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2. At 83, 'Lion King' choreographer Garth Fagan is still inventing moves

3. Garth Fagan and Dancers Wow Sold-Out Audience at Texas A&M University-Commerce

4. Garth Fagan and Dancers Wow Sold-Out Audience at Texas A&M University-Commerce

5. Garth Fagan.

6. Grants and Acquisitions.

7. Cause for celebration: Garth Fagan's company turns 40

8. Cause for Celebration.

9. JAZZ IN MOTION AT JAZZ AT LINCOLN CENTER.

10. Fagan's Flight.

11. Not My Job: We Ask The Choreographer Of 'The Lion King' About Lying Kings

12. When Inspiration Won't Strike.

13. Broadway's Lion Tamer.

14. Fagan, Garth.

15. The Long Jump.

18. Senior dance major to audition for 'Lion King' choreographer in New York City

19. Garth Fagan

20. Sculptural force with subtext

21. THE 'LION' LEAPS TONIGHT

22. To his own beat

23. A Departure Adds Colors To the Palette

24. DANCE.

25. American Dance Guild's 60th-Anniversary Festival.

26. November Dance Calendar.

27. Garth Fagan Dance Joyce, New York HILARY OSTLERE The Critics

28. Finding their focus far from New York; Garth Fagan's dancers commit themselves to living and working in Rochester, away from the center of their world

29. FREDERICK DOUGLASS INSTITUTE MARKS 25 YEARS WITH GARTH FAGAN DANCE DEMONSTRATION

30. DANCE IN REVIEW; Striking Shapes In Eloquent Patterns

32. DANCE REVIEW; On a Slave Ship, Humanity's Power

33. DANCE; For Garth Fagan, Home Is Where The Focus Clears

34. Vitolio Jeune.

35. Girl Most Likely….

36. DANCE.

37. DANCE.

38. Keisha Clarke.

39. DANCE REVIEW; A Painter In Movement Defies Bonds Of Gravity

41. CRITIC'S NOTEBOOK; Leading or Supporting, Dance Knows Its Role

42. DANCE VIEW; Neighbors on 42d Street, but a World Apart

43. IN PERFORMANCE: DANCE

44. DANCE REVIEW;A Vision of Steps That Often Clash

45. DANCE REVIEW;Age Wins in Limon Bill Of Works From the 40's

46. TELEVISION REVIEW; A Dance Tells the Tale Of Urban Vicissitudes

47. IN PERFORMANCE; DANCE

49. DANCE REVIEW; A Master of the Dynamic Image With an Unexpected Guise

50. Review/Dance; A Company Still in Search Of a Repertory

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