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• “Mesmerizing.” —Town & Country • “Twisty and unsettling.” —People • “Ancient Greece meets Succession by way of Emma Cline…deliciously dark.” —Ruth Gilligan • A “superb…refreshing” (The New York Times Book Review) reimagining of the myth of Persephone and Demeter set on a lush private island, exploring themes of addiction and sex, family, independence, and who holds the power in a modern underworld.Camp counselor Cory Ansel, eighteen and aimless, afraid to face her high-strung single mother's disappointment, is no longer sure where home is when the father of one of her campers offers an alternative. The CEO of a pharmaceutical company, Rolo Picazo is wealthy, divorced, and magnetic. He is also intoxicated by Cory. When Rolo offers her a job, Cory quiets an internal warning and allows herself to be ferried to his private island. Plied with luxury and the opiates manufactured by his company, she tells herself she's in charge. Her mother, Emer, head of a teetering agricultural NGO, senses otherwise. With her daughter seemingly vanished, Emer crosses land and sea to heed a cry for help that only she can hear. Alternating between the two women's perspectives, Fruit of the Dead incorporates its mythic inspiration with a light touch and devastating precision. The result is a tale that explores love, control, obliteration, and America's late-capitalist mythos. Lyon's reinvention of Persephone and Demeter's story makes for a haunting, electric novel that readers will not soon forget.

In 1920s Central Asia, a young Russian prince becomes infatuated with a French cabaret singer, unaware of her sordid past. When he declares his love for her, it sets in motion a dramatic chain of events involving jealousy, offended honor, and an inevitable duel between the prince and his romantic rival, a Europeanized Tartar chieftain. A tragic tale of idealism, disillusionment, and fatal obsession.

“Distressingly smart, wickedly sly, and side-clutchingly hilarious.” —Vanessa Chan, author of The Storm We Made “If you want a book that perfectly evokes millennial sexual politics under late-stage capitalism, and in which all of us—gay, straight, cis, and trans alike—are read for absolute filth, then look no further than Trust and Safety.” —Rafael Frumkin, author of Confidence and BugsyA wry yet tenderhearted novel about a couple who attempt to buy their way into a “wild and precious” existence in the Hudson Valley, where they quickly become entangled with a queer couple living the dream analog life Newlywed Rosie has grown disenchanted with NYC. Inspired by Instagram ads, she starts thirsting for a rural life upstate—one full of beauty and authenticity. She just needs to convince her tech-bro husband, Jordan, of her vision for the future. Willing to do anything for Rosie's happiness, Jordan signs on, and they offer—well above asking price—on a beautiful, historic fixer-upper in the Hudson Valley. But when Jordan suddenly loses his job, the couple is forced to rent out the property's dilapidated outbuilding. There's no heat, it's overrun with mold, and nothing works. Enter Dylan and Lark: an incredibly attractive and handy queer couple who offer to rent the outbuilding and help Rosie and Jordan with repairs. They also happen to be living the life Rosie had envisioned for herself: hand-built furniture, herbal tinctures, guinea hens, and hand-dyed linens. Rosie grows increasingly infatuated with their new tenants, especially with model-esque, charismatic Dylan—to Jordan's increasing distress. Whip-smart and wickedly funny, Trust and Safety examines questions of authenticity, betrayal, belonging, and entitlement, while poking fun at contemporary fear of the “gay agenda.”

