Search

Wine markets have supported regional cultures and international alliances for centuries. Renaissance diplomatic and dramatic language refers to French markets, not economies, extending globally from Bordeaux to the Far East. Yet Shakespeare invents our representation of the global economy’s illgotten gains and predatory speculation in wine (and other) markets. Prince Hal leverages the very wine market that he derides obsessively into a narrative of sin and redemption. Hal consummates his narrative by rejecting Falstaff, whom he identifies as an earthly Bacchus. But Burgundy’s pragmatic representation of the excellence of viniculture in Henry V fits the paradigm of sustainable marketplaces in part because the symbolism of fine wine is universally esteemed. Today’s economic crisis proves that the quasi-Hegelian idea of an ethical economy cannot be attained through financial interdependence alone. Moreover, it validates the Renaissance narrative that responsible wine markets improve with age. Los mercados vinícolas han apoyado las culturas regionales y las alianzas internacionales durante siglos. El lenguaje diplomático y teatral del Renacimiento hace alusión a los mercados franceses y no a las economías, expandiéndose globalmente desde Burdeos hasta el Lejano Oriente. Es Shakespeare quien inaugura las representaciones de la especulación depredadora y las ganancias ilícitas en la economía global a través de los mercados vinícolas (y otros). El príncipe Hal provoca el endeudamiento del mercado vinícola que él mismo ridiculiza obsesivamente por medio de narrativas ancladas en el pecado y la redención, así como con su relato rechazando a Falstaff, al que identifica con un mundano Baco. Sin embargo, la representación pragmática que Borgoña hace sobre la excelencia de la viticultura en Enrique V se corresponde con el paradigma de los mercados sostenibles, en parte debido al simbolismo de que un buen vino es valorado universalmente. La crisis económica actual pone de manifiesto la idea cuasi hegeliana de que no se puede conseguir una economía ética únicamente por medio de la interdependencia financiera, e incluso valida la narrativa renacentista de que los mercados vinícolas responsables mejoran con la edad.

The article reviews several books, including "Heidegger & the Question of Psychology: Zollikon & Beyond," by Mark Letteri, "The Sarkozy Phenomenon," by Nick Hewlett and "Genres of Modernity: Contemporary Indian Novels in English," by Dirk Wiemann. 16 6 811 65523802; J1: European Legacy

George Smiley ve Pug Henry yüzyıl ortası Anglo-Amerikan ittifakı için casusluk yaptıklarından onları egemen devletlerin temsilcileri olarak göz ardı etmek çok kolay olurdu. Ancak bu iki karakter sır dolu bürokratik bir kütle içinde kendilerini marjinalleşmiş hissederler. Söylemeye bile gerek yok, daha az güçlü uluslar, tanım gereği, iktidarda olanların elde ettiği kazançların daha da uzağında kalırlar. Bununla birlikte John Le Carre ve Herman Wouk'un betimledikleri bürokratik marjinalizasyon benzer kurumsal çerçeveleri ve anomalileri kaçınılmaz olarak benimseyecek olan yeni yetme ülkelere örnek oluşturur. Küreselleşme ve teknolojinin egemenliğinde ki çağımızda casus romanlarının Soğuk Savaş dönemi entrikalı üslup ögeleri değişecektir. Uluslararası iktisat ve anlık enformasyon akışı çağında, casusluğun romanda temsili için akıl, tutku ve açıklık gizli dünyada bile iyi ve yeterli birer araç olarak kalacaktır., George Smiley and Pug Henry engage in espionage for the mid-century Anglo-American alliance, so it would be easy to dismiss them as mere representatives of dominant political states. Yet these two characters feel marginalized within a secretive bureaucratic colossus. Of course, it goes without saying that members of less powerful nations are by definition even further removed from the benefits accruing to those in power. Stili, the bureaucratic marginalization that John Le Carre and Herman Wouk describe serves as an example newly emerging countries, some of whom will inevitably adopt similar institutional frameworks and anomalies. Elements Of Cold War cloak-and-dagger style in the spy novel will change given our new era of globalizatıon and technology. Reason, compassion, and openness even in the secret world will be a good and sufficient means far the novel to represent espionage in an age of international economics and instantaneous information flows. lf we agree with Derrida that any ethical debate can open up a deep, multi-layered philosophical inquiry, complex characters like Pug and Smiley can shape spy novels to come, even if such works remain primarily intended for entertainment