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Considering the displacements verified in the kitchen statute in the panorama of recent audiovisual production, this article intends to understand the ways in which television programs seek to captivate their viewers in their strength as followers of consumer values. Therefore, it formulates analysis operators to identify the ways of addressing in the culinary program, which we propose to understand as a specific genre of the television discourse. Thus, through these methodological tools, the work examines the culinary programs Tempero de Família – Não joga fora (2021) and Que Marravilha – Delivery (2020), broadcasted by GNT channel. As the main result of the study, it might be highlighted the identification of convocations that meet potential demands for well-living formatted in the light of food and cooking consumption. Tendo em vista os tensionamentos verificados no estatuto da cozinha no panorama da produção audiovisual recente, este artigo busca compreender as formas pelas quais programas televisivos buscam cativar seus espectadores em sua força de seguidores de valores de consumo. Para tanto, formula operadores de análise para a identificação dos modos de endereçamento no programa culinário, que propomos compreender como gênero específico do discurso televisual. Assim, por meio desse ferramental metodológico, o trabalho examina os programas culinários Tempero de Família – Não joga fora (2021) e Que Marravilha – Delivery (2020), exibidos pelo canal GNT. Como principal resultado do estudo, destaca-se a identificação de convocações que atendem a demandas latentes de bem-viver formatadas à luz do consumo da comida e da cozinha.

Within the scope of TV studies, it discusses relations between gender and brand performances. It problematizes constructions of femininities that respond to the communication strategies of the GNT channel based on the notion of performance as a theoretical-methodological category for analyzing how and with which bodies it constitutes figurations of itself. It contemplates the historical formation of the channel and it analyzes a corpus made up of six products – broadcast on the program, on the website, on YouTube and Facebook - referring to the International Women's Day, in 2017, when approximations with a sense of diversity are evidenced. Results indicate ambiguities in how the channel has been seen, since then, in these ambiences. En el ámbito de los estudios de televisión, se analizan las relaciones entre género y actuaciones de marca. El artículo discute construcciones de feminidades que responden a las estrategias comunicacionales de GNT basadas en la noción de performance como categoría teórico-metodológica para el análisis de cómo y con qué cuerpos constituye figuraciones de sí misma. Contempla la formación histórica del canal y analiza un corpus conformado por seis productos -transmitidos en el programa, en el sitio web, en YouTube y Facebook- en referencia al Día Internacional de la Mujer, en 2017, cuando aproximaciones con sentido de diversidad. se evidencian. Los resultados indican ambigüedades en cómo se ha visto el canal, desde entonces, en estos ámbitos. No âmbito dos estudos de TV, discute-se relações entre performances de gênero e de marca. O artigo problematiza construções de feminilidades que respondem por estratégias comunicacionais do GNT tendo a noção de performance como categoria teórico- metodológica para análise de como e com quais corpos o canal constitui figurações de si. Contempla sua formação histórica e analisa um corpus formado por seis produtos - veiculados na programação, no site, no YouTube e Facebook - referentes ao Dia Internacional da Mulher, em 2017, quando são evidenciadas aproximações com o sentido de diversidade. Resultados indicam ambiguidades em como o canal se faz ver, desde então, nessas ambiências. &nbsp

