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In this article, Matt Shultz, the lead singer of Cage the Elephant, shares his personal experience with psychosis and his path to recovery. He discusses the support he received from his bandmates during his illness and the impact of his father's passing on their latest album, Neon Pill. Shultz also reflects on his arrest for possessing firearms, which ultimately led him to receive the necessary medical care. He talks about his recovery journey, the role of producer John Hill, and how his mental state influenced the album. Shultz also mentions the band's live performances and their upcoming appearance at Bonnaroo, expressing his excitement for future music-making. [Extracted from the article]

The Disco Biscuits, a popular music band, experienced a period of struggle and slowed output from 2010-2019 due to guitarist Jon Gutwillig's absence and the band's disconnect with their audience. However, Gutwillig's desire to play music full-time again led to the band's revival in 2019. They embarked on a new project called Revolution in Motion, collaborating with outside voice Joey Friedman to create a narrative-driven musical suite. The band used the pandemic-induced break to improve as musicians and strengthen their collaboration skills. The Disco Biscuits recently debuted their new space opera, Revolution in Motion, during a show at Webster Hall in New York. The band has been writing new material and incorporating it into their live performances, with fans responding positively to the new music. The band members have been collaborating creatively and using past live jams to inspire new songs. They are also planning to release a new album in the near future and are committed to returning to touring at full force. The band members have also been working on side projects and focusing on their mental health and personal growth. [Extracted from the article]

Khruangbin, a musical group known for their instrumental tracks, has released their fourth LP, "A La Sala." The album was recorded in Houston and is a stripped-back, guest-free album. The band took a break from touring to focus on writing and recording the album, which features both tracks that have been in development for years and new ideas. The band intentionally chose an instrumental track as the first single and has embraced the importance of live music, recently performing intimate fan-club shows in New York. They are keeping their setlists fresh and enjoying the evolution of their songs as they perform them live. [Extracted from the article]

Ahmed Gallab, known as Sinkane, has released his first album in five years titled "We Belong." Inspired by Burna Boy's performance, Gallab refreshed Sinkane's sound and embraced a more collaborative approach to music-making. The album features a mix of alternative pop, psychedelic funk, exploratory electronica, and gritty punk, with stories about Black people and the music they make. Gallab also overhauled the Sinkane live band and took on the role of a producer, resulting in a modern and diverse album. Additionally, Gallab earned a master's degree in composition during the pandemic, which influenced his latest album and his desire to support other artists in his community. [Extracted from the article]

Norah Jones has released her latest album, "Visions," which was produced by Leon Michels and showcases a mix of jazz, soul, country, pop, and folk. The album was recorded over a year and a half in a home studio in upstate New York, giving it a live energy. Jones drew inspiration from her experiences during the pandemic and found creative ideas through meditation and before falling asleep. She has collaborated with other artists, such as Willie Nelson and Tedeschi Trucks Band, which has influenced her musical approach. Jones plans to embark on a tour with her band, including two female singers for harmonies. [Extracted from the article]

The article features an interview with musician Mike Campbell, known for his work with Tom Petty and the Heartbreakers. Campbell discusses his current role as the frontman for his band The Dirty Knobs and reflects on his visit to a studio where he and Petty started out, feeling a connection to his late bandmate. He also talks about his recent collaborations with artists like Chris Stapleton and George Strait, as well as his excitement about his new album with The Dirty Knobs. Campbell emphasizes his dedication to honoring Petty's legacy while also pursuing his own musical journey. [Extracted from the article]

Cody Dickinson, drummer for the North Mississippi Allstars, has released a new solo album titled "Homemade." The album is deeply personal and explores themes of family, love, and happiness. Dickinson wrote and performed all the music on the album himself, creating a quick and painless recording process. The album features a mix of blues, psychedelic rock, and experimental music, and Dickinson collaborated with Tikyra Jackson from Southern Avenue on vocals. Dickinson is also involved in other projects, including the Take Me to the River film series and recording new music with the North Mississippi Allstars. [Extracted from the article]

The article explores the band Circles Around The Sun and their collaboration with guitarist John Lee Shannon and musician Mikaela Davis. The band was formed in honor of founder Neal Casal's wish for the music to continue after his passing. They recently released an EP titled After Sunrise with Mikaela Davis and are juggling their commitments to other projects while increasing their live performances. The article also delves into the band's origins and their creative process. Additionally, the author shares their personal experience working on the band's latest record, which involved contributing their own ideas for collaboration. The article concludes by mentioning the band's upcoming tour with Grateful Shred, a group inspired by the Grateful Dead. The author acknowledges that some may view the tour as redundant since they also play in Grateful Shred, but they express enthusiasm for the tour and appreciate the unique interpretation that Grateful Shred brings to the Dead's music. [Extracted from the article]