NATIONAL BESTSELLER AND CULT FAVORITENamed a Best Book of the Year by the New Yorker, Time, NPR, Vogue, Elle, Cosmopolitan, Huffington Post, NBC News, Lit Hub, theSkimm, Condé Nast Traveler, Town & Country, and more!“One of the funniest books of the last few years” (Los Angeles Times) about a sex therapist's transcriptionist and her affair with one of the patients.Greta lives with her friend Sabine in an ancient Dutch farmhouse in Hudson, New York. The house is unrenovated, uninsulated, and full of bees. Greta spends her days transcribing therapy sessions for a sex coach who calls himself Om. She becomes infatuated with his newest client, a repressed married woman she affectionately refers to as Big Swiss. One day, Greta recognizes Big Swiss's voice in town and they quickly become enmeshed. While Big Swiss is unaware Greta has eavesdropped on her most intimate exchanges, Greta has never been more herself with anyone. Her attraction to Big Swiss overrides her guilt, and she'll do anything to sustain the relationship… “A fantastic, weird-as-hell, super funny novel” (Bustle), Big Swiss is both a love story and a deft examination of infidelity, mental health, sexual stereotypes, and more—from an amazingly talented, singular voice in contemporary fiction.

Four artists are drawn into a web of rivalry and desire at an elite art school and on the streets of New York in this “gripping, provocative, and supremely entertaining” (BuzzFeed) debutNational Book Foundation 5 Under 35 Honoree • “Captures the ache-inducing quality of art and desire... a deeply relatable and profoundly enjoyable read, one drenched in prismatic color and light.”—Kristen Arnett, New York Times bestselling author of With Teeth FINALIST FOR THE MINNESOTA BOOK AWARD • ONE OF THE BEST BOOKS OF THE YEAR: Glamour, PopSugar, Debutiful It's 2011: America is in a deep recession and Occupy Wall Street is escalating. But at the elite Wrynn College of Art, students paint and sculpt in a rarefied bubble. Louisa Arceneaux is a thoughtful, observant nineteen-year-old when she transfers to Wrynn as a scholarship student, but she soon finds herself adrift in an environment that prizes novelty over beauty. Complicating matters is Louisa's unexpected attraction to her charismatic roommate, Karina Piontek, the preternaturally gifted but mercurial daughter of wealthy art collectors. Gradually, Louisa and Karina are drawn into an intense sensual and artistic relationship, one that forces them to confront their deepest desires and fears. But Karina also can't shake her fascination with Preston Utley, a senior and anti-capitalist Internet provocateur, who is publicly feuding with visiting professor and political painter Robert Berger—a once-controversial figurehead seeking to regain relevance. When Preston concocts an explosive hoax, the fates of all four artists are upended as each is unexpectedly thrust into the cutthroat New York art world. Now all must struggle to find new identities in art, in society, and among each other. In the process, they must find either their most authentic terms of life—of success, failure, and joy—or risk losing themselves altogether. With a canny, critical eye, Sirens & Muses overturns notions of class, money, art, youth, and a generation's fight to own their future.

Dear (never-been-quite-over-you) Crush,It's been a few years since we were together,but I can't stop thinking about the time we almost...Wren Roland has never been kissed, but he wants that movie-perfect ending more than anything. Feeling nostalgic on the eve of his birthday, he sends emails to all the boys he (ahem) loved before he came out. Morning brings the inevitable Oh God What Did I Do?, but he brushes that panic aside. Why stress about it? None of his could-have-beens are actually going to read the emails, much less respond. Right?Enter Derick Haverford, Wren's #1 pre-coming-out-crush and his drive-in theater's new social media intern. Everyone claims he's coasting on cinematic good looks and his father's connections, but Wren has always known there's much more to Derick than meets the eye. Too bad he doesn't feel the same way about the infamous almost-kiss that once rocked Wren's world.Whatever. Wren's no longer a closeted teenager; he can survive this. But as their hazy summer becomes consumed with a special project that may just save the struggling drive-in for good, Wren and Derick are drawn ever-closer…and maybe, finally, Wren's dream of a perfect-kiss-before-the-credits is within reach.A feel-good summer LGBTQIA+ New Adult RomCom, perfect for fans of Red White & Royal Blue, Boyfriend Material, and What If It's Us.

