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A long-asked question in children's literature studies is how the child reads the very same book we (adults) have read. In 1984, Peter Hunt argued for a "childist criticism" proposing that young readers' multiple individual responses to literature should inform adults' critical practice. In this article, I propose that affect theory and new materialist epistemologies could reorient our critical practice in and with children's literature. Using the concept of childist criticism (Hunt 1984, 1991) and Maggie MacLure's (2013) notion of the "wonder of data," I follow different encounters between children (and researchers) and the book "La madre y la muerte/La partida" (Laiseca et al., 2016). This book tells a macabre story about a mother that cannot bear to have her child taken away by Death. By following the book's agency (García-González & Deszcz-Tryhubczak, 2020) in the research assemblage of different projects, I propose possible affective methodological orientations to post-representational research for children's literature criticism.

Our work focuses on the transition from high school to university in the field of calculus. In France, recursive sequences are studied as one of the classical exercises in both institutions. Their studies use different theorems and notions, such as functions, convergence, monotonicity, induction, etc. The work expected at this transition requires the development of recognition and control activities on the part of the students. We propose a new task allowing the development of such activities from a dialectic between two paradigms of analysis using the calculator. We highlight that students at the end of high school have difficulties in studying these sequences, and they do not easily develop the activities of recognition and control independently. This could cause problems in understanding recursive sequences at the beginning of university.

We analyse a corpus of 99 recent Spanish-language picturebooks, based on converging recommendations of prestigious reading promotion institutions in different countries. Focusing on the books that feature non-human characters, we inquire into how animals and other creatures may open possibilities to present diverse and intercultural worlds narrating difference differently. Using critical content analysis with an intersectional lens, we give an overview of the predominant narratives about groups and societal organisations in recommended children's books. Most of the books in this sample (re)produce a desire for a social homogeneity, depicting communities of similar creatures threatened by those of a different kind and/or by the destabilisation of hierarchical orders. We highlight a few books that open up possibilities to narrate shifting identities and social positionings, as well as dynamics of exclusion and propose to look at the potential of non-representational stories for intercultural education.

Reading mediation is a concept used in Latin America and Spain, referring to the nurturing role played by adults in forging relationships between children and books. In this article, we conceptualize reading mediation as a 'technology of affect'. We propose 'mediation-as-usual', a normative becoming of this technology, tasked with producing categories and identities regarding readers. Within this technology, adults are produced as empathetic, caring, and providers of safe spaces for reading. We report on literary encounters at a school in Santiago, Chile, with a 'challenging' picturebook. We were involved in the emergence of what we term 'abject mediation', a figuration that produces the limits and boundaries of mediation-as-usual, and, we argue, has transformative potential. However, this is an ephemeral figuration, as reterritorialization works to assimilate the border elements, actualizing mediation-as-usual. We discuss how these figurations may help to question normative ways of producing readers.

Reading is often regarded as a public good and an essential part of developing almost every aspect of human potential. In this article, we survey the "affective economies" of literary reading through a textual and visual analysis of documents issued by Chile's Ministry of Education. Through a critical and diffractive reading of these documents with Ahmed's (2004, 2010) and Braidotti's (2018) conceptualizations of the affective, we claim that when reading is presented as beneficial, pleasurable, and promising, an assemblage of exclusion is set into motion. We describe how the affective repertoires in these documents reinforce oppressive and exclusionary neoliberal values under the guise of the promise of future happiness. The pleasure and happiness that can be achieved through literary reading, however, is only accessible to those who are willing to orientate themselves in the "right ways." In this orientation, the cognitive is privileged over the emotional, and readers are supposed to learn to postpone any current demands for the promise of future happiness.

