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Copyright of Flora Montibérica is the property of Flora Montiberica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Recovering minority olive tree varieties helps preserve genetic diversity and contributes to sustainable agriculture practices. The International Olive Council has recognized the importance of conserving olive tree genetic resources and the European Union's Horizon Europe program has identified the preservation of crop diversity as a priority for sustainable food systems. In the work presented herein, old olive groves in the province of Huesca (NE Spain), managed according to the traditional model, were surveyed, sampled, and analyzed using molecular characterization techniques (based on EST-SNPs markers). Twenty-nine new varieties were identified and deposited in IFAPA's World Germplasm Bank of Olive Varieties. In the first step towards their valorization, eight single-varietal oils from Alto Aragon varieties were produced and characterized, and their organoleptic properties were evaluated, paving the way for the production of differentiated quality oils. Furthermore, ancient olive trees were selected and 3D scanned to promote their protection as singular or monumental trees and for oleo-tourism purposes. The reported findings highlight the rich olive-growing heritage of this northernmost frontier of olive tree cultivation in Spain. [ABSTRACT FROM AUTHOR]

Recovering minority olive tree varieties helps preserve genetic diversity and contributes to sustainable agriculture practices. The International Olive Council has recognized the importance of conserving olive tree genetic resources and the European Union’s Horizon Europe program has identified the preservation of crop diversity as a priority for sustainable food systems. In the work presented herein, old olive groves in the province of Huesca (NE Spain), managed according to the traditional model, were surveyed, sampled, and analyzed using molecular characterization techniques (based on EST-SNPs markers). Twenty-nine new varieties were identified and deposited in IFAPA’s World Germplasm Bank of Olive Varieties. In the first step towards their valorization, eight single-varietal oils from Alto Aragon varieties were produced and characterized, and their organoleptic properties were evaluated, paving the way for the production of differentiated quality oils. Furthermore, ancient olive trees were selected and 3D scanned to promote their protection as singular or monumental trees and for oleo-tourism purposes. The reported findings highlight the rich olive-growing heritage of this northernmost frontier of olive tree cultivation in Spain.

Our dataset contains the scans of 278 paper prints of contacts from a photogrammetric flight of 1972, plus a diagram for the relative location of each of the photograms. The paper prints served three years later, i.e. in 1975, for studying the soils of an irrigated district. The entire flight covered about 705 km2, in the semiarid Central Ebro Basin, at the province of Huesca, Spain. The flight encompasses the 359 km2-irrigated district fed by the sections 2nd and 3rd of the first part of the Canal of Monegros, plus the westward conterminous non-irrigated lands until the border with the province of Zaragoza (Fig. 1). The Spanish Ministry of Agriculture throughout its now extinct branch Institute for Agrarian Reform and Development, i.e. IRYDA by its Spanish acronym, contracted a consulting company to produce a report [1] about the location of saline and non-saline soils of the district in 1975. The soil surveyors used the paper prints for preparing the report and marked some of the prints with color wax-pencil. Most of these marks locate the sampled sites but also appear geographical names, schematic highlights of some terrain features, and mentions to ongoing land levelling or similar works.

Copyright of Flora Montibérica is the property of Flora Montiberica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Flora Montibérica is the property of Flora Montiberica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Semi-articulated paguroids are rare fossils, and there are only few records from Cenozoic strata. Here we present a new and exceptionally preserved hermit crab (Diogenidae) from the Eocene of Huesca (Spain) that preserves the anterior part of the carapace, together with appendages. Diogenes augustinus sp. nov. represents one of most completely preserved hermit crabs known to date, providing crucial information to understand the evolution of the family Diogenidae. It is characterized by poorly marked regions of shield, absence of Y-line and markedly unequal and robust chelipeds. The specimen is preserved out of its host shell suggesting rapid burial in siliciclastic strata of a prodeltaic environment.

Copyright of Flora Montibérica is the property of Flora Montiberica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Flora Montibérica is the property of Flora Montiberica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Flora Montibérica is the property of Flora Montiberica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de la Asociacion Aragonesa de Criticos de Arte is the property of Asociacion Aragonesa de Criticos de Arte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de la Asociacion Aragonesa de Criticos de Arte is the property of Asociacion Aragonesa de Criticos de Arte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

En el transcurso del siglo XIII, los gobiernos urbanos de la Corona de Aragón mostraron una preocupación creciente por reforzar su recién adquirida autoridad. Una de las soluciones, aunque no la única, fue adoptar atributos religiosos que dotasen al conjunto de sus habitantes de un foco de identidad colectiva en un fenómeno que la historiografía ha denominado religión cívica. El objeto de este trabajo es analizar, a través de un estudio de caso, un aspecto concreto de esta dinámica: la incorporación de un santo patrón que representara a la ciudad y dotara de cohesión interna a una comunidad urbana diversa. En concreto, trataré de reconstruir el proceso de captación del santo Lorenzo por parte del concejo de la ciudad de Huesca y establecer una comparativa con procedimientos similares y coetáneos en otras ciudades de la Corona.