Named a Summer Must Read by Wall Street Journal, Elle, Harper's Bazaar, Entertainment Weekly, Glamour, Esquire, Bustle, Town & Country, Good Housekeeping, Refinery29, and more “[Hoby] might have just written the defining New York City novel of our fraught, socially anxious, and politically tumultuous times.” —Interview “Intense and addictive.” —New York TimesA powerful novel of youth, desire, and moral conflict, in which a young man is seduced by the mirage of glamour—at terrible cost.Arriving in New York City for an internship at an elite but fading magazine, Luca feels invisible: smart but not worldly, privileged but broke, and uncertain how to navigate a new era of social change. Among his peers is Zara, a young Black woman whose sharp wit and frank views on injustice create tension in the office, especially in the wake of a shock election that's irrevocably destabilized American life. In the months that follow, as the streets of New York fill with pink-hatted protesters and the magazine faces a changing of the guard, Luca is taken under the wing of an attractive and wealthy white couple—Paula, a prominent artist, and Jason, her filmmaker husband—whose lifestyle he finds both alien and alluring. With the coming of summer, Luca is swept up in the fever dream of their marriage, accepting an invitation to join the couple and their children at their beach house, and nurturing an infatuation both frustrating and dangerous. Only after he learns of a spectacular tragedy in the city he has left behind does he begin to realize the moral consequences of his allegiances. In language at once lyrical and incisive, Virtue offers a clear-eyed, unsettling story of the allure of privilege and the costs of complacency, from a writer of astonishing acuity and vision.

A young woman's escalating obsession with a seemingly perfect man leads her down a dangerous path in this “delicious and marvelously controlled” (The New York Times Book Review) novel of suspense.“Bitingly modern and totally addictive, Lindsay Cameron's suspense debut is the freshest take on stalker fiction since You.”—Andrea Bartz, New York Times bestselling author of We Were Never HereNAMED ONE OF THE BEST BOOKS OF THE YEAR BY SHE READSEyes aren't the windows to the soul. Emails are.Cassie Woodson is adrift. After suffering an epic tumble down the corporate ladder, Cassie finds the only way she can pay her bills is to take a thankless temp job reviewing correspondence for a large-scale fraud suit. The daily drudgery amplifies all that her life is lacking—love, friends, stability—and leaves her with too much time on her hands, which she spends fixating on the mistakes that brought her to this point.While sorting through a relentless deluge of emails, something catches her eye: the tender (and totally private) exchanges between a partner at the firm, Forest Watts, and his enchanting wife, Annabelle. Cassie knows she shouldn't read them. But it's just one look. And once that door opens, she finds she can't look away.Every day, twenty floors below Forest's corner office, Cassie dissects their emails from her dingy workstation. A few clicks of her mouse and she can see every adoring word they write to each other. By peeking into their apparently perfect life, Cassie finds renewed purpose and happiness, reveling in their penchant for vintage wines, morning juice presses, and lavish dinner parties thrown in their stately Westchester home. There are no secrets from her. Or so she thinks.Her admiration quickly escalates into all-out mimicry, because she wants this life more than anything. Maybe if she plays make-believe long enough, it will become real for her. But when Cassie orchestrates a “chance” meeting with Forest in the real world and sees something that throws the state of his marriage into question, the fantasy she's been carefully cultivating shatters. Suddenly, she doesn't simply admire Annabelle—she wants to take her place. And she's armed with the tools to make that happen.

A June Goodreads Must Read Romance “Relatable, funny, and charming.” —Elly Blake, New York Times bestselling author of Frostblood In life, as in gaming, there's a way around every obstacle... To pitch her new role-playing game at a European conference, developer Sierra Reid needs to overcome her terror of public speaking. What better practice than competing in a local bar's diary slam, regaling an audience with old journal entries about her completely humiliating college crush on gorgeous Tristan Spencer? Until the moderator says, “Next up, Tristan Spencer...” Sierra is mortified, but Tristan is flattered. Caught up in memories of her decade-old obsession as they reconnect, Sierra tries to dismiss her growing qualms about him. But it's not so easy to ignore her deepening friendship with Alfie, the cute, supportive bar owner. She and Alfie were college classmates too, and little by little, Sierra is starting to wonder if she's been focusing her moves on the wrong target all along, misreading every player's motivations. Maybe the only winning strategy is to start playing by her heart... “Relatable, funny, and charming, this gamingesque book delivers laughs and romance in a warm, satisfying bundle.” —Elly Blake, New York Times bestselling author of Frostblood “Sexy and delicious.” —Kristin Wright, author of Lying Beneath the Oaks

