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92 results on '"Guilbaut, Serge"'

2. Index

Author

O'Brian, John, Guilbaut, Serge, and Barber, Bruce

Published
1996

3. Texts

Author

O'Brian, John, Guilbaut, Serge, and Barber, Bruce

Published
1996

4. Cover

Author

O'Brian, John, Guilbaut, Serge, and Barber, Bruce

Published
1996

5. General Discussion

Author

O'Brian, John, Guilbaut, Serge, and Barber, Bruce

Published
1996

8. Front Matter

Author

O'Brian, John, Guilbaut, Serge, and Barber, Bruce

Published
1996

9. Notes

Author

O'Brian, John, Guilbaut, Serge, and Barber, Bruce

Published
1996

12. Graphic Satires

Author

O'Brian, John, Guilbaut, Serge, and Barber, Bruce

Published
1996

14. Symposium

Author

O'Brian, John, Guilbaut, Serge, and Barber, Bruce

Published
1996

16. Acknowledgments

Author

O'Brian, John, Guilbaut, Serge, and Barber, Bruce

Published
1996

17. Documents

Author

O'Brian, John, Guilbaut, Serge, and Barber, Bruce

Published
1996

18. Preface

Author

O'Brian, John, Guilbaut, Serge, and Barber, Bruce

Published
1996

21. Essays

Author

O'Brian, John, Guilbaut, Serge, and Barber, Bruce

Published
1996

32. Machine in the Studio: Constructing the Postwar American Artist

Author

Guilbaut, Serge

Subjects
Machine in the Studio: Constructing the Postwar American Artist (Book), Books -- Book reviews, Arts, visual and performing
Abstract

The powerful construction of the individualistic, isolated creative space, magically symbolized by the now-embalmed Krasner/Pollock studio in Springs, Long Island, started to unravel as American social and political conditions changed [...]

Published
1997

33. Recycling or globalizing the museum: MOMA-Guggenheim approaches

Author

Guilbaut, Serge

Subjects
Arts, visual and performing
Abstract

Museums have always been in a precarious position. Created in the eighteenth century to educate large new audiences after liberal revolutions, they rapidly became seen as an arm of the [...]

Published
1998

34. Hank Bull : Connexion

Author

Low, Joni, Wendt, Pan, Guilbaut, Serge, Bull, Hank, Rice, Kevin, Van Eijnsbergen, Ellen, Muir, Alex, Low, Joni, Wendt, Pan, Guilbaut, Serge, Bull, Hank, Rice, Kevin, Van Eijnsbergen, Ellen, and Muir, Alex

Published
2015

35. Chatting with Henri Matisse: The Lost 1941

Author

Guilbaut, Serge, Courthion, Pierre, Bertrand Dorléac, Laurence, Matisse, Henri, and Bois, Yve-Alain

Subjects
Matisse, Henri (1869-1954), France
Abstract

In 1941 the Swiss art critic Pierre Courthion interviewed Henri Matisse while the artist was in bed recovering from a serious operation. It was an extensive interview, seen at the time as a vital assessment of Matisse’s career and set to be published by Albert Skira’s then newly established Swiss press. After months of complicated discussions between Courthion and Matisse, and just weeks before the book was to come out—the artist even had approved the cover design—Matisse suddenly refused its publication. A typescript of the interview now resides in Courthion’s papers at the Getty Research Institute. This rich conversation, conducted during the Nazi occupation of France, is published for the first time in this volume, where it appears both in English translation and in the original French version. Matisse unravels memories of his youth and his life as a bohemian student in Gustave Moreau’s atelier. He recounts his experience with collectors, including Albert C. Barnes. He discusses fame, writers, musicians, politicians, and, most fascinatingly, his travels. Chatting with Henri Matisse, introduced by Serge Guilbaut, contains a preface by Claude Duthuit, Matisse’s grandson, and essays by Yve-Alain Bois and Laurence Bertrand Dorléac. The book includes unpublished correspondence and other original documents related to Courthion’s interview and abounds with details about avant-garde life, tactics, and artistic creativity in the first half of the twentieth century. (Publisher's abstract)

