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29. 'gegen die sogenannten Farbenkleckser': die Behauptung der Münchner Kunstakademie als eine Institution der Tradition (1886-1918)

Author

Gerhart, Nikolaus, Grasskamp, Walter, Matzner, Florian, Jooss, Birgit, Gerhart, Nikolaus, Grasskamp, Walter, Matzner, Florian, and Jooss, Birgit

Abstract

Der Aufsatz zeichnet den Werdegang der Münchner Kunstakademie in den Jahren 1886 bis 1918 nach. Mit dem neuen Gebäude von Gottfried von Neureuther am Siegestor war erstmals nicht nur das zuvor virulente Platzproblem gelöst, sondern es wurde auch über die Architektur ein neues Selbstbewusstsein nach außen signalisiert. August von Kaulbach war dem berühmten Karl von Piloty als Akademiedirektor gefolgt, dessen Amtszeit jedoch blaß blieb. Erst sein Nachfolger Ludwig von Löfftz konnte durch eine geschickte Personalpolitik der Akademie neue Impulse geben. Es wurden einige Secessionisten und modernere Lehrer wie Paul Höcker, Heinrich von Zügel oder Franz von Stuck berufen, die abermals viele bedeutende junge Künstler anzogen. Doch die Einrichtung neuer privater Kunstschulen, die mit progressiven Lehrmethoden zu einer ernsthaften Konkurrenz wurden, sowie der Führungsstil des zwischen 1900 und 1919 nachfolgenden, konservativ gesinnten Akademiedirektor Ferdinand von Miller ließen die Bedeutung der Akademie schwinden und ebneten den Weg in ein konservatives Fahrwasser, so dass die Akademie später in der Rolle einer nationalsozialistischen Vorzeigeinstitution aufgehen konnte.

Published
2008

30. Four Decades: Hans Haacke (dvd); and Hans Haacke (book).

Author

Bird, Jon, Blackwood, Michael, Grasskamp, Walter, Nesbit, Molly, Bird, Jon, Blackwood, Michael, Grasskamp, Walter, and Nesbit, Molly

Abstract

This dvd and publication together represent a single, braided research output relating to my ongoing work on the artist Hans Haacke. The book, which I co-edited with Walter Grasskamp and Molly Nesbit, contains my short article which takes the occasion of Haacke's Mixed Messages exhibition at the Serpentine Gallery (2001) as an opprtunity to outline some of the themes of his work over time. The dvd is an extended interview with the artist, and an example characteristic of other similar interview-based research in the department. This interview occured in relation to Haacke's major retrospective in the Diechtorhallen, Hamburg and Akademie der Kunst, Berlin (2007). Elements of the earlier show reprise in the latter, and form a continuity. The 59 minute film was broadcast on public television in the US, and at the artecinema international art film festival in Naples in 2007.

Published
2007

34. Sculpture Projects in Münster 1997

Author

Buren, Daniel, Grasskamp, Walter, Campbell, Nancy, Frey, Patrick, Azoulay, Ariella, Decker, Edith, Van Tienhoven, Ronald, Loers, Veit, Van Winkel, Camiel, Franz, Erich, Phillips, Lisa, Meschede, Freidrich, Groos, Ulrike, Jacob, Susanne, Tippner, Anja, Shone, Richard, Lind, Maria, Van Der Koelen, Dorothea, Adams, Kim, Andre, Carl, Baselitz, Georg, Borland, Christine, Cardiff, Janet, Cattelan, Maurizio, Craig, Stephen, Deacon, Richard, Dion, Mark, Douglas, Stan, Erkmen, Ayse, Weiss, David, Genzken, Isa, Gette, Paul-Armand, Geys, Jef, Gordon, Douglas, Graham, Dan, Hains, Raymond, Herold, Georg, Hirschhorn, Thomas, Yong Ping, Huang, Huws, Bethan, Hybert, Fabrice, Kabakov, Ilya, Kirkeby, Per, Koons, Jeff, Metzel, Olaf, Mucha, Reinhard, Oldenburg, Claes, van Bruggen, Coosje, Oursler, Tony, Pitz, Hermann, Potrc, Marjetica, Rehberger, Tobias, Ruckriem, Ulrich, Ruppersberg, Allen, Ruthenbeck, Reiner, Ryslavy, Kurt, Sander, Karin, Sone, Yutaka, Thater, Diana, Theis, Bert, Tiravanija, Rirkrit, Valldosera, Eulalia, de Vries, Herman, Weiner, Lawrence, West, Franz, Winter, Wolfgang, Horbelt, Berthold, Wisniewski, Jeffrey, Zittel, Andrea, Zobernig, Heimo, Buren, Daniel, Grasskamp, Walter, Campbell, Nancy, Frey, Patrick, Azoulay, Ariella, Decker, Edith, Van Tienhoven, Ronald, Loers, Veit, Van Winkel, Camiel, Franz, Erich, Phillips, Lisa, Meschede, Freidrich, Groos, Ulrike, Jacob, Susanne, Tippner, Anja, Shone, Richard, Lind, Maria, Van Der Koelen, Dorothea, Adams, Kim, Andre, Carl, Baselitz, Georg, Borland, Christine, Cardiff, Janet, Cattelan, Maurizio, Craig, Stephen, Deacon, Richard, Dion, Mark, Douglas, Stan, Erkmen, Ayse, Weiss, David, Genzken, Isa, Gette, Paul-Armand, Geys, Jef, Gordon, Douglas, Graham, Dan, Hains, Raymond, Herold, Georg, Hirschhorn, Thomas, Yong Ping, Huang, Huws, Bethan, Hybert, Fabrice, Kabakov, Ilya, Kirkeby, Per, Koons, Jeff, Metzel, Olaf, Mucha, Reinhard, Oldenburg, Claes, van Bruggen, Coosje, Oursler, Tony, Pitz, Hermann, Potrc, Marjetica, Rehberger, Tobias, Ruckriem, Ulrich, Ruppersberg, Allen, Ruthenbeck, Reiner, Ryslavy, Kurt, Sander, Karin, Sone, Yutaka, Thater, Diana, Theis, Bert, Tiravanija, Rirkrit, Valldosera, Eulalia, de Vries, Herman, Weiner, Lawrence, West, Franz, Winter, Wolfgang, Horbelt, Berthold, Wisniewski, Jeffrey, Zittel, Andrea, and Zobernig, Heimo