Submitted by Tess Chamusca (tesschamusca@gmail.com) on 2022-07-12T17:31:12Z No. of bitstreams: 1 Tese_Tess_Chamusca-2.pdf: 3976683 bytes, checksum: 0dd2b603dc4ef88969b9f3f713bf3bfe (MD5) Approved for entry into archive by Setor de Periódicos (per_macedocosta@ufba.br) on 2022-07-14T14:11:52Z (GMT) No. of bitstreams: 1 Tese_Tess_Chamusca-2.pdf: 3976683 bytes, checksum: 0dd2b603dc4ef88969b9f3f713bf3bfe (MD5) Made available in DSpace on 2022-07-14T14:11:53Z (GMT). No. of bitstreams: 1 Tese_Tess_Chamusca-2.pdf: 3976683 bytes, checksum: 0dd2b603dc4ef88969b9f3f713bf3bfe (MD5) Previous issue date: 2020-07-27 CAPES Esta tese investiga as transformações históricas na identidade de marca do canal nacional de TV paga GNT em sua trajetória de apropriação de valores vinculados às identidades de gênero. Numa ênfase ao seu caráter de prática cultural, a identidade de marca é concebida como resultado de um complexo jogo de interação entre múltiplos discursos e práticas que articula os campos da produção e da recepção em contextos políticos, econômicos e culturais específicos. Para a execução de uma análise fundamentada nessa concepção, a tese aposta em uma articulação entre os conceitos de modos de endereçamento, interpretado como estilo próprio de produzir televisão e prática de subjetivação, gênero televisivo, identidades de gênero e mapa das mediações elaborado por Jesús Martín-Barbero. A análise é conduzida a partir de uma trama de programas do GNT, escolhidos por conta das interlocuções e tensões que expressam entre gêneros televisivos e identidades de gênero. São eles: Saia Justa, Manhattan Connection, Contemporâneo, Superbonita, Papo de Segunda e Tempero de Família. Porém, o estudo se debruça sobre um corpus mais amplo que inclui, além dos programas citados, outras produções que orbitam e se relacionam com essa trama, como vinhetas, campanhas e matérias publicadas no site institucional do GNT, depoimentos da equipe gestora do canal e realizadores dos programas coletados em matérias jornalísticas e avaliações presentes em críticas televisivas. Tendo em conta que o canal tem um longo percurso de atuação no país, foram elencados eixos temporais que contribuem para a investigação da questão da pesquisa: os anos de 2002/2003, 2010/2011, 2015 e 2017. Inspirado em autores que têm refletido sobre a historicidade dos processos comunicacionais, os períodos são analisados a partir da ênfase na dimensão processual e histórica da construção da identidade de marca do GNT. Os resultados da pesquisa apontam que se reportar a um universo feminino se traduziu em uma televisão de intimidade, que se expressa nos cenários, nas formas de conversação, na escolha do elenco e nos temas discutidos, e ao mesmo tempo em uma referência a um contexto urbano, dinâmico e cosmopolita. São valores que se destacam no canal ao longo do período analisado a família, a beleza, o trabalho, a independência financeira e, mais recentemente, a diversidade e o ativismo. This doctoral thesis investigates the structural changes in the brand identity of the Brazilian pay-TV GNT in its path of appropriation of values linked to gender identities. With an emphasis on its cultural practice aspect, brand identity is conceived as the result of a complex play of interaction between many discourses and practices that unites both the fields of production and reception in specific political, economic and cultural contexts. Based on this conception, this work wagers on articulation between the notions of modes of address— regarded as a specific style of producing for television and practice of subjectfication— television genre, gender identities and the map of mediations proposed by Jesús MartínBarbero. The analysis parts from an intertwined set of TV shows on GNT (Saia Justa, Manhattan Connection, Contemporâneo, Superbonita, Papo de Segunda, and Tempero de Família), chosen due to the interlocutions and tensions they express between television genres and gender identities. However, in addition to the TV shows, the study focuses on a broader corpus that includes other productions circling around and relating to this set of shows, vignettes, advertising campaigns and articles published on the GNT institutional website, testimonials given by the management team of the channel and TV show producers in journalistic reports, and television reviews. Considering the channel has had a vast course of action in Brazil, year ranges that contribute to the investigation of the research question are the following: 2002/2003, 2010/2011, 2015, and 2017. Inspired by authors who have reflected on the historicity of communication processes, the year ranges are analysed stemming from the emphasis on the procedural and historical dimension of the GNT brand identity construction. The research findings show that reporting to a feminine universe has translated into a television of intimacy, expressed in the TV set designs, forms of conversation, cast selection, topics discussed, and in reference to an urban, dynamic and cosmopolitan context at the same time. Family, beauty, employment, financial independence, and more recently diversity and activisms, are values that have stood out on the TV channel over the examined time framework.

Данная статья посвящена анализу алгоритмов обхода препятствий и поиска пути для мобильного устройства в априорно неопределенной среде. Рассмотрены алгоритмы Жука и навигации по зазорам (GNT), а также методы обхода препятствий с помощью методов клеточной декомпозиции и диаграммы Вороного.

Submitted by Franciene Aguiar (franciene.aguiar@ucb.br) on 2017-09-25T21:18:53Z No. of bitstreams: 1 LeticiaDaSilvaTeixeiraTCCGRADUACAO2017.pdf: 464778 bytes, checksum: 164ea7eabcf7d558b14087f1fc20b7ee (MD5) Approved for entry into archive by Sara Ribeiro (sara.ribeiro@ucb.br) on 2017-09-26T13:13:30Z (GMT) No. of bitstreams: 1 LeticiaDaSilvaTeixeiraTCCGRADUACAO2017.pdf: 464778 bytes, checksum: 164ea7eabcf7d558b14087f1fc20b7ee (MD5) Made available in DSpace on 2017-09-26T13:13:30Z (GMT). No. of bitstreams: 1 LeticiaDaSilvaTeixeiraTCCGRADUACAO2017.pdf: 464778 bytes, checksum: 164ea7eabcf7d558b14087f1fc20b7ee (MD5) Previous issue date: 2017 O aumento do número de famílias formadas por pais/mães homossexuais, travestis, transexuais e por pessoas que optam pela adoção é um fato social cada vez mais presente em nossa realidade. No entanto esse tipo de configuração familiar sofre com o preconceito social, principalmente no que diz respeito à criação das crianças adotadas e a possível influência na orientação sexual das mesmas. O propósito deste artigo é analisar a representação da Adoção Homoparental na TV tendo como fonte de pesquisa o estudo da recepção de cinco estudantes do curso de Comunicação Social da Universidade Católica de Brasília, a partir da apresentação de um dos episódios da série documental “Histórias de Adoção” exibida pelo canal da TV a Cabo, GNT. The increase in the number of families formed by homosexual parents, transvestites, transsexuals and adoptive persons is a social fact that is increasingly present in our reality. However, this type of family configuration suffers from social prejudice, especially regarding the creation of adopted children and the possible influence on their sexual orientation. The purpose of this article is to analyze the representation of Homoparental Adoption in TV having as research source the study of the reception of five students of the course of Social Communication of the Catholic University of Brasilia from the presentation of one of the episodes of the documentary series "Stories of Adoption "Displayed by the cable TV channel, GNT.

