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Ceramic objects account for over 90% of the cultural material recovered from archaeological sites in the Caribbean. However, little research has been conducted on molecular evidence for past food production from these same vessels. Forty ceramic sherds from Isla de Mona have been analysed by GC–MS and GC-C-IRMS in order to address questions surrounding foodways in the Greater Antilles prior to and post European arrival. We evaluate evidence for dietary changes to illuminate aspects of cultural exchange between Indigenous populations and the first generations of Spanish colonists. Here, we show that plant residues are found in a variety of pottery forms, with some evidence for non-ruminant and ruminant fats. The dearth of marine biomarkers is curious given the volume of fish bones found in archaeological contexts on Isla de Mona and may offer evidence for spit-roasting, pit-roasting, or the use of a ‘barbacoa’ to cook fish on the island. The ubiquity of plant residues in a variety of pottery forms may relate to the large-scale cultivation and export of cassava (Manihot esculenta) from the island. A Spanish olive jar revealed evidence of wine residues, which may constitute the earliest detection of wine residues in pottery found in the Americas.

Across the Caribbean and adjacent regions, systematic inventories of historical ship graffiti remain markedly incomplete. Previous studies had identified several islands in the Bahamas and Turks and Caicos associated with ship graffiti primarily within colonial period structures. We expanded the range of these preliminary inventories, recording a diverse array of ship graffiti specific to plantation era structures across seven islands in the Bahamian Archipelago, as well as the sole cave site known to harbor such imagery. Examples were also associated with Spanish colonial era fortifications in Old San Juan and found within a set of nine of the numerous caves found on Isla de Mona and two caves on the Puerto Rican mainland. Many of the nautical images encountered were previously unrecorded as they have only recently been revealed through systematic exploration and detailed site surveys, demonstrating that the phenomenon is regionally more widespread and complex than previously known. In this interregional study of ship graffiti in the Puerto Rican and Bahamian Archipelagos, we examine image distribution patterns, techniques, preservation status and historical context unique to each area, contrasting the respective Euro-colonial cultural arcs reflected in these distinctive nautical iconographies. Although each act of mark-making is historically and contextually unique, we consider what this imagery has in common, namely that the majority were produced under conditions of slavery, confinement, and/or hard labor.

Climate change impacts island communities all over the world. Sea-level rise, an increase in the frequency and intensity of severe weather events, and changes in distribution and health of marine organisms are among the most significant processes affecting island communities worldwide. On islands of the Caribbean and southwestern Indian Ocean (SWIO), however, today’s climate change impacts are magnified by historical environmental injustice and colonial legacies, which have heightened the vulnerability of human and other biotic communities. For some islands, archaeological and paleoecological research offers an important record of precolonial climate change and its interplay with human lives and landscapes. The archaeological record suggests strategies and mechanisms that can inform discussions of resilience in the face of climate change. We detail climate-related challenges facing island Caribbean and SWIO communities using archaeological and paleoecological evidence for past climate change and human response and argue that these cannot be successfully addressed without an understanding of the processes that have, over time, disrupted livelihoods, reshaped land- and seascapes, threatened intergenerational ecological knowledge transfer, and led to increased inequality and climate vulnerability.

Recent archaeological fieldwork on Isla de Mona in the Caribbean has led to the discovery of a substantial corpus of early colonial inscriptions inside the darkzone of one of the 200 cave systems on the island. Cave 18, like multiple others on Isla de Mona, was a well-established indigenous spiritual realm in the centuries leading up to European colonization. Christian symbols, individual names, written dates, and Spanish and Latin religious commentaries are located in direct association with preexisting indigenous iconography and activities. This paper applies paleographic (handwriting) analysis to establish the authenticity, authorship, and chronology of the inscriptions and to interpret the nature of this early spiritual encounter. We conclude that these sixteenth-century inscriptions represent visits to the cave by first-generation Europeans, including Spanish royal officials in Puerto Rico, and reflect their reactions to native religious landscapes. The inscriptions on Isla de Mona capture personal, face-to-face encounters with native religion and represent Christian commentaries and reactions to indigenous spaces and worldview in the early colonial period.

