1. Compor de ouvido: processos colaborativos e escuta engajada em Luigi Nono.
- Author
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Hiroki Kozu, Fernando and de Almeida Ribeiro, Felipe
- Subjects
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MORINDA citrifolia , *COMPUTER music , *HUMAN voice , *MUSICAL composition , *MUSICAL performance , *PLAYS on words - Abstract
In this paper, we approach some of Luigi Nono's creative processes as a way of "composing by ear", or "com-posição" (wordplay in Portuguese: to compose at the same time to position oneself, politically speaking) as a reciprocal positioning regarding the other, based on an open and engaged listening process. In addition, we stress the composer's interest in experimentation with text, voice, and space, in the creative-collaborative process with performers and technicians, and experimentation inside the electroacoustic studio. We highlight a few important remarks found in his writings and how his ideas came to fruition in his compositions, in particular in the works "A floresta é jovem e cheia de vida" (1965-66) and "A Pierre. Dell'azzurro silenzio, inquietum" (1985). We understand that for Nono the composition process associated with the listening process - the idea of "composing by ear" - became a vital characteristic in his late period - especially in his mixed works -, because it allows the emergence of unpredictable and unfamiliar sonic results. [ABSTRACT FROM AUTHOR]
- Published
- 2021
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