Sunaga Karin, newest member of bestselling idol group, ALiCE☆SWeeTS, is having a tough time reconciling her relationship with superstar member, Ishikawa Miki. Caught between feelings of admiration for the older girl's talents and feelings she cannot quite pin down, she finds herself stuck between how to perform her duties as a member of such a renowned idol unit and the yearning she can't quite put into words that occurs when she crosses paths with Karin.Stuck on a lonely afternoon with friend and fellow member Setsuko, Karin begins slowly to discover a new vocabulary for her feelings regarding Miki.

A Seventeen Best Book of the YearA New York Public Library Top Ten Best Book of the YearA Kirkus Best Book of the YearFor fans of All the Bright Places, Looking for Alaska, and I'll Give You the Sun comes'a daring, inventive story about love and loss and longing, reminding us that every choice can be a new chance. A dazzling, not-to-be-missed debut.'—Kathleen Glasgow, author of Girl in PiecesIn one impulsive moment the summer before they leave for college, overachievers Scarlett and David plunge into an irresistible swirl of romance, particle physics, and questionable decisions. Moving between the present and the past, this is the story of a grounded girl who's pulled into a lightning-strike romance with an electric-charged boy, and the enormity of the aftermath.Scarlett and David have known each other all their lives in small-town Colorado, where David is just another mountain in the background, until, one day, he is suddenly so much more than part of the scenery. David is magnetic, spontaneous, a gravitational force. And Scarlett, pragmatic, wry, eye on the future, welcomes the pull he has on her even as she resists it. Drawn to his wild energy, to the relief she feels in throwing off the weight of everyone's expectations, Scarlett still can't ignore the tug of her own hopes and ambitions, while David struggles between his feelings for her, which might be deeper than either of them will admit, and his own destructive impulses.Heartbreaking, hopeful, and unflinchingly honest, this is a deeply moving account of a girl dealing with grief and guilt, and learning to reconcile who she thinks she needs to be with the person she's been all along. It's an aching, transporting reminder that between the past that shapes us and the future ahead, we have only the present to forgive ourselves and forge ahead.'Deeply authentic... Marvelously complex... Readers shouldn't miss [it]'—Kirkus (starred review)'Mystery... Heartbreak... Hope... Readers will not be able to put this one down.'—SLJ'Vivid'—Seventeen.com'You'll speed read through [it]'—PopSugar'John Green-like, intelligent and peppered with witty repartee'—Booklist'A story you won't forget.'—Huntley Fitzpatrick, author of My Life Next Door'Heartbreaking, exquisitely crafted'—Estelle Laure, author of This Raging Light'A complex, compassionately written love story'—PW'A definite purchase and must read.'—VOYA

An unnamed narrator meets Caroline Spencer on four separate occasions. He is a well-travelled and sophisticated Europhile. She is a simple spinster with a passion for European culture who has saved from her earnings as a schoolteacher to finance her own version of the Grand Tour. (Google)

Ils ne viennent pas du même monde. Ils s'attirent comme des aimants. Au présent. À l'un le quotidien pèse, et l'autre apporte des réponses. La forme surprend. Les personnages n'ont pas de nom, et tout le récit est au présent. Pas de passé, pas d'imparfait. Ni futur ni conditionnel. La narration à la deuxième personne du singulier crée un effet de proximité, sinon d'intimité. Captivant par son écriture contemporaine, rythmée, précise, qui en quelques phrases nous donne à voir un monde, Planètes sait aussi nous toucher par la sensibilité sans mièvrerie qui l'anime, sa tendresse pour les déshérités et les vulnérables, son goût de la beauté, son adhésion à la vie.