Abstract

This catalogue documents a major exhibition of contemporary sculpture held every ten years in Münster. Grasskamp's analysis of art and the city focuses on sculptural interventions in public space. Works by Oldenburg, Beuys, Asher, Serra, Judd and Haacke are discussed in relation to narrative space, architectural facade, performance, politics and site-specificity. Daniel Buren focuses on the differences between art in the museum and out in the street. Artist's statements. 85 bibl. ref.

Published
1997

35. Museum Culture : Histories, Discourses, Spectacles

Author

Sherman, Daniel J., Rogoff, Irit, Hoffmann, Detlef, Koven, Seth, Zolberg, Vera L., Poulot, Dominique, Azoulay, Ariella, Georgel, Chantal, Groys, Boris, Grasskamp, Walter, Bohrer, Frederick N., Higonnet, Anne, Wallis, Brian, Sherman, Daniel J., Rogoff, Irit, Hoffmann, Detlef, Koven, Seth, Zolberg, Vera L., Poulot, Dominique, Azoulay, Ariella, Georgel, Chantal, Groys, Boris, Grasskamp, Walter, Bohrer, Frederick N., Higonnet, Anne, and Wallis, Brian

Abstract

Drawing from the history of museums in Western Europe, Israel, the United States and the former Soviet Union, this collection of essays focuses on the governing ideologies behind the practices and strategies of display in institutions shown to be equally guided by historical structures and narratives. As the editors note, common themes and insights link the essays within and across their division into three separate sections: Histories, Discourses, and Spectacles. Index, 15 p. Biographical notes on contributors. Circa 500 bibl. ref.

Published
1994

36. Hans Haacke : Bodenlos

Author

Haacke, Hans, Grasskamp, Walter, Glueck, Grace, Haacke, Hans, Grasskamp, Walter, and Glueck, Grace

Abstract

Documentation of the German-American artist Haacke's exhibition representing Germany at the 1993 Venice biennale. Several essays and one artist's statement are included. Biographical notes. 51 bibl. ref.

Published
1993

37. TSWA Four Cities Project : New Works for Different Places

Author

Lingwood, James, Adams, Dennis, Jaffe, Lee, McIver, Moira, Spero, Nancy, Barry, Judith, Brisley, Stuart, Emery, Janette, Rhowbotham, Kevin, Finlay, Ian Hamilton, Stirling, Annet, Meireles, Cildo, Wilson, Richard, Burden, Chris, Gec, Stefan, Scott, Kitty, Chadwick, Helen, Rodney, Donald, Viner, Darrell, Grasskamp, Walter, Greene, Lesley, McGonagle, Declan, Miles, Malcolm, Gooding, Mel, Lingwood, James, Adams, Dennis, Jaffe, Lee, McIver, Moira, Spero, Nancy, Barry, Judith, Brisley, Stuart, Emery, Janette, Rhowbotham, Kevin, Finlay, Ian Hamilton, Stirling, Annet, Meireles, Cildo, Wilson, Richard, Burden, Chris, Gec, Stefan, Scott, Kitty, Chadwick, Helen, Rodney, Donald, Viner, Darrell, Grasskamp, Walter, Greene, Lesley, McGonagle, Declan, Miles, Malcolm, and Gooding, Mel

Abstract

In conjuction with an exhibition of site-specific public art in four British cities, curators, critics, artists, and academics discuss the ramifications of public sculpture, focusing on how the meaning of monuments is transformed historically and culturally, and how artists critique the public realm by looking at political and social issues, such as the gendering of space. Biographical notes on 28 artists. 2 bibl. ref.