Published
2013

36. Respingos na parada modernista: a invasão fracassada da arte abstrata no Brasil, 1947-1948

Author

Guilbaut, Serge

Subjects
abstração, modernism, política internacional, arte moderna, modern art, international politics, museus de arte moderna, modernismo, Léon Degand, museums of modern art, abstract art
Abstract

Tendo como pano de fundo não apenas os acontecimentos mas também os discursos que cercaram a criação do primeiro museu de arte moderna no Brasil, este ensaio pretende analisar as possíveis conexões da formação de um acervo de arte atento às ideias de "moderno" e de "abstrato" com a emergência de uma sociedade urbana no país e com certos interesses de política internacional durante a Guerra Fria. With the backdrop of not only the events but also the rhetoric that surrounded the creation of the first museum of modern art in Brazil, this essay aims to examine possible connections of the formation of an art collection observant of the ideas of "modern" and "abstract" with the emergence of an urban society in the country and certain interests of international politics during the Cold War.

Published
2011

41. New York Modern: The Arts and the City

Author

Guilbaut, Serge

Subjects
New York Modern: The Arts and the City (Book), Books -- Book reviews, History, Regional focus/area studies
Published
2000

42. Parachute : The Anthology : 1975 - 2000 : Vol. I

Author

Pontbriand, Chantal, Lyotard, Jean-François, Papineau, Jean, Guilbaut, Serge, Greenberg, Reesa, Haacke, Hans, Payant, René, Barber, Bruce A., Foster, Hal, Crow, Thomas, Pontbriand, Chantal, Lyotard, Jean-François, Papineau, Jean, Guilbaut, Serge, Greenberg, Reesa, Haacke, Hans, Payant, René, Barber, Bruce A., Foster, Hal, and Crow, Thomas

Abstract

''Gathering together eight seminal essayes, by Bruce Alistaire Barber, Thomas Crow, Hal Foster , Reesa Greenberg, Serge Guilbaut, Hans Haacke, Jean-François Lyotard, and René Payant, this first volume of Parachute : The Anthology (1975 - 2000) addresses the state and function of art history, criticism, and theory in their own particular moment. An introduction by Alexander Alberro and Nora M. Alter considers the history of this unconventional and theoretically cutting-edge magazine - bridging theory between Europe and the America at a time when these were still very distinct worlds - and how this anthology constitutes and invaluable document of the changes in both art practice and writing from 1975 to 2000.''-- p. [4] of cover.

Published
2012

43. Stan Douglas : Abbott & Cordova, 7 August 1971

Author

Alberro, Alexander, Alter, Nora M., Douglas, Stan, Guilbaut, Serge, Lütticken, Sven, Proudfoot, Jesse, Alberro, Alexander, Alter, Nora M., Douglas, Stan, Guilbaut, Serge, Lütticken, Sven, and Proudfoot, Jesse

Abstract

" Stan Douglas's Abbott & Cordova, 7 AUgust 1971 is a 30 x 50-foot translucent photo mural on tempered glass installed int he atrium of the Woodward's complex in the Gastown district of Vancouver. The photo depicts an actual violent confrontation between police and the city's counterculture in what came to be known as the Gastown Riot, during which uniformed and undercover police officers attacked a peaceful "smoke-in" protest organized to oppose what was regarded as police harassment of the counterculture. This book takes the riot, and Douglas' work, as points of departure to discuss the legacy and implications of this tumultuous time, not only for Vancouver but for all urban centres where dissent and conflict based on class, lifestyle, or other issues arise, and where the role of authorities is contested through public demonstrations" -- p.[4] of cover.

Published
2011

45. Modernism and Modernity : the Vancouver Conference Papers

Author

Buchloh, Benjamin, Solkin, David, Guilbaut, Serge, Buchloh, Benjamin, Solkin, David, and Guilbaut, Serge

Abstract

"Modernism and Modernity: The Vancouver Conference Papers [...] was originally published as the proceedings from a conference held in Vancouver, BC., in 1983. With papers by Buchloh, T.J. Clark, Hollis Clayson, Thomas Crow, Nicole Dubrueil-Blonding, Clement Greenberg, Henri Lefebvre, Marcelin Pleynet, Allan Sekula, Paul Hayes Thucker and John Wilson Foster, this publication constitues a major contribution to the rethinking of the history and debates concerning modernism and modernity. The Modernism and Modernity papers challenged both the orthodoxies of Greenberg in modernism and the reductive view of modernism then taking shape within the emerging doctrine of postmodernism. A guest at the conference, Greenberg presented a paper defending the modernist theories of the postwar period, which he was instrumental in developing at the time." -- p. [4] of the cover.