“Quickly and assuredly, Jewell builds an ecosystem of countervailing suspicions…Tricky, clever, unexpected.” —New York Times Book Review “Brace yourself as Jewell stacks up the secrets, then lights a long, slow fuse.” —People “A seize-you-by-the-throat thriller and a genuinely moving family drama.” —A.J. Finn, #1 New York Times bestselling author of The Woman in the Window The instant New York Times and #1 Sunday Times bestselling author of the None of This Is True delivers another suspenseful page-turner about a shocking murder in a picturesque and well-to-do English town, perfect “for fans of Gone Girl, The Girl on the Train, and Luckiest Girl Alive” (Library Journal).You're back home after four years working abroad, new husband in tow. You're keen to find a place of your own. But for now, you're crashing in your big brother's spare room. That's when you meet the man next door. He's the head teacher at the local school. Twice your age. Extraordinarily attractive. You find yourself watching him. All the time. But you never dreamed that your innocent crush might become a deadly obsession. Or that someone is watching you. In Lisa Jewell's latest “bone-chilling suspense” (People), no one is who they seem—and everyone has something to hide. Perfect for fans of Gillian Flynn and Ruth Ware, Watching You will keep you guessing as “Jewell teases out her twisty plot at just the right pace” (Booklist, starred review) until the startling revelations on the very last page.

Anaïs et Janvier s'aiment depuis l'enfance. Ils grandissent auprès de Noëlla, la tante de Janvier. Dans la Basse-Ville de Québec, près de la rivière Saint-Charles, entourés de livres et de chansons, ils sont à l'abri de tout, sauf des coeurs nénuphars. Comme la Chloé de Boris Vian, Janvier est malade et Anaïs est terrorisée. Obsédée par la mort qui guette, elle pousse tout croche. Alors que toutes les filles de son âge font des bébés, elle écrit des romans et s'invente une histoire où son ami ne mourra pas. Quand le coeur de Janvier s'arrête de battre, qu'il n'y a plus nulle part où se protéger de l'arrachement, Anaïs s'enfuit. Des rues de Québec à la campagne française, elle fugue, rapièce son coeur, tombe amoureuse et se fait croire que tout va bien, jusqu'à ce que la musique la rattrape. Valérie Forgues écrit de la fiction et de la poésie. Formée à l'Université Laval en création littéraire et théâtre et détentrice d'une maîtrise en études littéraires, elle travaille à la bibliothèque de la Maison de la littérature. Son dernier recueil, Une robe pour la chasse, a été publié au Lézard amoureux en 2015.

2018 NATIONAL BOOK FOUNDATION'S 5 UNDER 35 HONOREEA fevered, lyrical debut about two young women drawn into an ever-intensifying friendship set against the stark, haunted landscape of the Sonoran desert and the ecstatic frenzy of New York City.Ahlam, the daughter of a Palestinian refugee and his Israeli wife, grows up in the arid lands of desert suburbia outside of Phoenix. In a stark landscape where coyotes prowl and mysterious lights occasionally pass through the nighttime sky, Ahlam's imagination reigns. She battles chronic fever dreams and isolation. When she meets her tempestuous counterpart Laura, the two fall into infatuated partnership, experimenting with drugs and sex and boys, and watching helplessly as a series of mysterious deaths claim high school classmates.The girls flee their pasts for New York City, but as their emotional bond heightens, the intensity of their lives becomes unbearable. In search of love, ecstasy, oblivion, and belonging, Ahlam and Laura's drive to outrun the ghosts of home threatens to undo them altogether.