This article from Relix magazine features an interview with Cotter Ellis, a drummer from New England. Ellis discusses his musical journey, from playing pop-punk to discovering Phish and joining the band Goose. He talks about his influences, experiences in the music scene, and the chemistry he has found with Goose. Ellis also mentions his process of learning the band's catalog and the excitement of creating new music together. The Ted Tapes are a collection of improvised music recordings. The purpose of these recordings is to provide listeners with a sense of the sound and atmosphere of the musicians playing together. The musicians have found Connecticut to be a welcoming and enjoyable place to create music, as it offers a supportive environment that allows them to easily experiment with and develop their musical ideas. [Extracted from the article]

The article discusses the formation of a new band called Space Armadillo, consisting of guitarist Andy Greenberg and Steve "The Dude of Life" Pollak. The band is recording their full-length album at Charleston's Coast Records with producer Matt Zutell. The article highlights their collaborative songwriting process and their aim to create a unique sound influenced by various artists. The band also incorporates some songs from the Phish and Dude of Life catalogs into their setlists. [Extracted from the article]

The article discusses the latest offering from the band Crazy Horse, titled "Early Daze," which features previously unreleased tracks recorded in 1969. The bassist, Billy Talbot, reflects on the band's history and the contributions of guitarist Danny Whitten, who was ultimately dismissed from the band due to drug use and passed away in 1972. Talbot also discusses the band's recent collaborations with Neil Young and their plans for the future. The article highlights Talbot's dedication to music and his excitement for future projects. [Extracted from the article]

The article discusses two musical artists, Odie Leigh and Color Green. Odie Leigh started her music career during the global pandemic and is now preparing to release her album, Carrier Pigeon. She writes songs that are personal and honest, conveying specific moments in her life. Color Green, a psych-rock group, released their debut album Fool's Parade, which explores themes of loss and emotional struggles. The group emphasizes improvisation and collaboration in their music-making process. Both artists are nervous about how their music will be received but are committed to staying true to themselves. [Extracted from the article]

Eliza Hardy Jones, a musician and member of The War on Drugs, has long used quilting as a way to mark important moments in her life. She began making quilts after college to commemorate births, deaths, and marriages. In 2016, her passions for music and quilting converged with her project, The Song Quilts. Jones collaborated with various musicians, including members of The War on Drugs and Grace Potter's band, to create her new album, Pickpocket. The album reflects her experiences of grief and fertility treatments. Amigo the Devil, the musical persona of Danny Kiranos, creates dark folk music that tells stories about murder, addiction, and dysfunctional relationships. Kiranos began his music career after leaving his home in Miami and has since toured as a solo act, playing guitar and banjo. His latest album, Yours Until the War Is Over, was written and recorded with the help of his bandmate and co-producer, David Talley. [Extracted from the article]

Taj Mahal, the iconic blues singer and guitarist, continues to tour and release new music at the age of 82. His latest album, Swingin' Live at the Church in Tulsa, was recorded at his friend Leon Russell's studio and captures Mahal's road prowess. Mahal reflects on his Caribbean heritage and his friendship with Bob Marley, and discusses the importance of understanding and acknowledging history. He also shares his memories of Dickey Betts and his love for fishing. Mahal plans to keep challenging his audience and exploring new musical directions. [Extracted from the article]

This document is an editor's note from the June 2024 issue of Relix magazine. The note reflects on the magazine's origin as a platform for swapping live tapes and the sense of community that cassette trading fostered. The editor also mentions the passing of Dickey Betts from The Allman Brothers Band, discusses comeback albums by various artists, reflects on the series finale of Curb Your Enthusiasm, and shares a personal experience with alum Karina Rykman. The note provides a mix of disconnected topics that the editor has been thinking about, all within the context of the magazine's focus on music and festivals. [Extracted from the article]

Lyle Lovett, a 65-year-old Texas-born singer-songwriter, reflects on his career and personal life in an interview. He discusses the joy of becoming a father later in life and how his children have inspired his music. Lovett also talks about his different musical configurations, including his Large Band and smaller acoustic combos. He mentions upcoming collaborations and the importance of relationships in his long career. Lovett reflects on his early songs and how they represent different times in his life. He also discusses his experience studying journalism in college and how it influenced his writing style. The interview concludes with Lovett discussing his recording of "Friend of the Devil" and the impact it had on his career. [Extracted from the article]

BIGYUKI, a genre-busting keyboardist, is aiming to capture the spontaneity of his live shows in his next batch of original compositions. Born in Kobe, Japan, BIGYUKI moved to the United States to attend Berklee College of Music, where he immersed himself in the improvisational and gospel scenes. Influenced by neosoul, hip-hop, and artists like D'Angelo and Erykah Badu, BIGYUKI has become a sought-after session musician and collaborator. He is currently working on his next studio project, focusing on performing and improvisation to showcase his strengths in live performances. [Extracted from the article]