Published
2004

47. Riopelle

Author

Spalding, Jeffrey, Guilbaut, Serge, Gagnon, Francois-Marc, Lamarre, Bernard, Spalding, Jeffrey, Guilbaut, Serge, Gagnon, Francois-Marc, and Lamarre, Bernard

Published
2002

48. The Critics Series : Transcripts of the Dalhousie Art Gallery 1997-1998 Lectures

Author

Guilbaut, Serge, Copjec, Joan, Randolph, Jeanne, Guilbaut, Serge, Copjec, Joan, and Randolph, Jeanne

Abstract

This photocopy publication contains transcripts of the Dalhousie Art Gallery’s 1997-1998 Critics Series Lectures. Guilbaut’s lecture on Tàpies’ matter paintings focuses on issues of cleanliness (beauty) and death (abjection). He situates the paintings within an art historical context, showing how they critique consumer culture and the violence of everyday life by emphasizing a bodily relation to the world. Copjec’s critical analysis of J. Crary’s book “Techniques of the Observer” – a critique that owes much to psychoanalytic concepts of the drive, fantasy and the gaze – highlights differences between geometric and physiological (perverse) models of vision. Her in-depth analysis of the relationship between embodied subjectivity and Cartesian mind/body dualism foregrounds the following subjects: the notion of infinity within Renaissance perspective, Freudian/Lacanian psychoanalytic theories, and Pasolini’s film Salo. Randolph suggests that her self-reflexive lecture on relationships between theory and praxis within psychoanalysis and visual culture is an example of “performing psychoanalytic theory.” Topics discussed include: autobiography, Freud’s concept of transference and the object-relations theories of Winnicott. 54 bibl. ref.

Published
1998

49. Où va l'histoire de l'art contemporain? : Objets, méthodes, territoires

Author

Dorléac, Laurence Bertrand, Gervereau, Laurent, Guilbaut, Serge, Monnier, Gérard, Chimot, Jean-Philippe, Coli, Jorge, Debroise, Olivier, Medvedkova, Olga, Darragon, Éric, Daix, Pierre, Le Bot, Marc, Zerner, Henri, de Baecque, Antoine, Bernik, Stane, Delporte, Christian, Sherman, Tom, Alaoui, Brahim, Crosby, Marcia, Gagnon, Monika, Gagnon, François-Marc, Konate, Yacouba, Sylla, Abdou, Hennion, Antoine, Krauss, Rosalind, Leenhardt, Jacques, Menger, Pierre-Michel, Michaud, Yves, Crow, Thomas, Dubreuil-Blondin, Nicole, Fréchuret, Maurice, de Haas, Patrick, Hofmann, Werner, Allenov, Mikhaïl, Ryan, Maureen, Bouchard, Lucette, Bernier, Christine, Clayson, Hollis, de Duve, Thierry, Jaubert, Alain, Strasser, Catherine, Maubant, Jean-Louis, Morin, France, Sussman, Elisabeth, Thévoz, Michel, Tucker, Marcia, Ardenne, Paul, Dagen, Philippe, Foster, Hal, Kovalev, Andreï, Pernoud, Emmanuel, Poinsot, Jean-Marc, Restany, Pierre, Soutif, Daniel, Davallon, Jean, Vovelle, José, Salgas, Jean-Pierre, Lamoureux, Johanne, Pleynet, Marcelin, Agulhon, Maurice, Encrevé, Pierre, Girard, Xavier, Michel, Régis, Semin, Didier, Debailleux, Henri-François, Buchloh, Benjamin H.D., Nuridsany, Michel, Dorléac, Laurence Bertrand, Gervereau, Laurent, Guilbaut, Serge, Monnier, Gérard, Chimot, Jean-Philippe, Coli, Jorge, Debroise, Olivier, Medvedkova, Olga, Darragon, Éric, Daix, Pierre, Le Bot, Marc, Zerner, Henri, de Baecque, Antoine, Bernik, Stane, Delporte, Christian, Sherman, Tom, Alaoui, Brahim, Crosby, Marcia, Gagnon, Monika, Gagnon, François-Marc, Konate, Yacouba, Sylla, Abdou, Hennion, Antoine, Krauss, Rosalind, Leenhardt, Jacques, Menger, Pierre-Michel, Michaud, Yves, Crow, Thomas, Dubreuil-Blondin, Nicole, Fréchuret, Maurice, de Haas, Patrick, Hofmann, Werner, Allenov, Mikhaïl, Ryan, Maureen, Bouchard, Lucette, Bernier, Christine, Clayson, Hollis, de Duve, Thierry, Jaubert, Alain, Strasser, Catherine, Maubant, Jean-Louis, Morin, France, Sussman, Elisabeth, Thévoz, Michel, Tucker, Marcia, Ardenne, Paul, Dagen, Philippe, Foster, Hal, Kovalev, Andreï, Pernoud, Emmanuel, Poinsot, Jean-Marc, Restany, Pierre, Soutif, Daniel, Davallon, Jean, Vovelle, José, Salgas, Jean-Pierre, Lamoureux, Johanne, Pleynet, Marcelin, Agulhon, Maurice, Encrevé, Pierre, Girard, Xavier, Michel, Régis, Semin, Didier, Debailleux, Henri-François, Buchloh, Benjamin H.D., and Nuridsany, Michel

