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This composite of all 119 maps of North and South America was created by georeferencing the maps individually in a Polyconic projection with the central meridian at 88.5 degrees west. Then all the maps were trimmed beyond their neat lines and joined. Relief shown pictorially; depths by soundings. Prime meridian: Paris., This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

This composite of all 43 maps of South America was created by georeferencing the maps individually in a Polyconic projection with the central meridian at 88.5 degrees west. Then all the maps were trimmed beyond their neat lines and joined. Relief shown pictorially; depths by soundings. Prime meridian: Paris., This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

This composite of all 76 maps of North America was created by georeferencing the maps individually in a Polyconic projection with the central meridian at 88.5 degrees west. Then all the maps were trimmed beyond their neat lines and joined. Relief shown pictorially; depths by soundings. Prime meridian: Paris. Covers North America., These maps comprise volume 5 of Vandermaelen's Atlas Universel, here issued as separate, unbound sheets. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by pictorially. Prime meridian: Paris. Covers parts of Guinea-Bissau, Guinea, Sierra Leone and Liberia. Irregularly shaped., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by pictorially; depths by soundings. Prime meridian: Paris. Covers parts of Sudan, Ethiopia and Eritrea., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

This is an earlier variant edition of our 2212.244. Substantial changes to the topography. Hand col. lithographed map. Relief shown by hachures. Shows Indians tribes with populations, Lewis and Clarke's route, etc. Covers parts of Idaho, Montana and Wyoming., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., Wheat, C.I. Mapping the transmississippi West, 378.

This is a variant and likely much earlier edition than our 2212.252. Substantial changes in the topography and a profile replaces the note. Hand col. lithographed map. Relief shown by hachures. Shows Indian tribes. Covers parts of Utah, Colorado and northern Arizona and New Mexico. Includes text: Note sur le Mexique. ... pour la suite de la note voir la carte no. 30. (Regidee par A. Delavault), These maps comprise volume 5 of Vandermaelen's Atlas Universel, here issued as separate, unbound sheets. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., Wheat, C.I. Mapping the transmississippi West, 378; Moffat, R.M. Printed maps of Utah to 1900, 3.

This is a variant edition - see our 2212.251. Hand col. lithographed map. Relief shown by hachures. Shows Indian tribes, Vancouver's route, etc. Covers parts of southern Nevada, Southern California, Arizona, Baja California Norte and Sonora. Includes text: Vielle Californie., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

This is an variant edition of our 1827 copy, 2212.273. The map itself appears to be unchanged from the 1827 issue, but the imprint under the neat line adds several attributions not present on our 1827 copy. Hand col. lithographed map. Relief shown by hachures. Covers also the Cayman Islands and parts of Jamaica and the Bahamas. Includes text: Ile de Cuba., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., Cueto, E. Cuba in old maps, 67.

Hand col. lithographed map. Relief shown by hachures. Prime meridian: Paris. Includes text: Note sur les iles des Navigateurs., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Covers northwestern Colombia and part of Panama. Gives populations of settlements., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 2, p. 89.

Hand col. lithographed map. Relief shown pictorially. Covers parts Tocantins, Bahia, Maranhao and Piaui., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., A catalogue of maps of Hispanic America, v. 3, p. 172.

Hand col. lithographed map. Relief shown by hachures. Covers Chiapas and parts of Tabasco, Oaxaca, Veracruz and Guatemala., These maps comprise volume 5 of Vandermaelen's Atlas Universel, here issued as separate, unbound sheets. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., Kapp, K.S. Central America early maps up to 1860, 97.

Hand col. lithographed map. Relief shown pictorially and by hachures. Covers coastal Queensland from Rockingham Bay to Port Curtis. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., Tooley, R.V. The mapping of Australia and Antarctica, 2d. ed., p. 160, no. 1287.

