 3D knowledge about scene geometry or camera poses, and can handle complex dynamic real world videos. We demonstrate various video editing applications, including texture mapping, video style transfer, image-to-video texture transfer, and segmentation/labeling propagation, all automatically produced by editing a single 2D atlas image.

Neural volume rendering became increasingly popular recently due to its success in synthesizing novel views of a scene from a sparse set of input images. So far, the geometry learned by neural volume rendering techniques was modeled using a generic density function. Furthermore, the geometry itself was extracted using an arbitrary level set of the density function leading to a noisy, often low fidelity reconstruction. The goal of this paper is to improve geometry representation and reconstruction in neural volume rendering. We achieve that by modeling the volume density as a function of the geometry. This is in contrast to previous work modeling the geometry as a function of the volume density. In more detail, we define the volume density function as Laplace's cumulative distribution function (CDF) applied to a signed distance function (SDF) representation. This simple density representation has three benefits: (i) it provides a useful inductive bias to the geometry learned in the neural volume rendering process; (ii) it facilitates a bound on the opacity approximation error, leading to an accurate sampling of the viewing ray. Accurate sampling is important to provide a precise coupling of geometry and radiance; and (iii) it allows efficient unsupervised disentanglement of shape and appearance in volume rendering. Applying this new density representation to challenging scene multiview datasets produced high quality geometry reconstructions, outperforming relevant baselines. Furthermore, switching shape and appearance between scenes is possible due to the disentanglement of the two.

Existing deep methods produce highly accurate 3D reconstructions in stereo and multiview stereo settings, i.e., when cameras are both internally and externally calibrated. Nevertheless, the challenge of simultaneous recovery of camera poses and 3D scene structure in multiview settings with deep networks is still outstanding. Inspired by projective factorization for Structure from Motion (SFM) and by deep matrix completion techniques, we propose a neural network architecture that, given a set of point tracks in multiple images of a static scene, recovers both the camera parameters and a (sparse) scene structure by minimizing an unsupervised reprojection loss. Our network architecture is designed to respect the structure of the problem: the sought output is equivariant to permutations of both cameras and scene points. Notably, our method does not require initialization of camera parameters or 3D point locations. We test our architecture in two setups: (1) single scene reconstruction and (2) learning from multiple scenes. Our experiments, conducted on a variety of datasets in both internally calibrated and uncalibrated settings, indicate that our method accurately recovers pose and structure, on par with classical state of the art methods. Additionally, we show that a pre-trained network can be used to reconstruct novel scenes using inexpensive fine-tuning with no loss of accuracy.

Recent theoretical work has shown that massively overparameterized neural networks are equivalent to kernel regressors that use Neural Tangent Kernels(NTK). Experiments show that these kernel methods perform similarly to real neural networks. Here we show that NTK for fully connected networks is closely related to the standard Laplace kernel. We show theoretically that for normalized data on the hypersphere both kernels have the same eigenfunctions and their eigenvalues decay polynomially at the same rate, implying that their Reproducing Kernel Hilbert Spaces (RKHS) include the same sets of functions. This means that both kernels give rise to classes of functions with the same smoothness properties. The two kernels differ for data off the hypersphere, but experiments indicate that when data is properly normalized these differences are not significant. Finally, we provide experiments on real data comparing NTK and the Laplace kernel, along with a larger class of{\gamma}-exponential kernels. We show that these perform almost identically. Our results suggest that much insight about neural networks can be obtained from analysis of the well-known Laplace kernel, which has a simple closed-form.