This study represents the first positive identification of plant gum binding media in pre-Columbian art, and the first dates from indigenous cave art in the Caribbean. Mona Island reveals an extensive and well-preserved pre-Columbian and early colonial subterranean cultural landscape with dense concentrations of newly-discovered cave art in up to 30 caves. A multi-method approach to the research of pigments and binding media, charcoal, and cave sediments was used to elucidate the technologies, chronologies and processes of indigenous art and artists. Analyses included on-site use of a portable X-ray fluorescence (P-XRF) device to inform sample selection, scanning electron microscopy with energy dispersive X-ray spectroscopy (SEM/EDX) on paint and charcoal samples, polarized light microscopy (PLM) for material characterizations, and gas chromatography - mass spectrometry (GC-MS) and X-ray diffraction (XRD) for detailed chemical analysis of paint structures and composition. In addition direct dates of cave art using radiocarbon (C14) and Uranium-thorium (U-Th) dating methods are discussed. Results demonstrate multiple centuries of cave use during indigenous occupation and multiple phases and techniques of mark-making in dark zone locations within extensive cave systems. Visitors set out on pre-meditated journeys underground, making rock art using pigments from the cave floors, which they mixed into complex paints with the addition of plant gums from outside. This study is the first of its kind in the Caribbean providing insight into native paint recipes, material choices, and mark-making techniques. The methods have scope for widespread application and advance the integration of cave art research in archaeology.

The Caribbean island of Mona, on a key Atlantic route from Europe to the Americas, was at the heart of sixteenth-century Spanish colonial projects. Communities on the island were exposed to the earliest waves of European impact during a critical period of transformation and the forging of new identities. One of many caves within an extensive subterranean world on the island was marked both by indigenous people and by the first generations of Europeans to arrive in the New World. This account of spiritual encounters provides a rare, personalised insight into intercultural religious dynamics in the early Americas.

This chapter considers the role of archaeology in creating solutions for coping with the impacts of global environmental change, illustrated by cases from Latin America. Past examples of the practical application of pre-Columbian innovations and techniques are considered, and the key themes of social practice and community engagement discussed. These principles are then applied to the islands of the Caribbean where archaeology can play an important role in accessing and illuminating pre-Columbian lifeways in the region. The comparative resilience of past and present lifeways to the hazards created by extreme weather events, precipitation variability, and sea level changes are discussed, and the role of archaeology as a means of engaging the public, stimulating discussion, and informing debate is considered.

Pillatt's research provides exactly the type of critique needed to stimulate debate surrounding the role of archaeology and history in climate studies. The perceptive micro-scale deconstruction of weather, landscape and people in early modern Mosser highlights the precarious disjuncture between the human experience of weather and the processes of climate variability. However, I am certainly a lot more optimistic and positive about the role that archaeology and history have to play in this debate and will perhaps provide a more macro-scale contribution to this particular archaeological dialogue. I would argue that the time-depth of human experience will always be essential in offering context and understanding to individual weather events and longer-term climate variability.

This paper emerges from an attempt to more actively integrate archaeology with ongoing geographical and environmental discussions of human responses to the effects of climate change in the Caribbean. If archaeology is to contribute to the mitigation strategies currently being developed, then robust interpretations are necessary that can be practically integrated with inter-disciplinary action. This paper discusses the methods needed to provide the high-resolution data and interpretations required using archaeological and palaeoenvironmental research from a case study area in northern Cuba. Using data collected from an ongoing collaborative archaeological research project with the Cuban Ministry of Science, Technology and Environment, we evaluate whether it is possible to make useful interpretations of human response to past changes in sea-level, precipitation and hurricane activity. Specifically, the effects of these activities on the changing nature of settlement locations, food procurement strategies and household architecture among pre-Columbian communities are evaluated. Indigenous mitigation strategies are identified and used to inform modern day preparation for the impacts of climate change in the Caribbean.

This is the first publication reporting systematic analytical research conducted on archaeological metals from Cuba. The main focus of the study consists of beads and small metal objects excavated at the cemetery of El Chorro de Maita, which comprises some of the richest funerary deposits so far recovered on the island. Some comparative samples from the nearby site of Alcala were also investigated, with an emphasis made on the manufacture, composition and origins of the different alloys. The resulting picture is that members of the social elite of the indigenous Taino peoples were buried with beads made of placer gold exploited locally, gold–copper–silver pendants brought from continental South America and, above all, brass lacetags from European clothing that were perceived as sacred metals. The archaeometallurgical approach offers fresh insight into the relationships between Europeans and Tainos, and the impact of colonization on the indigenous customs, values and social structures.

There is a growing interest in cultural contact between indigenous peoples and Europeans following their arrival in the New World. In this article the authors explore local responses to European arrival in Cuba, through analysis of metalwork found in indigenous graves. These studies demonstrate that the local communities valued particular metals quite differently from the Europeans, as the imported materials were incorporated into pre-existing symbolic systems relating to sacred power.