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Wushu aesthetic education is the most typical representative of Chinese style and aesthetic education, it is a kind of interaction of body and mind experience of aesthetic education, emphasis on the body-subject of self and self cultivation. Mainly using the literature material, expert interview and logical analysis, study and exposition of the Wushu of the Shendao logic and contemporary aesthetic education. It has been found that the Shendao logic of "shi" can be divided into five stages: the foundation of "shi", the construction of "shi", the movement of "shi", the strength of "shi", and the combination of "shi". It is a process of the combination of "visible" body form and "invisible" body energy. The practice of the Shendao logic of Wushu' shi 'is divided into three dimensions: generating shi through meaning, taking shi through images, and using shi to embody dao. These dimensions point to the "ontology" of body cognition, the "dynamics" foundation between microscopes, and the "methodology" path of learning from bottom to top, respectively. To establishing a cognitive concept of synesthesia experience and transcending the difficulties of physical aesthetic education of vision; Establish a learning mode of learning by observing the subtle and solidifying the aesthetic education method of putting personal education first; Nourishing the spirit of life that nourishes pleasure and nourishes nature, and opening up the aesthetic education concept of integrating body and mind. A deep understanding and grasp of the "visible" and "invisible" the Shendao logic inherent in "shi" is a conscious aesthetic education that transcends visual perception and returns to synesthesia, and a reflection of the aesthetic education concept of physical and mental unity established through synesthesia. The research provides important theoretical and practical enlightenment for combing the deep meaning of Chinese Wushu aesthetic education. [ABSTRACT FROM AUTHOR]

Compared with the "arena culture" of modern fighting, the "competition culture" pursued by the traditional martial arts was the natural expression of its fighting. Taking the technical behavior of fighting as the logical starting point, this paper compared traditional martial arts with modern combat and interpreted the realistic concern of why traditional martial arts could not fight and how to fight. The research showed that the separation of "training" and "fighting" caused the decline of martial arts' ability to "fight". The fighting culture and arena culture had placed the modern combat into opposition. The dualistic [ABSTRACT FROM AUTHOR]

"Dao" and "Shu" are the main ways to understand the "existence" of the Chinese Wushu. They form a "body and function" relationship with body as a place of expression, which is the physical expression of "internal transcendence" in Chinese Wushu. It reflects the formation relationship of the Chinese Wushu from "Shu" to "Dao" and the ontological relationship of the Chinese Wushu from "Dao" guiding "Shu". It is manifested in the fact that the "how to do" of the Shu of body can be advanced into the law of "Dao". the "Shu" of the body can be identified in the metaphysics of "Dao", the "Shu" of Kongfu theory can reach the ontology of "Dao". the "Shu" of the skill can sublimate the nature of "Dao". This conclusion clarifies the relationship between "Dao" and "Shu" out of mysticism and irrationalism. [ABSTRACT FROM AUTHOR]

As an important part of the strategy to strengthen the nation with culture, the international communication of Chinese Wushu has made great achievements under the guidance of the goal as well as the principle of "going out". However, as to the "going out" of Chinese Wushu, "efforts" should be emphasized instead of "number of steps". In this sense, the "going out" of Chinese Wushu is incomplete and inadequate. Therefore, it is proposed that only by upgrading the concept of Chinese Wushu in international communication from "going out" to "going into", the Chinese Wushu can be led out of the predicament and realize the real "going out". In this paper, the implementing approach of "going to the truth, going to the deep,and going to the heart" is explored from the following five aspects: from the "going out"of marital arts techniques to "going into" of Chinese culture; from the "going out" of government domination to "going into" of joining hands; from the "going out"of external propaganda to "going into" of Wushu dissemination;from the "going out" of pursuing quantity to "going into" of anchoring users; from the "going out" of winning nothing to "going into" of relying on oneself; so as to implement the top-level strategic design of the country and promote China from a cultural power to a cultural superpower. [ABSTRACT FROM AUTHOR]