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In 2019, Diné artist Bean (Jolene) Nenibah Yazzie and their partner, poet and Tribal health advocate Hannabah Blue (also Diné), decided to get married. Desiring a traditional Diné ceremony, they sought a medicine person who would conduct a marriage ceremony. They struggled to find one, instead experiencing the homophobic and misogynistic ramifications of settler colonialism that continue to echo in their community. As in many Indigenous cultures, pre-invasion Diné customs considered women to be powerful leaders and protectors of their communities, and these customs simultaneously accepted and even celebrated gender variance beyond the cisgender male-female binary. But with colonization came the imposition of reductive gender roles drained of both respect for women and recognition of non-binary identities. [ABSTRACT FROM AUTHOR]

The article reviews the art exhibition titled "Make for High Ground" by Jamie Robertson at the Alabama Contemporary Art Center in Mobile, Alabama from May 12 to July 15, 2023.

The article reviews the exhibition "Taking Space: Contemporary Women Artists and the Politics of Scale" at the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennsylvania from January 21-September 5, 2021.