1,965 results on '"Irwin, John"'
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2. The impact of library size and scale of testing on virtual screening
3. Structure-based discovery of CFTR potentiators and inhibitors.
4. Cover
5. Scene Three
6. Act One
7. Scene One
8. Act Two
9. Title page, Copyright, Dedication
10. Chapter One: Compensating Visions in The Great Gatsby
11. Chapter Four: “An Almost Theatrical Innocence'
12. Chapter Three: The Importance of “Repose'
13. Chapter Two: Fitzgerald as a Southern Writer
14. Preface
15. Acknowledgments
16. Cover
17. Index
18. Title Page, Copyright Page
19. Chapter Five: Fitzgerald and the Mythical Method
20. Works Cited
21. Chapter Six: On the Son’s Own Terms
22. DockOpt: A Tool for Automatic Optimization of Docking Models.
23. The Pan-Canadian Chemical Library: A Mechanism to Open Academic Chemistry to High-Throughput Virtual Screening
24. Title Page, Copyright
25. Contents
26. Preface
27. § 1: The Pictorial and the Poetic; The Bridge as a Prophetic Vision of Origins
28. § 5 Counterpoint in The Bridge
29. § 3 Spengler’s Reading of Perspective as a Culture-Symbol
30. Part One: The Bridge
31. § 4 The Bridge and the Paintings in the Sistine Chapel; Moses and Jesus: Columbus and Whitman; Joseph Stella; El Greco’s Agony in the Garden; the Grail; Dionysus and Jesus
32. § 2 The Visual Structure of Prophetic Vision; a Simultaneous Glimpse Before and Behind
33. § 7 The Return to Origin; the Total Return to the Womb; the Primal Scene; Vision and Invisibility; the Dual Identification
34. § 10 Fantasies of Return to the Womb and the Primal Scene; Three Dimensions Reduced to Two as a Sign of Body Transcendence; the Triple Archetype; Goethe’s Faust; Plato’s Cave Allegory as a Sublimated Womb Fantasy; Helen as Mother; the Influence o
35. § 8 The Reversal of the Figures of Father and Mother in “Indiana'; Crane’s Dream of the Black Man by the River; Crane’s Quarrel with His Father; the Composition of “Black Tambourine
36. § 6 Foreshadowing and Lateral Foreshadowing; the Grail Quest; Eliot’s The Waste Land
37. § 13 “Three Songs'; Golden Hair; “Quaker Hill' and the Motherly Artist; the Return of the Golden Age; Astraea and Atlantis
38. § 14 Epic Predecessors: Aeneas and Dido; Survival through a Part-Object; Stellar Translation and the Golden-Haired Grain
39. § 9 Crane’s Dream of His Mother’s Trunk in the Attic
40. § 12 The Education of Henry Adams; Arnold’s “Stanzas from the Grande Chartreuse'; Wandering between Two Worlds; Seneca’s Medea; Whitman and the Rebound Seed
41. § 19 The Historical Cutty Sark; Hero and Leander; Jason and the Argo; Dante and the Argo
42. § 17 The Aeneid, Book 6, and “The Tunnel'; “Cutty Sark' and Glaucus in Ovid; Burns’s “Tam o’ Shanter'; Glaucus in Keats’s Endymion
43. § 15 The Historical Pocahontas and the Mythical Quetzalcoatl; Prescott, Spence, and D. H. Lawrence as Influences on The Bridge; Waldo Frank’s Our America and the Image of Submergence
44. § 18 Time and Eternity in “Cutty Sark'; Stamboul Rose, Atlantis Rose, and Dante’s Rose; Moby-Dick and “Cutty Sark'
45. § 11 Building the Virgin; Crane’s “To Liberty'; Lazarus’s “The New Colossus'; Helen and Psyche; Astraea and the Constellation Virgo; Demeter and Korē; the Virgin Mary and Queen Elizabeth I
46. § 22 Time and Eternity; Temporal Narrative and Spatial Configuration; the Bridge as Memory Place; “Atlantis'; One Arc Synoptic of All Times
47. § 1 “Legend,' “Black Tambourine,' “Emblems of Conduct,' “My Grandmother’s Love Letters,' “Sunday Morning Apples'
48. § 16 Nietzsche and the Return of the Old Gods; Zarathustra and Quetzalcoatl; the Eagle and the Serpent; the Dance
49. § 5 “Lachrymae Christi'
50. § 21 Constellations Continued; Panis Angelicus
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