Hand col. lithographed map. Prime meridian: Paris. Includes text: Note sur les iles des Amis. Pour le commencement voyez la carte no. 47., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown pictorially and by hachures. Prime meridian: Paris. Includes text: Note sur l'ile de la Nouvelle Caledonie., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Prime meridian: Paris. Includes text: Note sur les iles des Amis. ... Pour la suite voyez la carte no. 48., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown pictorially and by hachures. Covers northern part of Western Australia. Includes text: Note sur la nouvelle Hollande. Pour le commencement voyez no. 28. ... Pour la suite voyez no. 36. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., Tooley, R.V. The mapping of Australia and Antarctica, 2d. ed., p. 160, no. 1282.

Hand col. lithographed map. Relief shown by hachures. Prime meridian: Paris. Includes text: Note sur l'Archipel des iles de la Societe., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Prime meridian: Paris. Includes text: Note sur les iles Fidji., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Covers also the Virgin Islands, Anguilla and Saint Martin., These maps comprise volume 5 of Vandermaelen's Atlas Universel, here issued as separate, unbound sheets. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown pictorially. Prime meridian: Paris. Includes text: Note sur le Archipel des Nouvelles-Hebrides., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Includes text: Note sur les iles de Salomon et de Santa-Cruz. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Includes text: Note sur les iles Marquises de Mendoce. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown pictorially. Covers also portion of islands in the Timor, Arafura and Banda seas. Prime meridian: Paris. Includes text: Note sur la nouvelle Hollande. ... Pour la suite voyez la carte no. 35. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., Tooley, R.V. The mapping of Australia and Antarctica, 2d. ed., p. 159, no. 1280.

Hand col. lithographed map. Relief shown pictorially; depths by soundings. Covers also portion Arnhem Land and Cape York Peninsula. Includes text: Note pour la Nouvelle Guinee. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5., Tooley, R.V. The mapping of Australia and Antarctica, 2d. ed., p. 160, no. 1281.

Hand col. lithographed map. Relief shown by pictorially. Covers also part of Bismarck Archipelago and northeastern Papua New Guinea. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown pictorially and by hachures. Covers also adjacent islands. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by hachures. Covers eastern Java, Madura, Bali, Lombok, Sumbawa, Komodo and adjacent islands. Includes text: Suite de la note sur les colonies d'Asie de Royaume des Pays-Bas. Voyez pour le commencement le no. 26. Redigee par A. Delavault. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown pictorially. Covers northwestern part of New Guinea and parts of the Moluccas. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown by pictorially and by hachures. Covers also the Green Islands and part of Buka. Includes text: Note sur les iles de la Amiraute -- Note sur la Nouvelle-Bretagne et la Nouvelle-Irlande. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.

Hand col. lithographed map. Relief shown pictorially and by hachures. Covers southeastern Borneo and western Sulawesi. Prime meridian: Paris., A complete set of the six volume Atlas Universel in original bindings of half red leather teal cloth covered boards with title "Vandermaelen. Atlas Universel..." embossed in gold on the spine. This monumental work was the first atlas of the world with all maps on the same scale (and a large scale at that - about one inch to 26 miles) and the first lithographed world atlas. If all the maps were joined together they would form a globe of 7.75 meters in diameter (such a globe was made in Brussels). The maps were published originally in parts of ten maps each, beginning in 1825 and ending in 1827. Vandermaelen's maps are frequently misunderstood because each map is usually best comprehended in the context of its neighboring maps - the maps do not function well on their own, since they were all meant to be joined. Koeman states that "His atlases, although unique in concept and size did not possess that fine touch of cartographic style which make them attractive for a collector..." We strongly disagree - the graphic art of the maps must be appreciated in the context of lithography, a developing art at the time; as lithographs, they are very well done. For many of the areas depicted, these maps are the largest scale maps made at the time, and the most detailed (particularly in the American West). Maps are hand painted in outline color., Phillips, 749; Koeman Vdm 1; National Maritime Museum, 179; Wellens-De Donder, L. Philippe Vandermaelen 1795-1869, 4-5.