242 results on '"Fischlin, Daniel"'
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2. Eleven. Three Moments in Kī Hō‘alu (Hawaiian Slack Key Guitar): Improvising as a Kanaka Maoli (Native Hawaiian) Adaptive Strategy
3. Two. The Exhibition of Vandalizim: Improvising Healing, Politics, and Film in South Africa
4. Half-Title Page, Title Page, Copyright, Dedication
5. Contributors
6. Twelve. From Prepeace to Postconflict: The Ethics of (Non)Listening and Cocreation in a Divided Society
7. Nine. Improvisation, Grounded Humanity, and Witnessing in Palestine: An Interview with Al-Mada’s Odeh Turjman and Reem Abdul Hadi
8. Ten. Silsulim (Improvised “Curls') in the Vocal Performance of Israeli Popular Music: Identity, Power, and Politics
9. Eight. Street Concerts and Sexual Harassment in Post-Mubarak Egypt: Ṭarab as Affective Politics
10. Six. Nina Simone: CIVIL JAZZ!
11. Five. Experimental and Improvised Norths: The Sonic Geographies of Tanya Tagaq’s Collaborations with Derek Charke and the Kronos Quartet
12. Seven. Free Improvised Music in Postwar Beirut: Differential Sounds, Intersectarian Collaborations, and Critical Collective Memory
13. Playing for Keeps: An Introduction
14. Acknowledgments
15. One. Manifesto
16. Table of Contents
17. Three. The Rigors of Afro/Canarian Jazz: Sounding Peripheral Vision with Severed Tongues
18. Four. “Opening Up a Space That Maybe Wouldn’t Exist Otherwise'/ Holding It Down in the Aftermath
19. Metalepsis and the Rhetoric of Lyric Affect
20. Moving On/Living On… Toward a Theory of Improvisation and Interdisciplinarity
21. Devouring Time: Nostalgia in Contemporary Shakespearean Screen Adaptations by Philippa Sheppard (review)
22. Upcycling Shakespeare: Crafting Cultural Capital
23. Patchwork Shakespeare: Community Events at the American Shakespeare Tercentenary (1916)
24. Index
25. Beyond Adaptation
26. Contributors
27. Part Two: These Violent Delights Have Violent Ends: Shakespearean Adaptation and Film Intermedia
28. Part Four: Give No Limits to My Tongue ... I Am Privileged to Speak: The Limits of Adaptation?
29. Sounding Shakespeare: Intermedial Adaptation and Popular Music
30. Part Three: All the Uses of This World: TV, Radio, Popular Music, Theatre, and the Uses of Intermedia
31. Transgression and Transformation: Mickey B and the Dramaturgy of Adaptation
32. Playing the Race Bard: How Shakespeare and Harlem Duet Sold (at) the 2006 Stratford Shakespeare Festival
33. Slings & Arrows: An Intermediated Shakespearean Adaptation
34. Is There an App for That?: Mobile Shakespeare on the Phone and in the Cloud
35. Acknowledgments
36. Your Master's Voice: The Shakespearean Narrator as Intermedial Authority on 1930s American Radio
37. Melted into Media: Reading Julie Taymor's Film Adaptation of The Tempest in the Wake of 9/11 and the War on Terror
38. Introduction: OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation
39. Part One: Strange Invention: Shakespeare in the New Media
40. YouTube Shakespeare, Appropriation, and Rhetorics of Invention
41. List of Illustrations
42. Synopsis, Title, Copyright, In Memoriam, Epigraph
43. Detaining Time: Temporal Resistance in Literature from Shakespeare to McEwan by Eric P. Levy (review)
44. Cover
45. Title, Copyright
46. Index
47. Works Cited
48. Prelude: “The Fierce Urgency of Now': Improvisation, Rights, and the Ethics of Cocreation
49. Notes
50. 2. Improvisation and Encounter: Rights in the Key of Difference
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