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The article reviews the art exhibition "Mike Henderson: Before the Fire: 1965–1985" featuring work of artist Mike Henderson held at the Jan Shrem and Maria Manetti Shrem Museum of Art in Davis, California.

IF YOU NOD YOUR HEAD APPROVINGLY at the utterance of the name Djam Karet, there's a good chance you are a music critic. The Los Angeles-based instrumental art-rockers have been [...]

A biography of musician Chris Stapleton is presented. Stapleton was born on April 15, 1978, in Lexington, Kentucky, and raised in Staffordsville, Kentucky. In 1996, after graduating from Johnson Central High School, he entered Vanderbilt University in Nashville, Tennessee, where he set out to study engineering but dropped out after a year. He later began jamming in the evenings with Mike Henderson, a guitarist , and the two eventually formed a bluegrass-inspired band called the SteelDrivers.

The poem "Exploring the Woods" by Mike Henderson is presented. First Line: As the back door slammed behind us, we heard Mama call, Last Line: We promised ourselves our hearts would stay there.

The article focuses on the celebration of the 30th anniversary of Gayle Ellett and Mike Henderson of the music band Djam Karet.

The article presents the highlights of the 32nd Annual Gran Turismo Omologato (GTO) Association of America (GTOAA) International Meet held in Red Lion On the River Hotel in Portland, Oregon on July 4-7, 2011. 833 people reportedly attended the meet. The event featured tours, drag races, and car shows as well as seminars such as Jim Wagers' "The Anatomy of the Muscle Car," Mike Henderson's "Route 66 Trip" and Art Fitzpatrick's "Upward Mobility-Its Not We Drive, It's What Drives Us.

The poem "No Place Like the Woods," by Mike Henderson is presented. First Line: As the back door slammed behind; Last Line: would stay there.

The article discusses the drawings of black men by Robert Arneson and suggests possible motivations that brought Arneson to create these drawings. The primary motive suggested is a news item in “Time” magazine about a series of murders. However, it is also suggested that the story behind these drawings is a racial dispute Arneson had with fellow art professor Mike Henderson at the University of California, in David, California. Arneson’s previous pieces of art were perceived by the public as provocative, and the drawings of black men may have been a response to the critics.

The article profiles the professional life of retiring explosives industry founders. It notes that retired RedBull Powder Company founders Peter Shapiro and Mike Henderson look back on a ground-breaking legacy. It adds that Peter and Mike explain how they could not have done it without the loyalty and support of their longest serving employees. They reportedly made the bold decision to build a bulk explosives manufacturing plant at Kopako, completed by 2010.

The article reports on excavation of plague victims' skeletons from the site of new Liverpool Street station of Crossrail in London, England and presents the views of Mike Henderson, senior Osteologist at Museum of London Archaeology (MOLA) in England, regarding excavation of Bedlam burial ground.

The article profiles the Nashville, Tennessee-based musical group SteelDrivers consisting of guitarists and vocalists Chris Stapleton, Mike Henderson and Tammy Rogers, banjo player Richard Bailey and bass guitarist Mike Fleming. While Stapleton has written songs for other musicians such as Josh Turner and Tim McGraw, Henderson has several solo albums for RCA and Dead Reckoning. Rogers, Bailey and Fleming recorded albums, also with other musicians.

The article features the quintet SteelDrivers formed by guitarist, songwriter and bandleader Mike Henderson. The members of the quintet include bassist Mike Fleming, banjo player Richard Bailey and fiddler Tammy Rogers. According to the author, the vocal presence of Chris Stapleton sets the SteelDrivers apart from other bluegrass groups. It commends the fluidity to the way Henderson and Stapleton conspire on songs about the country music conventions of love, prison and death.

The article focuses on Madison, Alabama farmers Mike Henderson along with son, Chad, and nephew Stuart Sanderson who talk about accomplishment of the feat on their heavy red, north Alabama clay soils. The Henderson Farm has been recognized at the National Corn Growers Association state contest for Alabama in the irrigated and the non-irrigated categories. They also share production tips and one of the keys to their success that was an ideal stand with uniform emergence.

The article features singer and songwriter Brigitte DeMeyer. DeMeyer is one of the popular artists involved in the Americana movement. Her vocals is characterized as having a Southern gospel and soulful feel. Her album "Red River Flower" is a product of a collaboration with her favourite collaborators such as Americana legend Buddy Miller and Mike Henderson.

Comments on works by painter Mike Henderson presented in an exhibition at Haines Gallery in San Francisco, California. Media used; Artistic style; Subjects, color and composition.

Presents a critique of an exhibition of artist Mike Henderson's paintings at the Haines gallery in San Francisco, California. Evolution of Henderson's artistic style; Pieces featured in the exhibition.

The article reports on changes to testing protocols for the certification of heavy trucks in the U.S. It mentions that the move was made in compliance to the greenhouse gas emission and fuel economy standards enforced by the Environment Protection Agency (EPA) and National Highway Traffic Safety Administration (NHTSA). An overview of the perspective of trucking equipment provider SmartTruck chief scientist Mike Henderson on the J1321 fuel mileage test is also presented.

Reports on the winners of the Flintridge Foundation's 2003/2004 Awards for Visual Artists. Amounts of grants awarded; Presentation of awards to Carl Cheng, Lewis deSoto, Mike Henderson, Oliver Jackson, Susan Rankaitis, Randy Hayes, Robert Helm, Robert C. Jones, James Lavadour and Akio Takamori.

Reports on the joint promotion of country music artist Mike Henderson by RCA Records and Jack Daniels. Club tours before music album's release to determine audience reaction; Daniel's involvement in the music business; Promotional gimmicks.

Presents a quote from Credit Lyonnais executive Mike Henderson on Remington Arms company's refusal to allow secondary market trading of its bank debt in the United States.