181 results on '"Gilbert-Rolfe, Jeremy"'
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2. Works in the Exhibition
3. Untitled 98, 1998-99
4. Ground, 1992-97
5. Lenders to the Exhibition
6. Early Work, 1979-86
7. ........................in passing, 1995-97
8. Field, 1995-98
9. Acknowledgments
10. Foreword
11. Introduction
12. Contents Page
13. Title Page, Copyright
14. white blind (bright red), 2002
15. In the Light and Shadow of Morandi, 2017-18
16. The Container
17. Untitled 17, 2017
18. Compositions of Light on White, 2011
19. . . . and of time, 2000
20. . . . and to draw a bright white line with light, 2011
21. . . . from dawn to dusk., 2022
22. Sundial, 2007
23. Seeing with Your Whole Body: Uta Barth's Subjective Perception
24. The Clarity of Confusion
25. Back Cover
26. PLATES
27. Always(?)
28. EDITOR'S CHOICE
29. Notes from the Editors: September 11
30. Nietzschean Critique and the Hegelian Commodity, or the French Have Landed
31. Editor's Choice
32. Editor's Choice
33. Eugene Kaelin, Artist's Philosopher
34. Blankness as a Signifier
35. Editor's Choice
36. Kant’s Ghost, Among Others
37. Uncertainty Prone to Vulgarity
38. Molly Warnock. Simon Hantaï and the Reserves of Painting. University Park, Penn.: Pennsylvania State University Press, 2020. 280 pp.
39. IIIResponse to Saree Makdisi's “The Architecture of Erasure”
40. In Memoriam: Michael Goldberg
41. Liz Larner
42. Gravity's Rainbow and the Spiral Jetty (Conclusion)
43. Gravity's Rainbow and the Spiral Jetty
44. Commodity and Contradiction, or, Contradiction as Commodity
45. Response to Saree Makdisi's ''The Architecture of Erasure''
46. Seams
47. Welchman John C. Past Realization: Essays on Contemporary European Art XX–XXI. Vol. 1
48. Groys Boris In the Flow
49. John C. Welchman. Past Realization: Essays on Contemporary European Art XX–XXI. Vol. 1. Berlin: Sternberg Press, 2016. 501 pp.
50. Color as Metaphor
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