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While urban sound management often focuses on sound as a nuisance, soundscape research suggests that proactive design approaches involving sound art installations can enhance public space experience. Nevertheless, there is no consensus on a methodology to inform the composition of sound installations through soundscape evaluation, and little research on the effect of composition strategies on soundscape evaluation. The present study is part of a research-creation collaboration around the design of a permanent sound installation in an urban public space in Paris (Niches Acoustiques by Nadine Schütz). We report on a laboratory study involving the evaluation of composition sketches prior to the deployment of the installation on-site. Participants familiar with the public space (N = 20) were exposed to Higher-Order Ambisonics recordings of the site, to which compositions of the sound installation pertaining to different composition strategies were added using a soundscape simulation tool. We found three principal components relevant for evaluating and comparing sound installation sketches: pleasantness, familiarity and variety. Further, all composition sketches had a significant effect on the soundscape's familiarity and variety, and the effect of the compositions on these two components was stronger when composition strategies involved abstract sounds (sounds which were not clearly identifiable). [ABSTRACT FROM AUTHOR]

Public health measures during the COVID-19 pandemic provided researchers with a quasi-experimental situation to examine what happens when anthropogenic noise sources (e.g., traffic) are greatly reduced. This article combines noise-related calls to Montreal’s 311 service (29,891 calls from 2014 to 2022) with original survey data from 240 residents collected in 2020 after the lockdown and the summer reopening. The spatial analysis of the calls revealed that, across all pandemic phases, noise complaints increased with population density, the proportion of low-income residents, and the proportion of greenspace. However, the change in the spatial distribution of noise-related calls due to the pandemic measures is positively associated with the proportions of residential and greenspace land use. That is, areas with higher proportions of residential land use and greenspace experienced the greatest increase in noise-related calls. The analysis of the survey revealed that the sounds of traffic and construction decreased during both the lockdown and the subsequent reopening, while the sounds of the neighborhood and nature increased. However, the decreased traffic noise in the downtown core also allowed for the emergence of noise from the heating, ventilation and air conditioning systems in the area. We discuss these results considering the interest in reducing noise levels in cities.

In 2020, the pandemic impacted the social and economic dynamics of cities around the world. Entertainment districts hosting events, festivals, and other cultural activities were particularly affected, as their loss of attractiveness also impacted their livability. Reflecting on how the experience of the sonic environment contributes to attractiveness and livability in an urban environment, we propose a sonic perspective to investigate the impact of the COVID-19 pandemic in Montreal's entertainment district – Quartier des Spectacles (QDS). Through semi-structured interviews, we focus on how the sonic experience of QDS's residents changed throughout 2020, and on how their experiences can provide valuable insight into addressing the district's future planning and management. Looking at QDS as a case study to orient the post-pandemic trajectories of entertainment districts, we present a number of sound-related governance recommendations aimed at strengthening QDS residents' involvement in the neighborhood's cultural, artistic, and political life and its decision-making processes. [ABSTRACT FROM AUTHOR]

Sorting procedures are frequently adopted as an alternative to dissimilarity ratings to measure the dissimilarity of large sets of stimuli in a comparatively short time. However, systematic empirical research on the consequences of this experiment-design choice is lacking. We carried out a behavioral experiment to assess the extent to which sorting procedures compare to dissimilarity ratings in terms of efficiency, reliability, and accuracy, and the extent to which data from different data-collection methods are redundant and are better fit by different distance models. Participants estimated the dissimilarity of either semantically charged environmental sounds or semantically neutral synthetic sounds. We considered free and hierarchical sorting and derived indications concerning the properties of constrained and truncated hierarchical sorting methods from hierarchical sorting data. Results show that the higher efficiency of sorting methods comes at a considerable cost in terms of data reliability and accuracy. This loss appears to be minimized with truncated hierarchical sorting methods that start from a relatively low number of groups of stimuli. Finally, variations in data-collection method differentially affect the fit of various distance models at the group-average and individual levels. On the basis of these results, we suggest adopting sorting as an alternative to dissimilarity-rating methods only when strictly necessary. We also suggest analyzing the raw behavioral dissimilarities, and avoiding modeling them with one single distance model. (Contains 1 footnote, 4 tables, and 8 figures.)

Humans use active touch to gain behaviourally relevant information from their environment, including information about contained objects. Although most common, the perceptual basis of interacting with containers remains largely unexplored. The first aim of this study was to determine how accurately people can sense, by touch only, the location of a contained rolling object. Experiment 1 used tubes containing physical balls and demonstrated a considerable degree of accuracy in estimating the rolled distance. The second aim was to identify the relative effectiveness of the various available physical cues. Experiment 2 employed virtual reality technology to present, in isolation and in various combinations, the constituent haptic cues produced by a rolling ball, which are, the mechanical noise during rolling, the jolts from an impact with an internal wall, and the intensity and timing of the jolts resulting from elastic bounces. The rolling noise was of primary importance to the perceptual estimation task suggesting that the implementation of the laws of motion is based on an analysis of the ball's movement velocity. Although estimates became more accurate when the rolling and impact cues were combined, they were not necessarily more precise. The presence of elastic bounces did not affect performance. [ABSTRACT FROM AUTHOR]