When it comes to love, this billionaire is all business... Software mogul Christina McKenzie has loved billionaire Sebastian Blake since they were kids. So when Seattle's most famous bachelor-and perennial playboy-finally asks Christina out, her fantasies kick into overdrive. Things become hot and heavy... but what's she supposed to do when she starts to fall for him? Sebastian's never been one to settle down, and Christina doesn't want to be just another notch in his bedpost. Sebastian knows that smart, kind Christina deserves better than him. But after the mind-blowing night they just shared, he's ready to turn a sexy fling into the real deal. Keeping his freedom is one thing, yet keeping Christina in his bed-and in his life-is all Sebastian can think about...

J-Rite is 100% blackhearted. New to the city of Grand Rapids but not new to making money, she was born a straight gangster. The pint-sized exotic dancer turned street hustler is caught up in living the “Black American Hood Dream.” She has no off button or filter when it comes to getting paid. With a team of murder-minded goons ready to do nothing but win, win, win, J-Rite makes enemies of everyone, including the man she loves, all because they dare to stand in the way of her being on top.

A Guardian literary highlight A Huffington Post'One to Watch''Astounding'LENA DUNHAM, creator of Girls and author of Not That Kind of Girl'The First Bad Man brings together all of July's talents - it's a book that must be read, a book that must be purchased - in duplicate - one for you, one for a friend. Don't think you can loan this book - you'll never get it back'A. M. HOMES, author of This Book Will Save Your Life and May We Be ForgivenThe first novel by the filmmaker, artist and bestselling author Miranda July confirms her as a spectacularly original, iconic, and important voice today, and a writer for all time. The First Bad Man is dazzling and unforgettable.

Dodo Classics brings you another classic from Henry James, ‘Four Meetings.'My relative, as it proved, was not sufficiently restored to leave the place by the afternoon train; so that as the autumn dusk began to fall I found myself at liberty to call at the establishment named to me by my friends. I must confess that I had spent much of the interval in wondering what the disagreeable thing was that the less attractive of these had been telling the other. Henry James, OM, son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting. James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism,and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.

In the Amish town of Sugarcreek, love comes in many forms. But will it come at all for Miriam?Miriam Zehr has worked at the Sugarcreek Inn longer than she cares to admit. The restaurant is a favorite of town residents as well as the many tourists who come to taste the famous Amish fare. Though she always tries to have a smile for every customer, deep down Miriam knows something's missing: a family of her own.Miriam has never felt particularly beautiful, especially because she's always been a bit heavier than other girls her age. When Junior, the man she's pined for all her life, suddenly seeks her out, she's thrilled to be noticed... until she realizes he's only asking her to help get the attention of Mary Kathryn Hershberger, her pretty friend. If Miriam helps Junior court Mary Kathryn, she'll get to spend a lot of time with him, but she might lose him in the process. Are these few stolen moments worth a lifetime of sacrifice? Is Miriam right to even hope for the life she dreams of?

Sometimes, it's not the lingering relationships that stick in our memories, but rather the brief, fleeting encounters. In the brilliant short story'Four Meetings,'literary master Henry James explores an intense infatuation that ran its entire course in only four meetings.

In Paul Binding's'After Brock', Pete, a talented and intelligent schoolboy, though an outsider in both home and school life, enters and wins a quiz show'High Flyers'a name that is to resonate throughout the rest of his life. One December night after watching his mother perform in the Mikado with a local amateur dramati society he meets Sam, an attractive and flamboyant boy, somewhat of a misfit with whom his infatuation is instant. They begin a tempestuous friendship seeking a world removed from the difficulties of home life: Sam's alcoholic mother and Pete's frayed relationship with his unappreciative family. They confide in each other with almost everything. They become obsessed with UFO's and otherworldly phenomena, inseparable until one day they embark on a journey sparked by a sighting of something deep in the Berwyn mountains but this event leads to a terrible betrayal. Thirty-five years later Pete's own son, Nat, disappears and is found in that very same place. A scrupulous journalist appears and, suspecting foul play, is determined to find out what led Nat there and why

