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The article deals with the analysis and interpretation of the original belt set, found during the study of the only barrow № 3of the burial ground Karban-2 (North Altai). Different elements are revealed in the belt set composition: local (buckles made of antler), Pazyryk and imported (butterfly-like buckles, spike - tool for weaving). The reconstruction of wolf-like predator image, made on fragmentary antler buckles, is represented. The functional and stylistic reconstruction of the complicated multifigured desing of a belt is made. The authors make a conclusion that the decor of the Pazyryk people’s military belts was used to emphasize vital status of the owner and to be a part of barbar luxury, to show the definite mythological concepts of military aristocracy. Karban belt set included the elements with the image of a mythical and realistic wolf-like predator and also of a schematized griffin. It completely corresponds to the modern understanding of the “Pazyryk style”. The presented in the belt decor pictures are ambivalent images, so the understanding the definite meaning of them in the world outlook system of the Pazyryk people is unfortunatelly unavailbale to modern specialists.

The article is devoted to the analysis of the unique syncretical creature’s picture, depicted on the golden plate from the burial ground Karban-2. The golden plate with the picture of the horned animal was found in the near-bottom part of one of the robbed Pazyryk burial mounds. In this article there is a try to define the place of a two-humped “camel” with horns in the system of the figurative plot of Scythian Siberian animal style. The general stylictics of the representation of the character’s horns, legs and head and the usage practice of the plate for the decoration of head dress refer to transcultural components. The local ethnographic features are reflected in the choice of the camel’s figure as a base of a created image, in the combination of a main picture and extra elements of a local griffin and elk iconography. The authors conclude that the Karban plate represents a distinctive imitation of the decorations exterior in Scythian Siberian animal style, the result of a definite artistic experiment.