1. 'In Extremissimus': The Dynamics of Rectification in Beckett's Malone Dies.
- Author
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Pilling, John
- Subjects
DEATH ,HUMAN body ,PROTAGONISTS (Persons) ,NARRATIVES - Abstract
An analysis of some of the key issues raised, but left unresolved, by Beckett exposing the ways the (typically concealed) notion of identity is constructed and the non-concomitant representation(s) of surrogacy which develop from it in Malone Dies. Involved in both enterprises are fabrications of artifice, themselves very much vulnerable to differential inspiration, which are set over against, but apparently complicit with, a supposedly 'natural' continuity, with both subject to the presumed proximity of death. The coda of the novel, very much a 'codetta', demonstrates how imagined fact and imagined fiction can always be revised, but can never be made to cohere. Malone Dies is throughout seen either as (a) an investigation into whether the body can ever make up its mind when the mind can only partially accommodate the intrinsic shortcomings of the body, or as (b): a demonstration that what the notes for Film think of as 'merely structural and dramatic convenience' is very much subject to the inconvenient truth that there is always some 'deep common point of divergence' to which they can never be satisfactorily reduced; or as both in more or less equal measure. [ABSTRACT FROM AUTHOR]
- Published
- 2024
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