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In The Inklings, the Victorians, and the Moderns, the author examines the dynamics of a small group of twentieth-century traditionalists who reacted in opposition to the spirit of the intellectual movements of the modern age. In particular, he draws on the Inklings (e.g., C.S. Lewis, J.R.R. Tolkien), Christian humanists such as G.K Chesterton, and other proponents of the Great Books and classical liberal learning to outline a position that eschewed reactionary rejections of modern thought, but sought to transcend its perceived limitations by asserting the continued value of myth, religion, liberal education, and ancient texts. They were more than instigators and wished to reconcile and translate conservative traditional ideas within a progressive modern scientific context. The author magnifies the intellectual trends in modern Western thought in the twentieth-century and provides the historical context for the resistance to the prominent and convincing tenets of modernity. Given the myriad responses, he focuses on a more conservative response to reductive definitions born out of well-intentioned progressivism. The author approaches the subject matter from an historical perspective, but utilizes an interdisciplinary discourse to create a multi-dimensional explanation of the intellectual atmosphere of the twentieth-century.

How did five twentieth-century British authors, C. S. Lewis, J. R. R. Tolkien, Charles Williams, Owen Barfield, and Dorothy L. Sayers, along with their mentors George MacDonald and G. K. Chesterton, come to contribute more to the intellect and imagination of millions than many of their literary contemporaries put together? How do their achievements continue to inform and potentially transform us in the twenty-first century? In this first collection of its kind, addressing the entire famous group of seven authors, the twenty-seven chapters in The Inklings and Culture explore the legacy of their diverse literary art—inspired by the Christian faith—art that continues to speak hope into a hurting and deeply divided world.

This book argues that the fantasy fiction rooted in J. R. R. Tolkien's concept of Fa?rie, as represented by the fantasy works of the Inklings and of U. K. Le Guin, has certain psychotherapeutic properties. Fa?rie's generic ‘ethos'seems to draw on ‘moral imagination'and on logos (meaning and word), which informs its secondary worlds and encourages a search for an unconditional sense of life, against the postmodern neo-nihilistic aporia. The book postulates an applicability of logotherapy (‘therapy through meaning', developed after WW2 by Victor Frankl,) to the workings of Fa?rie, whose bibliotherapeutic potential rests on its generic marks, identified by Tolkien as Fantasy, Recovery, Escape (breaking free from incarcerating meaninglessness), Consolation, and (cathartic) Eucatastrophe.

The battle between good and evil—in both the seen and unseen worlds—was as clearly at play in the era of C. S. Lewis and his friends in the Oxford literary group, the Inklings, as in our own era. Some of the members of the Inklings carried physical and psychological scars from World War I which led them to deeply consider the problem of evil during the dark era of World War II. Were they alive today, their view of a spiritual conflict behind physical battles would undoubtedly be reinforced. Among the Inklings, Lewis was at the forefront of writing on human pain, suffering, devilry, miracles and the supernatural, with books like The Screwtape Letters and more. It is no surprise, then, that he provides the main focus of this book by expert Inklings writer Colin Duriez. J. R. R. Tolkien's The Lord of the Rings trilogy offers another rich resource with much to say to the World War II era and beyond. Other Inklings writings and conversations come into play as well as Duriez explores the writers'considerations of evil and spiritual warfare, particularly focused in the context of wartime.Delving into the interplay between good and evil, these pages enlighten us to the way of goodness and the promise of a far country as we explore the way out of the shadow of evil.

This is a unique collection of two of the Inklings and their literary associates'views on the negative impacts of technology in various areas of life and the resolution of these impacts through fellowship with others and faith in the Creator. Some of these essays offer suggestions on how ensnarement by social media and surrender to modern technology can be countered by surrender to God. Other essays also demonstrate how the significant literary craft of these authors can enchant readers and invite them into fairylands from which they return empowered and with a keener spiritual vision to tackle universal and present concerns.

The Oxford Inklings tells the story of the friendships, mutual influence, and common purpose of the Inklings - the literary circle which congregated around C.S. Lewis and J.R.R. Tolkien.Meeting in pubs or Lewis's college rooms, they included an influential array of literary figures. They were, claimed poet and novelist John Wain, bent on'the task of redirecting the whole current of contemporary art and life'.Tolkien and Lewis expert Colin Duriez unpacks the Inklings'origins, relationships, and the nature of their collaboration. He shows how they influenced, encouraged, and moulded each other. Duriez also covers the less celebrated Inklings, neglected, he claims, for too long. What did they owe - and offer - to the more acknowledged names? What brought them together? And what, eventually, drove them apart from their initial focus upon each other's writings?

This volume offers essays on a variety of aspects of the inter-related topics of “hiddenness” and “discovery”: literary, biographical, philosophical, and source study. The Inklings that are examined in this anthology are C. S. Lewis, J. R. R. Tolkien, and Owen Barfield, with two of their literary predecessors and influences that are included under the term “Inklings” in this anthology: G. K. Chesterton and George MacDonald. Readers will find new territory for further exploration of C. S. Lewis and the Inklings in the areas of 1) creative collaboration among the Inklings; 2) genres (for example, the penny dreadful, Christian liturgical poetry); 3) literary influences (H. G. Wells, Dante); 4) linguistics (Tolkien's “web of words”); and 5) the convergence of literature and theology. Other areas, which readers would find interesting, are medieval cosmology, classical mythology and Nordic mythology in Lewis's and Tolkien's works (the pagan mythology of the Greeks and Romans, and the Nordic myth of Ragnarök). Consequently, Lewis's A Discarded Image was studied by several contributors to substantiate his knowledge on the medieval cosmos.

Oxford's fabled streets echo with the names of such key figures in English history as Edmund Halley, John Wycliffe, and John and Charles Wesley. Of more recent times are those of C. S. Lewis, J. R. R. Tolkien, and the other members of the renowned literary circle to which they belonged, the Inklings. What would it be like to walk this medieval city's narrow lanes in the company of such giants of Christian literature, to visit Magdalen College, where Lewis and Tolkien read aloud their works-in-progress to their friends, or the Eagle and Child pub, the Inklings'favorite gathering place? The lavish photography of this book will introduce you to the fascinating world of the Inklings, matching their words to the places where these friends discussed—and argued over—theology, philosophy, ancient Norse myth, and Old Icelandic, while writing stories that were to become classics of the faith. The Inklings of Oxford will deepen your knowledge of and appreciation for this unique set of personalities. The book also features a helpful map section for taking walking tours of Oxford University and its environs.

Representing a decade of scholarly activity within the C. S. Lewis & Inklings Society (CSLIS), this book challenges readers to examine the complex factors that shaped the theological perspectives, cultural concerns, and literary conventions in the works of the Oxford Inklings. The mythopoeic fiction that Lewis, Tolkien, Williams, and their associates enjoyed and composed put mortal humanity in contact with the immortal and the divine. The selection of papers in this volume, intended not only for experts but also for undergraduates and general readers, includes keynote presentations by Joe R. Christopher, Rolland Hein, Kerry Dearborn, David Neuhouser, and Thomas Howard that explore the Inklings legacy of moral mythopoeia, as well as essays that analyze works like Screwtape (Tom Shippey), The Magician s Nephew (Salwa Khoddam), The Silmarillion (Jason Fisher), The Lord of the Rings (David Oberhelman) and The Dark Tower (Jonathan B. Himes). The Inklings believed there was still power in the old myths, and ultimately that there was still truth to fortify humanity in them. Their friendship and their fiction provided these men a forum for entertaining speculative and sometimes unorthodox answers to the complex realities of sacred tradition.