Published
1990

39. Gerhard Richter.

Author

Grasskamp, Walter

Abstract

The article presents a reprint of the article "Gerhard Richter: An Angel Vanishes," which appeared in the 1986 issue of "Flash Art International." The article examines Richter's paintings. In one of the paintings quoted from art history, Richter has selected an Annunciation and decomposed it into a series of color paintings.

Published
2008

42. Museums by Artists

Author

Bronson, A A, Gale, Peggy, Ammann, Jean-Christophe, Rorimer, Anne, Buchloh, Benjamin H.D., Buren, Daniel, Filliou, Robert, Frenkel, Vera, Austen-Marshall, R., Grasskamp, Walter, Haacke, Hans, Herzogenrath, Wulf, Judd, Donald, Kosuth, Joseph, Szeemann, Harald, Wevers, Ursula, Levine, Les, Manzoni, Piero, Van Bruggen, Coosjie, Bronson, A A, Gale, Peggy, Ammann, Jean-Christophe, Rorimer, Anne, Buchloh, Benjamin H.D., Buren, Daniel, Filliou, Robert, Frenkel, Vera, Austen-Marshall, R., Grasskamp, Walter, Haacke, Hans, Herzogenrath, Wulf, Judd, Donald, Kosuth, Joseph, Szeemann, Harald, Wevers, Ursula, Levine, Les, Manzoni, Piero, and Van Bruggen, Coosjie

Abstract

Thirteen texts by ten authors explore aspects of the museum such as the structure's function, social and political facets, along with the significance of installation, the phenomenon of collecting, and the development of artist-run centres in Canada. Includes contributions by and/or on 17 diverse artists whose work addresses the artist's relationship to the institution. Introduction by Gale.

Published
1983

46. To Be Continued: Periodic Exhibitions (documenta, For Example).

Author

Grasskamp, Walter

Abstract

The article recalls the history of the exhibition "documenta" in Kassel, Germany. The author relates his experience of sorting through the archive in Kassel in 1981. He points out that the first documenta of 1955 should be considered as an answer to the 1937 Nazi exhibition "Degenerate Art." He adds that Alexander Calder was the only one out of 148 artists who originated from outside Europe. A comparison between "documenta" and another internationally renowned German exhibition "Skulptur-Projekte Münster" is offered.

Published
2009

47. The Rules of the Game.

Author

Grasskamp, Walter

Abstract

The author reflects on the problems of replication in modern and contemporary art. According to the author, he was personally touched by the problems of Naum Gabo's sculptures. He questions whether a replica offers a real solution, as well as how replicas should be made and handled. He points out that without a proper solution restorers cannot avoid making decisions. He contends that philosopher Eberhard Ortland's views on any restoration sounds sceptical and pragmatic.

Published
2007

48. 'gegen die sogenannten Farbenkleckser': die Behauptung der Münchner Kunstakademie als eine Institution der Tradition (1886-1918)

Author

Jooss, Birgit, Gerhart, Nikolaus, Grasskamp, Walter, and Matzner, Florian

Subjects
Akademie der Bildenden Künste München, Geschichte 1886-1918, Traditionalismus, Germany, Switzerland, Austria, Others, Arts, Art education
Abstract

Der Aufsatz zeichnet den Werdegang der Münchner Kunstakademie in den Jahren 1886 bis 1918 nach. Mit dem neuen Gebäude von Gottfried von Neureuther am Siegestor war erstmals nicht nur das zuvor virulente Platzproblem gelöst, sondern es wurde auch über die Architektur ein neues Selbstbewusstsein nach außen signalisiert. August von Kaulbach war dem berühmten Karl von Piloty als Akademiedirektor gefolgt, dessen Amtszeit jedoch blaß blieb. Erst sein Nachfolger Ludwig von Löfftz konnte durch eine geschickte Personalpolitik der Akademie neue Impulse geben. Es wurden einige Secessionisten und modernere Lehrer wie Paul Höcker, Heinrich von Zügel oder Franz von Stuck berufen, die abermals viele bedeutende junge Künstler anzogen. Doch die Einrichtung neuer privater Kunstschulen, die mit progressiven Lehrmethoden zu einer ernsthaften Konkurrenz wurden, sowie der Führungsstil des zwischen 1900 und 1919 nachfolgenden, konservativ gesinnten Akademiedirektor Ferdinand von Miller ließen die Bedeutung der Akademie schwinden und ebneten den Weg in ein konservatives Fahrwasser, so dass die Akademie später in der Rolle einer nationalsozialistischen Vorzeigeinstitution aufgehen konnte.

Published
2014
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