We present an end-to-end Convolutional Neural Network (CNN) approach for 3D reconstruction of knee bones directly from two bi-planar X-ray images. Clinically, capturing the 3D models of the bones is crucial for surgical planning, implant fitting, and postoperative evaluation. X-ray imaging significantly reduces the exposure of patients to ionizing radiation compared to Computer Tomography (CT) imaging, and is much more common and inexpensive compared to Magnetic Resonance Imaging (MRI) scanners. However, retrieving 3D models from such 2D scans is extremely challenging. In contrast to the common approach of statistically modeling the shape of each bone, our deep network learns the distribution of the bones' shapes directly from the training images. We train our model with both supervised and unsupervised losses using Digitally Reconstructed Radiograph (DRR) images generated from CT scans. To apply our model to X-Ray data, we use style transfer to transform between X-Ray and DRR modalities. As a result, at test time, without further optimization, our solution directly outputs a 3D reconstruction from a pair of bi-planar X-ray images, while preserving geometric constraints. Our results indicate that our deep learning model is very efficient, generalizes well and produces high quality reconstructions.

In this work we address the challenging problem of multiview 3D surface reconstruction. We introduce a neural network architecture that simultaneously learns the unknown geometry, camera parameters, and a neural renderer that approximates the light reflected from the surface towards the camera. The geometry is represented as a zero level-set of a neural network, while the neural renderer, derived from the rendering equation, is capable of (implicitly) modeling a wide set of lighting conditions and materials. We trained our network on real world 2D images of objects with different material properties, lighting conditions, and noisy camera initializations from the DTU MVS dataset. We found our model to produce state of the art 3D surface reconstructions with high fidelity, resolution and detail.

Recent works have partly attributed the generalization ability of over-parameterized neural networks to frequency bias -- networks trained with gradient descent on data drawn from a uniform distribution find a low frequency fit before high frequency ones. As realistic training sets are not drawn from a uniform distribution, we here use the Neural Tangent Kernel (NTK) model to explore the effect of variable density on training dynamics. Our results, which combine analytic and empirical observations, show that when learning a pure harmonic function of frequency $\kappa$, convergence at a point $\x \in \Sphere^{d-1}$ occurs in time $O(\kappa^d/p(\x))$ where $p(\x)$ denotes the local density at $\x$. Specifically, for data in $\Sphere^1$ we analytically derive the eigenfunctions of the kernel associated with the NTK for two-layer networks. We further prove convergence results for deep, fully connected networks with respect to the spectral decomposition of the NTK. Our empirical study highlights similarities and differences between deep and shallow networks in this model.

Global methods to Structure from Motion have gained popularity in recent years. A significant drawback of global methods is their sensitivity to collinear camera settings. In this paper, we introduce an analysis and algorithms for averaging bifocal tensors (essential or fundamental matrices) when either subsets or all of the camera centers are collinear. We provide a complete spectral characterization of bifocal tensors in collinear scenarios and further propose two averaging algorithms. The first algorithm uses rank constrained minimization to recover camera matrices in fully collinear settings. The second algorithm enriches the set of possibly mixed collinear and non-collinear cameras with additional, "virtual cameras," which are placed in general position, enabling the application of existing averaging methods to the enriched set of bifocal tensors. Our algorithms are shown to achieve state of the art results on various benchmarks that include autonomous car datasets and unordered image collections in both calibrated and unclibrated settings.

Assessing the effects of anthropogenic disturbances on wildlife is a necessary conservation task. The soundscape is a critical habitat component for acoustically communicating organisms, but the use of the soundscape as a tool for assessing disturbance impacts has been relatively unexplored until recently. Here we present a broad modeling framework for assessing disturbance impacts on soundscapes, which we apply to quantify the influence of a shelterwood logging on soundscapes in northern Michigan. Our modeling approach can be broadly applied to assess anthropogenic disturbance impacts on soundscapes. The approach accommodates inherent differences in control and treatment sites to improve inference about treatment effects, while also accounting for extraneous variables (e.g., rain) that influence acoustic indices. Recordings were obtained at 13 sites before and after a shelterwood logging. Four sites were in the logging region and nine sites served as control recordings outside the logging region. We quantify the soundscapes using common acoustic indices (Normalized Difference Soundscape Index (NDSI), Acoustic Entropy (H), Acoustic Complexity Index (ACI), Acoustic Evenness Index (AEI), Welch Power Spectral Density (PSD)) and build two hierarchical Bayesian models to quantify the changes in the soundscape over the study period. Our analysis reveals no long-lasting effects of the shelterwood logging on the soundscape diversity as measured by the NDSI, but analysis of H, AEI, and PSD suggest changes in the evenness of sounds across the frequency spectrum, indicating a potential shift in the avian species communicating in the soundscapes as a result of the logging. Acoustic recordings, in conjunction with this modeling framework, can deliver cost efficient assessment of disturbance impacts on the landscape and underlying biodiversity as represented through the soundscape., Comment: 25 pages, 7 figures, 7 tables

