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3. How Do We Move in Front of Art? How Does This Relate to Art Experience? Linking Movement, Eye Tracking, Emotion, and Evaluations in a Gallery-Like Setting.

4. How Do We Move in Front of Art? How Does This Relate to Art Experience? Linking Movement, Eye Tracking, Emotion, and Evaluations in a Gallery-Like Setting

6. sj-docx-1-art-10.1177_02762374231160000 - Supplemental material for How Do We Move in Front of Art? How Does This Relate to Art Experience? Linking Movement, Eye Tracking, Emotion, and Evaluations in a Gallery-Like Setting

10. Dynamic Causal Modeling of the Prefrontal/Amygdala Network During Processing of Emotional Faces

12. How do we move in front of art? How does this relate to art experience? Linking movement, eye tracking, emotion, and evaluations in an ecologically-valid gallery setting

27. PLoS ONE / Indirect (implicit) and direct (explicit) self-esteem measures are virtually unrelated: A meta-analysis of the initial preference task

28. Indirect (implicit) and direct (explicit) self-esteem measures are virtually unrelated: A meta-analysis of the initial preference task

30. TASK

40. Finger Somatotopy in Human Motor Cortex

45. FMRI of Braille reading blind subjects

47. Improved presurgical definition of functional high risk areas

48. Characterizing the emotional response to art beyond pleasure: Correspondence between the emotional characteristics of artworks and viewers' emotional responses.

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