Published
1997

50. Inside the Visible : An Elliptical Traverse of 20th Century Art in, of, and from the Feminine

Author

De Zegher, M. Catherine, Fisher, Jean, De Vylder, Paul, Pollock, Griselda, Ettinger, Bracha Lichtenberg, Lavin, Maud, Monahan, Laurie J., Huhn, Rosi, Vergine, Lea, Rodenbeck, J.f., Cottingham, Laura, Kwon, Miwon, Hooks, Bell, De Backer, Leen, De Cauter, Lieven, Philippi, Desa, Carels, Edwin, Van Alphen, Ernst, Salzstein, Sônia, Buchloh, Benjamin H.D., Graw, Isabelle, Brouwer, Marianne, Newman, Michael, Buci-Glucksmann, Christine, Mastai, Judith, Guilbaut, Serge, Krauss, Rosalind E., Carvajal, Rina, Rinder, Lawrence, Wilson, Judith, Domino, Christophe, Bois, Yve-Alain, Brett, Guy, Wilson, William S., Sundell, Margaret, Filho, Paulo Venancio, Brayer, Marie-Ange, Veire, Frank Vande, De Zegher, M. Catherine, Fisher, Jean, De Vylder, Paul, Pollock, Griselda, Ettinger, Bracha Lichtenberg, Lavin, Maud, Monahan, Laurie J., Huhn, Rosi, Vergine, Lea, Rodenbeck, J.f., Cottingham, Laura, Kwon, Miwon, Hooks, Bell, De Backer, Leen, De Cauter, Lieven, Philippi, Desa, Carels, Edwin, Van Alphen, Ernst, Salzstein, Sônia, Buchloh, Benjamin H.D., Graw, Isabelle, Brouwer, Marianne, Newman, Michael, Buci-Glucksmann, Christine, Mastai, Judith, Guilbaut, Serge, Krauss, Rosalind E., Carvajal, Rina, Rinder, Lawrence, Wilson, Judith, Domino, Christophe, Bois, Yve-Alain, Brett, Guy, Wilson, William S., Sundell, Margaret, Filho, Paulo Venancio, Brayer, Marie-Ange, and Veire, Frank Vande

Abstract

This exhibition catalogue, edited by the curator, De Zheger, surveys the contribution of women to 20th century art through the work of 37 artists, splitting the contents into four thematic sections, each of which are divided into three periods: the 1930s-40s, the 1960s-70s, and the 1990s. The four sections address, respectively, feminine plurality and difference, the poetics of alterity, the interweaving of language and space, and finally, materiality and embodiment. Index, 4 p. List of works. Biographical notes. Bibliography 8 p. Circa 660 bibl. ref.

Published
1996

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