Copyright of Revista General de Información y Documentación is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El Museo de Huesca es una institución científica y cultural que conserva, expone, investiga y difunde las colecciones que custodia del patrimonio arqueológico y artístico de Huesca y su provincia. De titularidad estatal, dependiente del Ministerio de Educación, Cultura y Deporte, y gestión transferida a la Comunidad Autónoma de Aragón, es la cabeza visible de la política museística del Gobierno de Aragón en la provincia. Institución con vocación de permanencia y de apertura pública de sus colecciones, que difunde el patrimonio de la provincia a través de la exposición de sus bienes, mediante actividades didácticas y trasladando sus fondos, noticias y novedades a su página web. Sus principales objetivos son: ser un centro de referencia de la cultura de Huesca y su provincia, haciéndola llegar de forma accesible y transparente a todo el público desde el principio de la universalidad de la cultura. Asimismo, pretende ser un centro eficaz en la conservación del patrimonio material que acoge, para estar abierto a los investigadores y a la sociedad en general.

This article offers a review of the main contributions to fieldwork, documentation and other related topics on the Huesca’s oral tradition, from the earliest attested examples to the present.

En el presente artículo, tras la realización de la contextualización, se expone el caso del batallón infantil oscense, dando a conocer su origen así como a sus artífices. Del mismo modo, se incide en las actividades realizadas por estos grupos escolares, centrándonos especialmente en la actividad físico-corporal y en la expresión musical. A través de este estudio, se ha podido constatar que, a pesar de su corta existencia, el batallón infantil de Huesca estuvo imbuido en la vida cultural de la ciudad, formando parte de un contexto educativo y social similar al resto de España.

(ES) En el presente artículo, tras la realización de la contextualización, se expone el caso del batallón infantil oscense, dando a conocer su origen así como a sus artífices. Del mismo modo, se incide en las actividades realizadas por estos grupos escolares, centrándonos especialmente en la activi-dad físico-corporal y en la expresión musical. A través de este estudio, se ha podido constatar que, a pesar de su corta existencia, el batallón infantil de Huesca estuvo imbuido en la vida cultural de la ciudad, formando parte de un contexto educativo y social similar al resto de España. (EN) This article, after a contextualization, presents the case of the infantile battalion in Huesca, dis-closing its origin as well as its architects. In the same way, it underscores the activities performed by these school groups, especially focusing on the physical-corporal activities and the musical expression. Through this study, it has been proved that, despite its short lifetime, the infantile battalion of Huesca was imbued with the cultural life of the city, taking part in a similar social and educational context to the rest of Spain.

Copyright of Flora Montibérica is the property of Flora Montiberica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

En este trabajo se continúa con la revisión taxonómica de las especies recolectadas durante la campaña de 2015 en el Parque Nacional de Ordesa y Monte Perdido. Se añaden al catálogo previo 409 taxones, algunos de ellos de ecología alpina-subalpina, de los cuales el 76% corresponde al phylum Basidiomycota y el 22,2% al Ascomycota. Se presentan en forma de listado, y a continuación una selección de 20 descripciones taxonómicas completas, que corresponden con especies interesantes, poco frecuentes y posiblemente nuevas en el territorio peninsular. De las especies estudiadas se han encontrado seis que han sido propuestas para el inventario de especies protegidas de la península ibérica y/o Aragón. Se presenta en este trabajo una primera aproximación, a modo de punta de lanza para evaluaciones posteriores, del grado de conservación de algunos hayedos del Parque a través de la ocurrencia de especies indicadoras.

Copyright of SHILAP Revista de Lepidopterologia is the property of Sociedad Hispano-Luso-Americana de Lepidopterologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Investigación sobre Flamenco is the property of Servicio de Publicaciones de la Universidad de Murcia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Se realiza una revisión taxonómica de las especies fúngicas recolectadas a lo largo del año 2014 en el Parque Nacional de Ordesa y Monte Perdido con la finalidad de contribuir al conocimiento de la biodiversidad, clasificándolas en tres niveles: a) especies nuevas o de muy especial interés, b) especies interesantes o poco frecuentes, y c) resto de especies. Dada la amplitud del territorio estudiado, las zonas de prospección se han limitado a las cuencas de los ríos Ara, Arazas, Bellós, Yaga y Cinca. Se determinaron 311 taxones, correspondiendo 240 al Phyllum Basidiomycota, 61 a Ascomycota y 10 a Myxomycota; los órdenes más representativos son Agaricales, Russulales, Pezizales, Polyporales, Boletales y Helotiales. Entre las especies determinadas se han encontrado 9 entre las propuestas para el catálogo de especies protegidas de la Península Ibérica y/o de Aragón. En el presente trabajo se presenta una primera aportación al catálogo, en primer lugar en forma de listado de todos los taxones determinados y a continuación una descripción taxonómica con su iconografía macro y microscópica de 16 de ellos, que corresponden a especies interesantes o poco frecuentes.

Copyright of Tradition Oral Literature / Boletín de Literatura Oral is the property of Boletin de Literatura Oral and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article offers a preliminary outline of the findings emerging from the research programme on Berber settlement in the Upper March of al-Andalus (8th-12th centuries). It also reports on the status of the research into this subject and finally proposes a number of lines for future research. We should note that the data yielded by written sources and toponymics have already furnished more information than had been expected.

El Festival Internacional de Cine de Huesca, a lo largo de sus casi cuarenta años de historia, ha dedicado un papel importante a la animación. Durante quince ediciones el festival contó con un premio, el Danzante de plata, otorgado al mejor cortometraje de animación. A partir de 1997, la animación pasó a integrarse en el conjunto de la producción de cortometrajes, comenzando a competir con la totalidad de lenguajes cinematográficos. Además, el evento oscense ha configurado diversos homenajes y retrospectivas, así como publicaciones a importantes figuras dentro del panorama de la animación internacional. Una reflexión sobrevuela el artículo: ¿Qué papel juega la animación dentro de un festival dedicado al cortometraje en su conjunto?