This is a work that explores linguistic style within the Greek New Testament and the extent to which its presumed causes (e.g. differences in authorship, genre, topic, subject matter, and the like) can be “disentangled.” Scarcely anyone who has perused the long history of authorship debates in the New Testament can mistake the profound implications such a “disentangling” would bring. Two motivations exist to revisit this issue: compelling recent findings in computational stylistics, and the sheer theological implications such a study may bring. Concerning the former motivation, earlier generations of scholars assigned, de facto, virtually any significant stylistic variation to authorship alone. The last thirty years of research outside NT studies, however, has demonstrated that more frequently than not, more of the total summed stylistic variation in mixed genre corpora is due to genre rather than authorship. What, indeed, would be the implications if those findings proved true of the GNT as well? First, and somewhat deconstructively, if the major proportion of stylistic variation in the GNT were found to be due to genre rather than authorship—or even close to it—any prior studies that had (1) failed to test for genre as a competing theory or (2) failed to remove genre as a covariate have almost certainly confounded genre with authorship. Second, and more constructively, if a convincing separation between what is commonly termed authorial variation and the various sources of sociolectic variation (which include component as genre/register, subject matter, audience, and the like) can be achieved, such a thing would have broad and sweeping impact upon many topoi within New Testament scholarship. Not only would it influence the obvious suspects (i.e. the authorship of the Pastoral Epistles, the extent of the Pauline Canon, pseudepigraphy, the Synoptic Problem, and the like) it would also necessarily influence the current vigorous discourse in New Testament hermeneutics itself. My approach is threefold. First, the history of computational stylistics both within and outside NT studies will be reviewed. Second, as to method, an abductive approach, one that harnesses both Systemic Functional Linguistics and a variety of univariate and multivariate methods will be adopted. Third, that method will be exercised on the text of the Greek New Testament itself. Thesis Doctor of Philosophy (PhD)

Corynebacterium glutamicum is widely used in the industrial production of amino acids. We have found that this bacterium grows exponentially on a mineral medium supplemented with gluconate. Gluconate permease and Gluconokinase are expressed in an inducible form and, 6-phosphogluconate dehydrogenase, although constitutively expressed, shows a 3-fold higher specific level in gluconate grown cells than those grown in fructose under similar conditions. Interestingly, these activities are lower than those detected in the strain Escherichia coli M1-8, cultivated under similar conditions. Additionally, here we also confirmed that this bacterium lacks 6-phosphogluconate dehydratase activity. Thus, gluconate must be metabolized through the pentose phosphate pathway. Genes encoding gluconate transport and its phosphorylation were cloned from C. glutamicum, and expressed in suitable E. coli mutants. Sequence analysis revealed that the amino acid sequences obtained from these genes, denoted as gntP and gntK, were similar to those found in other bacteria. Analysis of both genes by RT-PCR suggested constitutive expression, in disagreement with the inducible character of their corresponding activities. The results suggest that gluconate might be a suitable source of reduction potential for improving the efficiency in cultures engaged in amino acids production. This is the first time that gluconate specific enzymatic activities are reported in C. glutamicum.

CNT/CFRP (Carbon Nanotube/ Carbon Fiber Reinforced Plastic) composites and GNP/CFRP (Graphene Nano platelet/ Carbon Fiber Reinforced Plastic) have several excellent mechanical properties including, high strength, young's modulus, thermal conductivity, corrosion resistance, electronic shielding and so on. In this study, CNT/CFRP composites were manufactured by varying the CNT weight ratio as 2wt% and 3wt%, While GNP/CFRP composites were manufactured by varying the GNP weight ratio as 0.5wt% and 1wt%. The composites ware manufactured by mechanical method (3-roll-mill). Tensile, impact and wear tests were performed according to ASTM standards D638, D256 and D3181 respectively. It was observed that, increasing the CNT weight ratio improves the mechanical properties, e.g., tensile strength, impact and wear resistance.