Search

The present study contributes to the discourse on the environmental paradigm in architecture, recognizing beauty as essential alongside community and sustainability. It examines the modern proportion-based approach within the realm of formal aesthetics, which views proportional relationships as essential for architectural form and aims to develop methods to manipulate these relationships to achieve desired aesthetic outcomes. The main objective of this study is to characterize the modern approach as a current distinct from classical theories. The research seeks to explore the unique rationales behind a systematic approach to architectural proportions and to discern how these rationales distinguish the modern approach from its classical predecessor. The research encompasses theories from the mid-19th century to the present day. Through content and comparative analysis, this study explores theories by key figures such as A. Thiersch, H.P. Berlage, Le Corbusier, H. van der Laan, J. Żórawski, J. Hale, and P. Märkli. This study reveals the modern proportional approach as a unique current that adapts classical ideas to modern sensibilities, shifting from classical cosmological symbolism to a focus on logical consistency, visual perception, and artistic expression. It maintains a dual relationship with tradition, preserving past methods while introducing new interpretations of their aesthetic function. Despite its modest impact on contemporary practice, the proportional approach is significant, emphasizing the visual quality of the built environment and pursuing timeless design principles that transcend fleeting trends, focusing on enduring aesthetic values. [ABSTRACT FROM AUTHOR]

Copyright of Architectus is the property of Oficyna Wydawnicza Politechniki Wroclawskiej and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The present text aims to outline current contemporary formal trends in housing urban planning on the examples of characteristic realizations of recent decades. The paradigm of contemporary urbanism is the sustainable urban planning. The idea is usually interpreted in the spirit of the so-called compact city. This, however, allows for a variety of formal interpretations. A characteristic feature of contemporary urban planning is the lack of doctrinal formal assumptions. The formulation of general principles is avoided, and the proposed solutions are of individual nature. The form becomes a means of artistic expression and spatial articulation rather than a carrier of a social idea. It is also a tool for positioning the complex as a product in the market game. The study covers the problems of new phenemomena such as transformations of the urban block, functional hybrids and hybrids of nature and urbanity.