We study the relationship between the frequency of a function and the speed at which a neural network learns it. We build on recent results that show that the dynamics of overparameterized neural networks trained with gradient descent can be well approximated by a linear system. When normalized training data is uniformly distributed on a hypersphere, the eigenfunctions of this linear system are spherical harmonic functions. We derive the corresponding eigenvalues for each frequency after introducing a bias term in the model. This bias term had been omitted from the linear network model without significantly affecting previous theoretical results. However, we show theoretically and experimentally that a shallow neural network without bias cannot represent or learn simple, low frequency functions with odd frequencies. Our results lead to specific predictions of the time it will take a network to learn functions of varying frequency. These predictions match the empirical behavior of both shallow and deep networks.

Essential matrix averaging, i.e., the task of recovering camera locations and orientations in calibrated, multiview settings, is a first step in global approaches to Euclidean structure from motion. A common approach to essential matrix averaging is to separately solve for camera orientations and subsequently for camera positions. This paper presents a novel approach that solves simultaneously for both camera orientations and positions. We offer a complete characterization of the algebraic conditions that enable a unique Euclidean reconstruction of $n$ cameras from a collection of $(^n_2)$ essential matrices. We next use these conditions to formulate essential matrix averaging as a constrained optimization problem, allowing us to recover a consistent set of essential matrices given a (possibly partial) set of measured essential matrices computed independently for pairs of images. We finally use the recovered essential matrices to determine the global positions and orientations of the $n$ cameras. We test our method on common SfM datasets, demonstrating high accuracy while maintaining efficiency and robustness, compared to existing methods.

Incremental (online) structure from motion pipelines seek to recover the camera matrix associated with an image $I_n$ given $n-1$ images, $I_1,...,I_{n-1}$, whose camera matrices have already been recovered. In this paper, we introduce a novel solution to the six-point online algorithm to recover the exterior parameters associated with $I_n$. Our algorithm uses just six corresponding pairs of 2D points, extracted each from $I_n$ and from \textit{any} of the preceding $n-1$ images, allowing the recovery of the full six degrees of freedom of the $n$'th camera, and unlike common methods, does not require tracking feature points in three or more images. Our novel solution is based on constructing a Dixon resultant, yielding a solution method that is both efficient and accurate compared to existing solutions. We further use Bernstein's theorem to prove a tight bound on the number of complex solutions. Our experiments demonstrate the utility of our approach.

This paper addresses the problem of recovering projective camera matrices from collections of fundamental matrices in multiview settings. We make two main contributions. First, given ${n \choose 2}$ fundamental matrices computed for $n$ images, we provide a complete algebraic characterization in the form of conditions that are both necessary and sufficient to enabling the recovery of camera matrices. These conditions are based on arranging the fundamental matrices as blocks in a single matrix, called the $n$-view fundamental matrix, and characterizing this matrix in terms of the signs of its eigenvalues and rank structures. Secondly, we propose a concrete algorithm for projective structure-from-motion that utilizes this characterization. Given a complete or partial collection of measured fundamental matrices, our method seeks camera matrices that minimize a global algebraic error for the measured fundamental matrices. In contrast to existing methods, our optimization, without any initialization, produces a consistent set of fundamental matrices that corresponds to a unique set of cameras (up to a choice of projective frame). Our experiments indicate that our method achieves state of the art performance in both accuracy and running time.