This article analyses texts intended for child audiences--picturebooks, a poetry book, and a film--that deal with the Chilean dictatorship (1973-1990). The memorialization practices within children's media appear to be modelled on the difficulties of finding a national consensus regarding the events that transpired during the dictatorship and the appropriate ways of rendering them for children. Lydia Kokkola's work on the Holocaust as a "motif" shows that gaps of information are left to be picked up by the adult reading alongside the child. Children's literature that refers to state violence is described as elusive or circumventive. This article approaches these texts as complex materialities, suspending the paradigm of representation and interpretation. Inspired by Ulrich Gumbrecht's call for a post-hermeneutic literary theory and by new materialistic approaches to the humanities and education, it is argued that these texts are more profitably read and experienced as artworks that escape pedagogic domestication. Accordingly, this article examines these selected texts as pieces that may smuggle meanings and intensities into educational settings if their complexity is not reduced by mediation practices.

In this article, we explore ways in which arts-based approaches may be deployed to educate ways of knowing/becoming/doing difference differently, particularly when issues of racism and xenophobia come to the front. We present a school research intervention with students and in-service teachers in Santiago, Chile. In this study, we use "The Island," a picturebook that produces a narrative of exclusion and fear, instead of promoting tolerance and conviviality. From a new materialist approach, we show engagements or makings of children and adults, sketching out how they defy simplistic ways of thinking and feeling about normative difference. We frame this study as a diffractive research-intervention in which the intertwined and productive relation 'books and readers' allow us to problematize rather than simplify what knowing/becoming/doing with arts may do to the production of difference within school contexts.

In 2022, the Chilean literary award Premio Medalla Colibrí had a children's jury for the first time. This article has been written by four researchers, two adults and two children, who participated in this process and then studied the experience. We did interviews with different people involved and an analysis based on the notion of wonder. Here, we present some reflections on the criteria used by the children's jury and some findings that surprised us during the research process. [ABSTRACT FROM AUTHOR]

Intraorbital lymphatic-venous malformations are rare lesions that represent a therapeutic challenge given their location and high rate of recurrence, with only a few cases in adult patients having been published in the literature. We present the case of a 30-year-old male with a right intraorbital lymphatic-venous malformation treated with sirolimus at a dose of 4 mg/day with complete clinical and radiologic remission. Mild cold-like symptoms ensued during the first week of treatment and elevation of liver function enzymes and D-dimer occurred in the context of acute SARS-CoV-2 pneumonia. No major adverse effects were documented. After 18 months of treatment, the patient remains asymptomatic and ophthalmologic examinations including optical coherence tomography and visual field test are within normal values. [ABSTRACT FROM AUTHOR]

Ballooning is a mechanism of aerial dispersal present in some groups of spiders. By releasing silken threads that are blown by the wind, spiders can travel long distances through the air. Aglaoctenus lagotis is a wolf spider that lives its entire life associated with a funnel‐web, despite the wandering habit that characterizes species in this family. We can find two forms of the species in Uruguay, one of them a strict inhabitant of grasslands of Uruguay. The high habitat specificity and the spiderlings observed surrounding the maternal web suggest a low aerial dispersal capacity in this species. In this study, we tested whether A. lagotis spiderlings are capable of dispersing by ballooning. We conducted laboratory and field experiments during the day and night, to record the occurrence of ballooning and typical behaviours that precede ballooning. We recorded ballooning both in the laboratory and in the field, and it was more frequent during the day. Although it has been reported repeatedly in species from this family, we never observed the pre‐ballooning tip‐toeing behaviour in A. lagotis. Ballooning was preceded by dropping on dragline, considered a behaviour that could generate aerial dispersion of lesser distance than that generated by the tip‐toeing. In this paper, we shall discuss the implications of this form of aerial dispersal, considering that the species analysed is a web wolf spider. [ABSTRACT FROM AUTHOR]

This article inquires into what sort of socioemotional education and conviviality are produced when pleasurable literary reading is encouraged in neoliberal cultures. We critically explore the celebration of reading for socioemotional education as it is produced in official government documents distributed to schools in Chile. Assisted by Sara Ahmed's conceptualisation of the cultural politics of emotions and Chantal Mouffe's agonistic theory, we highlight how literary reading is promoted as a tool to manage difference and resolve conflict. We relate the hopes set on reading to a celebratory cult of happiness in which structural injustices are erased. [ABSTRACT FROM AUTHOR]