Some people can make being bad seem so very good. Lee Hayes, the critically acclaimed author of Passion Marks, A Deeper Blue, and The Messiah, returns with a delightfully wicked spin on what constitutes a “bad seed.”The wildly entertaining duo of novellas are sure to intrigue and titillate readers with their exploration of risqué themes. “I Guess That's Why They Call It The Blues” is about a cosmetically beautiful but emotionally damaged young man who marries a wealthy older man to go from rags to riches. After beginning an illicit affair with his husband's attorney, he decides that he would rather enjoy the amenities of limitless money minus the husband. He will stop at nothing to see his husband six feet under so that he can dance on his grave, toasting with expensive champagne. In “Crazy in Love,” a hyper-sexual seventeen-year-old high school boy develops a fatalistic crush on his reclusive high school English teacher. When the teacher rebuffs the boy's advances, all hell breaks loose—and the upstanding teacher's life is put on the line. Hell hath no fury.

Un libro sobre el estado de enamoramiento, que parece justificar todas las cosas. Mejor libro del año 2011 según Babelia. «La última vez que vi a Miguel Desvern o Deverne fue también la última que lo vio su mujer, Luisa, lo cual no dejó de ser extraño y quizá injusto, ya que ella era eso, su mujer, y yo era en cambio una desconocida...» Así comienza Los enamoramientos, la nueva novela de Javier Marías, consagrado como uno de los mejores novelistas contemporáneos. María Dolz, la narradora y protagonista, sólo supo su nombre «cuando apareció su foto en el periódico, apuñalado y medio descamisado y a punto de convertirse en un muerto: lo último de lo que se debió de dar cuenta fue de que lo acuchillaban por confusión y sin causa». Con una prosa profunda y cautivadora, esta novela reflexiona sobre el estado de enamoramiento, considerado casi universalmente como algo positivo e incluso redentor a veces, tanto que parece justificar casi todas las cosas: las acciones nobles y desinteresadas, pero también los mayores desmanes y ruindades. Los enamoramientos es también un libro sobre la impunidad y sobre la horrible fuerza de los hechos; sobre la inconveniencia de que los muertos pudieran volver, por mucho que se los haya llorado y que en apariencia nada se deseara tanto como su regreso, o al menos que siguieran vivos; también sobre la imposibilidad de saber nunca la verdad cabalmente, ni siquiera la de nuestro pensamiento, oscilante y variable siempre. La crítica ha dicho: «Sea lo que sea que creamos que vaya a suceder mientras leemos, estamos eligiendo pasar tiempo en compañía de un autor. En el caso de Javier Marías, se trata de una buena decisión; su mente es profunda, aguda, a veces chocante, a veces hilarante, y siempre inteligente... Macbeth nos recuerda que Shakespeare no trazaba distinciones fastidiosas entre misterios sobre asesinatos y alta literatura, y no hay razón para queMarías tampoco lo haga... Tiene una empatía penetrante... Para sus seguidores habituales, Los enamoramientos será otro feliz desembarco de Marías; para el nuevo lector es tan buen punto de partida como cualquier otro de sus libros.» Edward St. Aubyn, New York Times Book Review (portada) «La primera parte de Los enamoramientos comprende la meditación más madura sobre la muerte de toda la obra de Marías. El autor encuentra la vozideal -distanciada, inquisitiva y vigilante- para una de sus mejores novelas.» Michael LaPointe, Los Angeles Review of Books «Es fácil entender por qué el nombre de Javier Marías se menciona a menudo en las discusiones sobre los potenciales ganadores del Premio Nobel de Literatura, ya que Los enamoramientos aborda temas que atacan al corazón mismo de la condición humana. Marías entrelaza argumentos filosóficos, literatura clásica y conversaciones tanto reales como imaginadas, que dan forma a una caleidoscópica obra de arte. Un libro para ser saboreado, discutido y releído.» Laura Farmer, Iowa Gazette